History

This article introduces the concept of Informal Feminist Placemaking, a transformative approach to urban activism that challenges traditional gender norms and fosters gender equality in public spaces. By exploring the dynamics of informal feminist placemaking practices, this article sheds light on how women, particularly in restrictive socio-political environments, creatively navigate and contest gendered urban landscapes. It highlights the significance of recognizing and supporting these grassroots initiatives as integral to inclusive and equitable urban development. Informal Feminist Placemaking not only contributes to (...) the discourse on feminist urbanism but also underscores the potential of informal practices in redefining urban spaces and promoting social change. This perspective underscores the need for recognizing and supporting informal placemaking initiatives as a vital component of inclusive and equitable urban development. (shrink)

O presente texto oferece uma interpretação de Do Império à República, o livro de Sérgio Buarque de Holanda que reconta a história política brasileira da segunda metade do século XIX. Baseando-se em conceitos desenvolvidos pelo teórico da história Jörn Rüsen, o artigo detém-se particularmente em três aspectos do referido livro: os artefatos teóricos que presidem a interpretação da crise da Monarquia brasileira, os padrões narrativos que dão suporte à constituição de sentido sobre essa experiência do passado, bem como o contexto (...) atual de orientação que serviu de parâmetro de significado/sentido à interpretação e à representação. Esta análise pretende ilustrar que a teoria da história é não só um meio para explorar abstratamente as complexas questões ligadas à produção do conhecimento histórico, mas também uma ferramenta para a obtenção de imagens concretas acerca da prática intelectual dos historiadores profissionais. (shrink)

The Sandal-Binder Aphrodite, a witty variation on Praxiteles’ Aphrodite of Knidos, is one of the most frequently reproduced sculptural types in Greco-Roman art. Created in a variety of materials throughout the Mediterranean, extant versions of this iconography show the goddess in the act of tying (or possibly untying) her sandal. Although a large number of these works of art date between the first and fourth century CE, most studies on the Sandal-Binder have approached it primarily as an expression of Hellenistic (...) Greek artistic trends. The present study shifts our attention away from the cultural milieu of the Sandal-Binder’s creation to that of its reception. Two well-preserved examples—one from a house in Pompeii and the other from London—attest to the process of translating or adapting this sensual image of Aphrodite to a Roman ideological framework. In both cases, it is through the language of body adornment that this transformation is achieved: while the example from Pompeii (a marble statuette adorned with gold paint) shows the goddess wearing contemporary jewelry and clothing, the diminutive silver figurine from London is part of a fashionable hairpin that points to the dissemination of imperial hairstyles in Rome’s remotest province. By calling attention to their design and function, this essay highlights the complex polysemy of Roman Sandal-Binders and the powerful messages they communicated to a diverse audience of viewers both at the heart of the empire and in the provinces. (shrink)

The Fasti Antiates Ministrorum Domus Augustae, a large inscription associated with the imperial villa at Antium, is best known for its iteration of the Augustan calendar. In this article, I reassess the fasti in their entirety, focusing on their manner of display and social function. I place special emphasis on the section of the inscription, largely overlooked, that contains the annual records of magistrates who led the voluntary association that commissioned the inscription, a detailed record of two decades of local (...) history. The association revealed in these records worked to bestow honors on its members, offering them prestige within and beyond the household, and also acted to censure them. Because the fasti identify most magistrates by job title, they also provide invaluable information about the villa’s workforce, composed of enslaved people and freedmen; the document provides a valuable counterpoint to other testimonia for occupations, largely funerary. Manual laborers and domestics appear with greater frequency in the fasti than they do in occupational inscriptions from funerary contexts, while administrators, abundant in funerary contexts, form a minority. Importantly, the magistrates’ list reveals that the association was a group in which the “sub-clerical grades” of imperial slaves and freedmen could accrue prestige and wield authority as readily as their overseers. In the community reflected in the fasti, power derived not from job status within a workplace hierarchy, but from social standing among peers—acquired and maintained (or lost) over decades of service. (shrink)

