Memorial discussion of the work of George Santayana on the occasion of his 100th birthday.

I assess some of the ways in which Santayana takes philosophy to be a personal, poetic endeavor. In doing so, I also suggest that in some ways his work in the realm of spirit is more of a philosophy of the personal than much of the work of the American pragmatists.

This paper examines Santayana on imagination, and related themes, chiefly as these are expressed in his early work, Interpretations of Poetry and Religion (1900). My hypothesis is that Santayana under-estimates, in this book, the force and significance of the prevalent distinction between imagination and fancy, as this was originally put forward by Coleridge and later developed in Emerson’s late essays. I will focus on some of those aspects of Santayana’s book which appear to react to or to engage with Emerson’s (...) views and aim to bring Santayana’s treatment of the theme of imagination into relation with Emerson. Understanding the differences in greater detail we stand a better chance of reasoned evaluation of alternative conceptions of imagination. I will argue that the Coleridge-Emersonian conception of the distinction between imagination and fancy is a crucial element of the background of Peircean abduction, and in this fashion, contributes to the continuity of Emerson’s writings with the pragmatist tradition. (shrink)

George Santayana was not only a poet but also a philosopher whose style, concerns, and even positions drew in his own time and continues to draw in ours the attention of poets and, more broadly, literary authors. He was, in short, a poet's philosopher. In so characterizing Santayana, however, there is no slight of his strictly philosophical achievement. The philosophical finesse with which he treated complex topics is, indeed, nowhere more evident than in his rigorous analysis of poetic utterance. The (...) author of this essay explores Santayana's nuanced account of poetic utterance and, then, interprets Santayana's own literary accomplishments, including his philosophical writings, in light of this account. Given the attention which Angus Kerr-Lawson has paid to the rhetorical strategies and literary qualities of this singular philosopher, it is fitting to contribute such an essay to an issue in his honor. (shrink)

American poet Ezra Pound wrote a letter on February 6, 1940, inviting American philosopher George Santayana to join poet T. S. Eliot and himself in writing “a volume . . . on the Ideal University, or The Proper Curriculum, or how it would be possible to educate and/or (mostly or) civilize the university stewd-dent.”1 Santayana declined the invitation and claimed to have no ideas on the subject of education. Participation would have been morally impossible, he wrote, because unlike Pound and (...) Eliot, whom he regarded as “reformers, full of prophetic zeal and faith in the Advent of the Lord,” Santayana was “cynically content to let people educate or neglect themselves as they may prefer.”2 This supports the .. (shrink)

The primary purpose of this volume is to introduce these philosophers to readers who do not yet know their writings at first hand.

Critics of Dewey’s metaphysics point to his dismissal of any philosophy which locates ideals in a realm beyond experience. However, Dewey’s sustained critique of dualistic philosophies is but a first step in his reconstruction and recovery of the function of the metaphysical. Detaching the discussion of values from inquiry, whether scientific, philosophical or educational, produces the same end as relegating values to a transcendent realm that is beyond ordinary human discourse. Dewey’s naturalistic metaphysics supports his progressive educational philosophy. The duty (...) of education is grounded in its service to democracy; it must help students develop the ability to express, discuss, and develop their moral reasoning through experiential and experimental learning. (shrink)

Thinking in the Ruins will enhance our understanding of the intellectual accomplishments of monumental thinkers Ludwig Wittgenstein and George Santayana, showing how each influenced subsequent American philosophers. The book also serves as a call to philosophers to look beyond traditional classifications to the substance of philosophical thought.

In Scepticism and Animal Faith, Santayana pursues two projects: the development of a philosophy of animal faith and the presentation of an ontology. The two projects are not easily reconciled and Santayana appears not to have distinguished them or recognized that they pull in different directions. The hypothesis that he has two projects explains a variety of the anomalous features of Santayana's philosophy, including the account of matter concerning which Kerr-Lawson and I have long disagreed.

Abstract Within the moral philosophy of the Spanish?American philosopher George San?tayana (1863?1952), reference to Buddhism becomes an essential feature in his formulation of the notion of post?rational morality, which is that ?phase? of morality which involves an effort to subordinate all precepts to one that points to some single eventual good. Post?rational morality is synonymous with the spiritual life, an essential feature of which is detachment; and this is why the Buddhists can be said to be the ?true masters? of (...) the subject. Santayana's claim that Buddhism ?suffers from a fundamental contradiction? can also be seen as an opportunity for us to deepen our own understanding of that philosophy. (shrink)

Selections from the writings of George Santayana.

While reading, and thinking about how to respond to, Willem Drees’s Religion, Science and Naturalism, I was reminded of an earlier dispute between George Santayana and John Dewey about, among other things, how to incorporate religion into a naturalistic world view. Dewey described Santayana’s naturalism as "broken backed" because of his dualistic distinction between the mechanism of nature and the life of the mind and his relegation of religion to the latter, epiphenomenal realm.

Philosopher, poet, literary and cultural critic, George Santayana is a principal figure in Classical American Philosophy. His naturalism and emphasis on creative imagination were harbingers of important intellectual turns on both sides of the Atlantic. He was a naturalist before naturalism grew popular; he appreciated multiple perfections before multiculturalism became an issue; he thought of philosophy as literature before it became a theme in American and European scholarly circles; and he managed to naturalize Platonism, update Aristotle, fight off idealisms, and (...) provide a striking and sensitive account of the spiritual life without being a religious believer. His Hispanic heritage, shaded by his sense of being an outsider in America, captures many qualities of American life missed by insiders, and presents views equal to Tocqueville in quality and importance. Beyond philosophy, only Emerson may match his literary production. As a public figure, he appeared on the front cover of Time (3 February 1936), and his autobiography (Persons and Places, 1944) and only novel (The Last Puritan, 1936) were the best-selling books in the United States as Book-of-the-Month Club selections. The novel was nominated for a Pulitzer Prize, and Edmund Wilson ranked Persons and Places among the few first-rate autobiographies, comparing it favorably to Yeats's memoirs, The Education of Henry Adams, and Proust's Remembrance of Things Past. Remarkably, Santayana achieved this stature in American thought without being an American citizen. He proudly retained his Spanish citizenship throughout his life. Yet, as he readily admitted, it is as an American that his philosophical and literary corpuses are to be judged. Using contemporary classifications, Santayana is the first and foremost Hispanic-American philosopher. (shrink)