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  1. Kenneth Aggerholm & Lars Tore Ronglan (2012). Having The Last Laugh: The Value of Humour in Invasion Games. Sport, Ethics and Philosophy 6 (3):336-352.
    This paper provides an existential analysis of humour as a social virtue in invasion games at the elite sport level. The main argument is that humour in this particular context can be valuable both in the competitive social training environment and in game performance. This is investigated through philosophical and psychological conceptualisations of humour that are used to reveal and analyse the appearance and possible value of a humorous approach in various social situations experienced during invasion games and the associated (...)
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  2. Cristina Alayza & María de la Luz Núñez (2012). Jean Wahl. Sobre el papel de la idea del instante en la filosofía de Descartes. Estudios de Filosofía 9:95-142.
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  3. Gary L. Albrecht (1999). Disability Humor: What's in a Joke? Body and Society 5 (4):67-74.
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  4. Alexander Alexander (1950). EA'S Ensayos Sobre la Filosofia En la Historia. [REVIEW] Philosophy and Phenomenological Research 11:603.
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  5. X. Alfonso (forthcoming). Partida Segunda de Alfonso X El Sabio. Manuscrito:101-102.
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  6. Finnegan Alford & Richard Alford (1981). A Holo‐Cultural Study of Humor. Ethos 9 (2):149-164.
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  7. Jaime García Alvarez (1991). Notas sobre la filosofía de fray Luis de León. Revista Agustiniana 32 (99):883-935.
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  8. Van Meter Ames (1944). Volkelt's Saving Humor. Philosophical Review 53 (3):295 - 301.
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  9. Meter Amevans (1944). Volkelt's Saving Humor. Philosophical Review 53 (3):295-301.
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  10. Lydia B. Amir (2014). Taking the History of Philosophy on Humor and Laughter Seriously. Israeli Journal of Humor Research: An International Journal 5:43-87.
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  11. Lydia B. Amir (2013). Philosophy’s Attitude Towards the Comic. A Reevaluation. European Journal of Humor Research 1 (1):6-21.
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  12. Lydia B. Amir (2012). Humor in Philosophy: Theory and Practice. Philosophical Practice 7:1015-29.
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  13. Lydia B. Amir (2010). When Did You Last Satirize a Mouse to Death? On the Magical Power of Humor. Kaveret 18:30-31.
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  14. Eduardo Urios Aparisi & Manuela Wagner (2011). Prosody of Humor in Sex and the City. Pragmatics and Cognition 19 (3):507-529.
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  15. Juan C. Siurana Aparisi (2012). Filosofía del humor: Estado de la cuestión. Diálogo Filosófico 82:4-34.
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  16. B. Rachana Appachu (1993). Five Thousand Years of Indian Humor. Semiotics:432-444.
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  17. B. Rachana Appachu (1993). Five Thousand Years of Indian Humor. Semiotics:432-444.
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  18. A. MacC Armstrong (1985). The Idea of the Comic. British Journal of Aesthetics 25 (3):232-238.
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  19. Sonia Arribas (2009). Funny Masters. The European Legacy 14 (5):617-620.
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  20. Olivier Assouly (2008). Le Capitalisme Esthétique: Essai Sur l'Industrialisation du Goût. Editions du Cerf.
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  21. Camille Atkinson (2006). What's So Funny? Or, Why Humor Should Matter to Philosophers. Philosophy Today 50 (4):437-443.
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  22. Salvatore Attardo (2011). Wallace Chafe, The Importance of Not Being Earnest. The Feeling Behind Laughter and Humor. Pragmatics and Cognition 19 (2):375-382.
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  23. Salvatore Attardo (2006). Graeme Ritchie, The Linguistic Analysis of Jokes. Pragmatics and Cognition 14 (3):585-589.
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  24. Salvatore Attardo, Manuela Maria Wagner & Eduardo Urios-Aparisi (2011). Prosody and Humor. Pragmatics and Cognition 19 (2):189-201.