In this paper I consider ways in which seawater––both on its surface and in its depths––opens up alternative forms of thought and expression in Homer, especially with respect to the body. By tracking the relationship between body and simile as it is mediated by the surface of the sea, I argue that water emerges as an especially mobile and adaptive medium for expressing the transformation that takes place between self and simile in Homer. In the Iliad, similes are well-known for (...) bringing weather, waves, and other aspects of the natural environment into the poem, whereas in the Odyssey those aspects more often introduce similes of their own. I offer a reading of the shipwreck scene in Odyssey 5 to suggest that the body’s struggle to stay afloat is matched there, on a formal level, by the role of waves in drawing simile and body to the sea’s surface. I then address a different kind of figurative language (closer to metaphor and associated with grief) that takes place in the depths, through readings of scenes in Books 18 and 24 of the Iliad and Archilochus fragment 13. (shrink)

All parts of Heraclitus’ cosmos are simultaneously living and dying. Its constituent stuffs (“biomasses”) cycle endlessly through physical changes in sweeping patterns (“biorhythms”) that are reflected in the dynamic rhythms of Heraclitus’ own thought and language. These natural processes are best examined at a more-than-human level that exceeds individuation, stable identity, rational comprehension, and linguistic capture. B62 (“mortals immortals”), one of Heraclitus’ most perplexing fragments, models these processes in a spectacular fashion: it describes the imbrication not only of humans and (...) gods but of cosmic masses more generally, and its language mimics the natural relations that it names, or rather intimates through its grammatical and syntactical indeterminacy. The remaining fragments amplify the uncertainties and the exhilarations of Heraclitus’ worldview along the same lines. His approach to nature raises urgent questions about how human beings fit into the cosmos, not least by challenging our intuitive conceptions of life and death, our material makeup, and our entanglements with our natural surroundings. In doing so, he provides vital lessons for contemporary ecological awareness, and proves to be an unexpected ally. (shrink)

This paper is an attempt to think through paranoia’s epistemic and affective features, which pervade both the worldview presented in Senecan tragedy and the inner life of many of its protagonists. Drawing upon recent literary-critical work, I argue that paranoia is temporally and epistemically ambivalent: subjects simultaneously attempt to “get ahead” of a looming cataclysm—looking to the future in an attempt to avert disaster—while inevitably “falling behind,” failing to predict or preempt the future in time to protect themselves. Much of (...) Senecan tragedy plays out paranoia’s future-oriented vigilance on the formal level. Foreshadowing, allusions, and meta-literary flourishes serve to render both readers and characters hyperaware of the earth-shattering horrors to come; however, in doing so, they also reveal that this forward-oriented bracing only serves to dredge up negative affect in advance. By contrast, I argue that Seneca’s Phoenissae thematizes in the character of Oedipus not only paranoia’s future-looking vigilance but also its inherent lagging, the failure to know and act in advance. These elements of slowness, stuckness, and delay open a space for stillness, relief, and intimacy, even within a narrative which hurtles toward cataclysm. (shrink)

The Mongols’ invasion of the territories of the Islamic world, especially Baghdad, the seat of the Islamic Caliphate, had great consequences, including the fall of Baghdad and the Bani Abbas Caliphate, the killing of the Caliph, and extensive destruction in the geography of their invasion. About half a century after the invasion of the Mongols, Ibn Taymiyyah (1263-1328), regardless of historical documents, accused Nasir al-Din al-Tusi, a prominent thinker, of collusion and cooperation with Hulagu Khan. After Ibn Taymiyyah Harrani, these (...) accusations were followed and disseminated in religious, historical, rijal (the study of hadith narrators and their personality), and even moral books by his students, such as Ibn Qayyim al Jawziyya (1292-1350). This article is an attempt to deny these accusations. Relying on the earliest historical documents, it tries to describe the historical event as it happened. In this regard, the article first provides the text of Nasir al-Din al-Tusi’s short treatise “On the Baghdad Incident”, included in Aladdin Atamalik Juveyni’s “Tarikh-i Jahangusha”, and then presents its descriptive interpretation separately. Although this treatise is short, it contains all the important points, from Hulagu Khan’s decision to go to war to the conquest of Baghdad and the analysis of the internal factors of the fall of the caliphate. This treatise, above all, is a very solid argument. For its author first of all was the witness of the Baghdad events. Secondly, in this writing, Nasir al-Din al-Tusi examines the Mongols’ attack on Baghdad but does not mention his own activity or role in the attack on Baghdad. Thirdly, if he had an activity and a role in this incident, or if he had an intention to take revenge on his religious opponents considering the situation, he should at least have hinted and expressed his approval, which is not the case at all. (shrink)

As it is known, in the early Islamic period, that is, during the time of the Prophet and his companions it was not difficult to find answers to the questions. However, when we look at the later periods, we see that people who had just accepted Islam, belonging to many new cultures, asked new questions. It was not so easy to answer these questions merely based on the Qur'an and the Sunnah. For this reason, Kufa scholars considered it necessary to (...) use ijtihad with raʾy (free legal reasoning). They were subjected to a lot of criticism in that period and today because they resorted to raʾy while doing ijtihad. One of the two main schools that criticized the Ahl al-Ra’y the most was the Ahl al-Hadith (people of hadith) school. From the early days of the formation of the Hadith school of jurisprudence, the Iraqi school has been accused of abandoning the book and the Sunnah in the interpretation of Shari'ah rulings and preferring the rulings obtained by the intellectual method. This intellectual method that we are talking about has been the target of criticism in certain historical periods, sometimes in the name of ra’y, sometimes inthe name of qiyas (analogy), and sometimes in the name of istihsan. Abu Hanifa is one of the famous scholars who have been criticized by Ahl al-Hadith. This article deals with the life, works and school of ra’y of Abu Hanifa. (shrink)

Museums lose their conceptual complexity and polysemy under conditions of war, forced confrontation, and struggles for survival, which may lead to a loss of diversity in the long run. Parametric General Systems analysis allows us to consider a museum as a system and to explore substratum, structural, and conceptual types of simplicity and complexity. Such qualitative analysis makes it possible to move the discussion from the ideological and value sphere to the field of rational and science-based justification. This justification, in (...) turn, illustrates why it is important to maintain complex interpretations in Ukrainian museums during the current war. (shrink)

This study situates Henry Havelock Ellis’s sexological research within the nineteenth-century evolutionary debates, especially the discussion over sexual selection’s applicability to humanity. For example, Ellis’s monograph on sexual behavior, _Sexual Inversion_ (1897), treated inborn homosexuality as a natural variation of evolutionary mechanisms. This book was situated within a longer study of human sexuality in relation to evolutionary selection. His later works dealt even more directly with Charles Darwin’s concept of selection, such as _Sexual Selection in Man_ (1905). Through _Sexual Selection (...) in Man_, Ellis asserted that sexual attraction stemmed from a physical cause rather than an innate aesthetic sense. I argue that Ellis’s best-known historical publications, including his work on sexual inversion, were intended to intervene in the contemporary evolutionary debates. This analysis also identifies a specific point where evolutionary theory informed the foundation of sexology as a scientific discipline. (shrink)

This essay explores the narrative potency of the many silences and gaps, the holes and empty spaces, that shape Carson’s H of H Playbook. It argues that the “comic” styling of this tragedy – that is, its formatting as a comic or a graphic novel analogous to that of Carson’s Euripides’ Trojan Women – engages reader, text, and image in a highly collaborative dynamic of narrative co-production.

This essay examines two distinct modes of sonic disjunction in Rosanna Bruno and Anne Carson’s The Trojan Women: A Comic and Carson’s H of H Playbook. The Trojan Women shows how noticing sounds that are dislocated from expectations exposes hard truths about reality. H of H interrogates our “regular” mode of hearing other people and implies that there is a gap in how we can know others and know ourselves. Thus, though both are graphic texts, their power and effect are (...) nonetheless garnered also through the sounds they describe and conjure in the minds of their readers. (shrink)

In this interview-essay, artist Rosanna Bruno talks with the author about her illustrations of The Trojan Women, a comic-book made in collaboration with Anne Carson. Bruno’s illustrations offer the reader an oblique entry into a devastated Troy: they are translation “at a slant.” The artist speaks on going against what is visually expected or plausible, in her use of surprising imagery to convey and counterpoint suffering, and touches upon the use of humor to bring the tragedy into sharp focus. Bruno (...) explains how the comic-book format can communicate radical ideas in the interdependence of word and image. She talks through creating the feeling of live theater and the emotional tenor brought about by an almost entirely non-human cast: dogs, cows, a huge wave, a turnip-like rootling, a pair of dungarees. The illustrator elucidates the collaborative process between herself and Carson, revealing the various iterations of characters before they settled on their final forms, and the materials and methodologies Bruno employed in its rendering. (shrink)