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  25. Julie M. Aultman (2009). When Humor in the Hospital is No Laughing Matter. Journal of Clinical Ethics 20 (3):227.
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  26. Manuel Ballester Hernández & Enrique Ujaldón (eds.) (2010). La Sonrisa Del Sabio: Ensayos Sobre Humor y Filosofía. Biblioteca Nueva.
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  27. Manuel Ballester (2010). La Modernidad Ante El Frío Espejo Del Humor. In Manuel Ballester Hernández & Enrique Ujaldón (eds.), La Sonrisa Del Sabio: Ensayos Sobre Humor y Filosofía. Biblioteca Nueva.
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  28. Alejandro Tomasini Bassols (2000). Nuevos ensayos de filosofía de la religión. Signos Filosóficos 1 (3):221-226.
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  29. S. Basu (1999). Dialogic Ethics and the Virtue of Humor. Journal of Political Philosophy 7 (4):378–403.
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  30. T. Bejaranofernandez (1988). The Expectations of the Receiver and What Produces Laughter. Pensamiento 44 (176):455-463.
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  31. Blake Bell (2008). Strange and Stranger: The World of Steve Ditko. Fantagraphics.
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  32. José Belmonte Serrano (2005). La Sonrisa Etrusca: Conjeturas Sobre la Esperanza. In Manuel Ballester Hernandez (ed.), Ante Un Mundo Roto: Lecturas Sobre la Esperanza. Universidad Católica San Antonio.
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  33. Memo Bergmann (1986). How Many Feminists Does It Take To Make A Joke? Sexist Humor and What's Wrong With It. Hypatia 1 (1):63-82.
    In this paper I am concerned with two questions: What is sexist humor? and what is wrong with it? To answer the first question, I briefly develop a theory of humor and then characterize sexist humor as humor in which sexist beliefs are presupposed and are necessary to the fun. Concerning the second question, I criticize a common sort of argument that is supposed to explain why sexist humor is offensive: although the argument explains why sexist humor feels offensive, it (...)
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  34. Merrie Bergmann (1986). How Many Feminists Does It Take to Make A Joke? Sexist Humor and What's Wrong with It. Hypatia 1 (1):63 - 82.
    In this paper I am concerned with two questions: What is sexist humor? and what is wrong with it? To answer the first question, I briefly develop a theory of humor and then characterize sexist humor as humor in which sexist beliefs (attitudes/norms) are presupposed and are necessary to the fun. Concerning the second question, I criticize a common sort of argument that is supposed to explain why sexist humor is offensive: although the argument explains why sexist humor feels offensive, (...)
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  35. Henri Bergson, Cloudesley Shovell Henry Brereton & Fred Rothwell (1999). Laughter an Essay on the Meaning of the Comic.
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  36. José Luis Villacañas Berlanga (2010). Kirkegaard : La Posible Tragicomedia. In Manuel Ballester Hernández & Enrique Ujaldón (eds.), La Sonrisa Del Sabio: Ensayos Sobre Humor y Filosofía. Biblioteca Nueva.
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  37. Bernardo Berruecos Frank (2012). Quaestiones Heracliteae: Análisis y comentario de los Nuevos ensayos sobre Heráclito. Dianoia 57 (69):185-209.
    Este artículo ofrece un análisis y un comentario general de los dieciséis estudios que componen el libro compilado por Enrique Hülsz Piccone, Nuevos ensayos sobre Heráclito, el último compendio de investigaciones sobre la filosofía del Oscuro de Efe so, donde se reúnen las actas del Segundo Symposium Heracliteum celebrado en junio de 2006 en la Facultad de Filosofía y Letras de la UNAM, ocasión en la que algunos de los especialistas más reconocidos de la comunidad internacional se reunieron para presentar (...)