This piece reproduces verbatim a performative talk on Anne Carson’s and Rosanna Bruno’s The Trojan Women: A Comic. The performance draws on my own poetry and installation-video art on the ancient Greek mythical figure Chimera, which I conceive as a composite being, a creature where different species meet inside one body as various bodily parts. I interlace commentary-poems, fragments, interviews, brief citations and personal notes. Each “speech-part” of this chimeric essay then explores scene-setting, the motif of absence; animal poetics, and (...) linguistic expression in the comic play, while underscoring the potential of my approach to capture Carson and her own chimeric work. More ambitiously, the essay challenges fixed notions of how academic and creative ideas should be framed and uttered. (shrink)

This essay examines Carson’s The Trojan Women: A Comic, a 2021 translation of Euripides illustrated by Rosanna Bruno. Carson’s subtitle, through the intersection of classical and modern senses of “the comic” as a genre, demands that the reader ask of her book: What is the place of comedy in a comic about one of the bleakest plays in the Western canon? The comic elements of The Trojan Women reframe Euripides’ narrative and underscore, in a bitter irony, the disastrous impact on (...) the Greeks of the reconciliation of the gods Athena and Poseidon. (shrink)

Across her diverse body of work, the Canadian-born poet Anne Carson repeatedly returns to the objects of her preoccupation. From Lazarus—“a person who had to die twice” (Nox)—to Herakles and countless other figures, themes, and images, Carson repeatedly reworks old ground, particularly around the unknowable divide separating the living and the dead. This essay adopts a repetitive approach to explore how H of H and The Trojan Women can be understood as in reiterative conversation with the poet’s source texts, her (...) own work, and wider thinking on the utility of repeating ourselves. (shrink)

This paper considers Carson’s rewriting of Heracles’ tragic madness— through the art of collage, an assembling and disassambling of textual fragments, scraps of papers, drawings, chromatic smears, and sketches—as an imagistic site for theorizing the anti-normative materiality, physical and metaphysical, of par-a-noia. I make a case for a materiality of par-a-noia by proposing a comparison with Alain Badiou’s Marxist political formalism. The distinctive formal trait of H of H, verbal and pictorial juxtaposition, invites us to think of par-a-noia as an (...) aesthetico-political radicality located on the edge of a voiding of thought (noein), a radicality that, as I suggest at the end, can be aligned with modes of non-normate cognition, with neuroqueer countersociality. (shrink)

This essay investigates the linguistic, artistic, and typographical dimensions of Anne Carson’s H of H Playbook and Trojan Women by Euripides: A Comedy. I argue that graphic design and design-thinking principles provide a useful and unexplored theoretical framework for deciphering these books, given the often-complex relationship in them between image and words, and sometimes even words presented in different typeface and handwriting. Carson worked in graphic design for a time, and as a poet, words – and metaphor, specifically – are (...) her primary design tool. Language works in tandem with image and form to create broader artistic meaning. (shrink)

This essay serves as an introduction to Anne Carson’s Euripides. It discusses Carson’s ongoing engagement with the tragedian, from Grief Lessons to her latest experimental H of H Playbook and The Trojan Women: A Comic, drawing attention to Carson’s cross-pollinating approach to Euripidean tragedy and antiquity more broadly, as well as the characteristic blending of academic and artistic styles that inform her translation poetics. The introduction includes details of the themes explored in the special issue, together with summaries of the (...) eight ‘takes’ that make up the collection. (shrink)

This piece looks into the atmospheric and catastrophic environments that punctuate H of H: storms, ice-breaks, volcanic eruptions, and nuclear explosions that give the tragic narrative an electrifying edge. It draws attention to a “chemical” poetics at the heart of Carson’s translation technique and thinking about Euripides’ play. This mannerism, also found in Euripides’s “combustible mixture of realism and extremism” (Grief Lessons, blurb), is not exclusive to H of H. It can be detected across Carson’s oeuvre – a tendency to (...) combust the reader’s mind in ways that become a philosophy for re-reading Euripides and, more ambitiously, Carson’s own sense of the tragic. (shrink)

This article examines the Zaydi doctrine of the imamate through an analysis of historical depictions of the 169/786 revolt of Ḥusayn b. ʿAlī at Fakhkh by three different authors: Aḥmad b. Sahl al-Rāzī (d. late third/ninth century), al-Nāṭiq Yaḥyā b. al-Ḥusayn (d. 424/1033), and ʿAlī b. Bilāl al-Āmulī (d. fifth/eleventh century). The classical model of the Zaydi imamate holds that a descendant of ʿAlī b. Abī Ṭālib (through either Ḥasan or Ḥusayn) with the proper qualities becomes Imam by summoning supporters (...) (daʿwa), administering the oath of allegiance (bayʿa), and rising up in rebellion (khurūj) against a tyrant. This article investigates the relative importance of these components in historical accounts composed after the establishment of Zaydi political power in Yemen and the Caspian region. It argues that the emergence of dynastic rule may have lessened the importance of rebellion while elevating a candidate’s exemplary personal qualities and political skill. This change is potentially embedded in narrative differences between the three sources. (shrink)

In this article, the identification in different civilizations and eras of some cir-umpolar stars as the north pole star are reviewed, the main principles behind and crucial considerations in the past for forming the criteria for north pole star identification are scrutinized, and some profound differences in ancient and medieval views of it are discussed. The point of departure is the identification of the north polar star in Euclid’s Phaenomena as the star HR 4646, and its identification in the Pahlavi (...) Bundahišn and al-Ṣūfī’s Ṣuwar al-kawākib as HR 4893. Because of the inevitable transitory nature of the north pole star, the location of al-Ṣūfī’s north pole star in the manuscript tradition of his magnum opus during the centuries after him is also investigated in detail. A supplementary discussion is included on the confusion between two different entities—the pole of the celestial sphere and the pivot of an indigenous Arabic asterism envisioned as a millstone—in philological, lexical, and literary Islamic works, which chiefly stems from the vague terminology employed. (shrink)

Positional notation and related numerical manipulation techniques of Indian origin were introduced to Europe during the twelfth century through Arabic mediation and vividly described by Fibonacci as modus Indorum, the method of the Indians. This article aims to juxtapose Sanskrit and Latin texts to highlight the connections and differences between matrix and reflection in a complex cultural process of diffusion and assimilation. With reference to positional notation, this contribution examines a conceptual distinction between the graphical notion of position and a (...) logical-classificatory principle hitherto perhaps not fully recognized, although present in the texts of both traditions. The thesis of a consequent diagrammatic conception of positional notation in its origins, as a system of rules relating graphical position and order of magnitude, is also advanced. (shrink)

This article explores a specific case of premodern social thought, the Middle Persian Zoroastrian system of estates, MP pēšagān, sg. pēšag, which originated in Sasanian Iran, and its link to the social position of priests in the empire. It is argued that Zoroastrian religious experts tried to impose a totalizing system of social organization and heuristic possibility in a situation characterized by competition for resources in a tributary society. Against a widely held belief, it will be shown that this system (...) was only loosely based on an Avestan predecessor—an observation that should caution against broader attempts to project Middle Persian concepts onto the Avesta and vice versa. The findings also contribute to our understanding of the relationship between the Sasanians and the Zoroastrian tradition. (shrink)

The Tang has often been considered the historical high point of Chinese “cosmopolitanism.” Recent scholarship, however, has been divided on the questions of just how tolerant the era actually was of ethnocultural difference and of whether it represented a turning point in Chinese history toward increasing xenophobia or, on the contrary, toward a less exclusive conception of Chinese identity. This essay suggests that surviving evidence is susceptible to contradictory interpretations on account of its preservation in textual genres characterized by complex (...) motivations that, moreover, changed dramatically over the course of the dynasty. We should not, therefore, uncritically accept statements concerning ethnocultural identity and difference in preserved texts as representative of the thoughts or feelings of even the literati class. A better understanding of the evolution of Chinese attitudes on these questions, instead, will require attention to the ways Tang ideas about texts shaped the attitudes literati felt worthy of expression in them, and how they did so differently in different periods. (shrink)