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  38. Martin A. Bertman (1985). Taking Laughter Seriously. By John Morreall. Modern Schoolman 62 (2):145-145.
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  39. Roxane Bertrand & Beatrice Priego-Valverde (2011). Does Prosody Play a Specific Role in Conversational Humor? Pragmatics and Cognition 19 (2):333-356.
    In this paper we use Conversation Analysis to investigate conversational humor in talk-in-interaction. We attempt to better understand how the latter is produced and co-constructed by participants in accounting for the devices used by participants in their sequential environment. The framework of CA enables us to take into account the various means available to speakers to communicate, orient to the others, etc. From our data, reported speech, confirmation request/answer, and repetitions appear as the main discursive devices to create humor . (...)
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  40. Mauricio Beuchot (1985). Ensayos Marginales Sobre Aristóteles. Monograph Collection (Matt - Pseudo).
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  41. A. K. Bierman (1971). Socratic Humor: Understanding the Most Important Philosophical Argument. Apeiron 5 (2):23 - 42.
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  42. Kim Binsted, Helen Pain & Graeme Ritchie (1997). Children's Evaluation of Computer-Generated Punning Riddles. Pragmatics and Cognition 5 (2):305-354.
    We have developed a formal model of certain types of riddles, and implemented it in a computer program, JAPE, which generates simple punning riddles. In order to test the model, we evaluated the behaviour of the program, by having 120 children aged eight to eleven years old rate JAPE-generated texts, human-generated texts, and non-joke texts for "jokiness" and funniness. This confirmed that JAPE's output texts are indeed jokes, and that there is no significant difference in funniness or jokiness between JAPE"s (...)
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  43. Christy Bird (2011). Formulaic Jokes in Interaction: The Prosody of Riddle Openings. Pragmatics and Cognition 19 (2):268-290.
    While both humor and prosody in interaction have received scholarly attention in recent years, the prosody of humor has not been extensively explored. This study begins to fill this gap by investigating whether prosodic cues can be identified for riddles told in interaction, focusing on wh-questions in riddles versus ordinary conversation. The analysis demonstrates that in comparison to conversational wh-questions, riddles have less pitch variation both within the utterance and at the syllable level. It is argued that riddles do not (...)
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  44. Feliciano Blázquez (1981). Filosofía de la "pregunta sobre Dios": fuentes y evolución histórica (II). Revista Agustiniana 22 (69):395-430.
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  45. Ann Boaden (ed.) (1980). The Masks of Comedy: Papers Delivered at the Humanities Festival, 1978, Augustana College. Augustana College Library.
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  46. A. Bolívar (1989). Jornadas sobre la Filosofía en la Reforma de las Enseñanzas Medias. Santiago de Compostela, 21-23 de septiembre de 1988. Diálogo Filosófico 13:93-95.
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  47. J. Elof Boodin (1933). Divine Laughter. Hibbert Journal 32:572.
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  48. Robert Borgen (2010). Comic Verse in the Clasical Japanese Literary Tradition. In Hans-Georg Moeller & Günter Wohlfart (eds.), Laughter in Eastern and Western Philosophies: Proceedings of the Académie du Midi. Verlag Karl Alber.
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  49. Ángela Uribe Botero (2009). Reseña de "Ensayos sobre antropofagia y buen comer en la filosofía antigua y medieval" de Felipe Castañeda. Ideas Y Valores 139 (139):182-184.
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  50. Brian Boyd (2004). Laughter and Literature: A Play Theory of Humor. Philosophy and Literature 28 (1):1-22.
    : Humor seems uniquely human, but it has deep biological roots. Laughter, the best evidence suggests, derives from the ritualized breathing and open-mouth display common in animal play. Play evolved as training for the unexpected, in creatures putting themselves at risk of losing balance or dominance so that they learn to recover. Humor in turn involves play with the expectations we share-whether innate or acquired-in order to catch one another off guard in ways that simulate risk and stimulate recovery. An (...)
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