This study centers on a valuable specimen of the early vernacular Chinese novel, San Sui pingyao zhuan, to explore dynamic possibilities at the formative stage of the Chinese novel. Close inspection of the physical aspects of the extant edition of the work suggests it is a reprint bearing traces of multiple earlier editions. The analysis of the obscure chuanqi play Si xi ji shows that the story tradition of “Three Sui quelling the rebels” already existed in the mid-sixteenth century. San (...) Sui pingyao zhuan shares much common ground with early zaju drama, fifteenth-century cihua (chantefables), and pinghua (historical novels). Linking this novel with other early examples of popular literature that preceded or were contemporaneous with it, my study deepens our understanding of the formation of the early vernacular novel as well as the world of popular literature in which the novel was situated. (shrink)

It is a curious fact that the reverse surface of many of the so-called Amarna letters sent by Levantine rulers to the Egyptian pharaoh are completely blank or only partially inscribed. In this article, I establish the absolute and relative frequency of the phenomenon within this subcorpus of the Amarna letters. Next, I connect it to a particular type of letter sent by the Levantine rulers that I designate a “replies-to- an-order” letter and offer a suggestion as to why the (...) Egyptian administration may have requested that these letters have blank space on the reverse surface. Finally, I consider one possible origin for the phenomenon in other cuneiform corpora and end the article with a few comments on directions for future research. (shrink)

Ezekiel 9 and 10 feature a supernatural figure described as a man “clothed in linen" (ּלָבֻשׁ בַּדִּים)” (Ezek. 9:2). This article identifies this and related expressions (including those in Daniel) as calques of Akkadian labiš kitê, used to describe certain classes of priests or perhaps as a term for a class of priests itself.

The Body in Arabic Love Poetry: The ʿUdhri Tradition. By Jokha Alharthi. Edinburgh: Edinburgh University Press, 2021. Pp. xviii + 270. $29.95 (paper).

Beholding Beauty: Saʿdi of Shiraz and the Aesthetics of Desire in Medieval Persian Poetry. By Domenico Ingenito. Leiden: Brill, 2021. Pp. xx + 697, illus. $132, €110 (cloth).

Jñānapraśaṃsā: In Praise of Knowledge. Essays in Honour of E. G. Kahrs. Edited by Alastair Gornall. Studia Indologica Universitatis Halensis, vol. 22. Halle an der Saale: Universitäts-Verlag Halle-Wittenberg, 2022. Pp. 375. €118.

A Manichaean Prayer and Confession Book. Edited and translated by Nicholas Sims-Williams, with introduction by John Sheldon and codicology by Zsuzsanna Gulácsi. Corpus Fontium Manichaeorum, Series Iranica, vol. 1. Turnhout: Brepols, 2022. Pp. xxvi + 195. €100.

The Threshold: The Rhetoric of Historiography in Early Medieval China. By Zeb Raft. Harvard-Yenching Institute Monograph Series, vol. 136. Cambridge, MA: Harvard University Asia Center, 2023. Pp. viii + 268 + 4 unnumbered. $50.

The Making of a New Rural Order in South China, vol. 2: Merchants, Markets, and Lineages, 1500– 1700. By Joseph P. McDermott. Cambridge: Cambridgr University Press, 2020. Pp. xii + 468. $139 (cloth); $45 (paper).

Literary Information in China: A History. Edited by Jack W. Chen, Anatoly Detwyler, Christopher M. B. Nugent, Xiao Liu, and Bruce Rusk. New York: Columbia University Press, 2021. Pp. xxxii + 638. $90.

Mesopomatian Eye Disease Texts: The Nineveh Treatise. By Markham J. Geller and Strahil V. Panayotov. Die Babylonisch-Assyrische Medizin in Texten und Untersuchungen, vol. 10. Berlin: de Gruyter, 2020. Pp. xii + 454, illus. $181.99.

A Reference Grammar of Old Nubian. By Vincent W. J. van Gerven Oei. Orientalia Lovaniensia Analecta, vol. 299. Leuven: Peeters Publishers, 2021. Pp. xxxii + 449. €138.

Elephantine Revisited: New Insights in the Judean Community and Its Neighbors. Edited by Margaretha Folmer. University Park, PA: Eisenbrauns, 2022. Pp. xix + 187, illus. $149.95.