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  1. Robert Welsh Jordan (1992). (Edmund Husserl's) Vorlesungen Ueber Ethik Und Wertlehre 1908?1914. [REVIEW] Husserl Studies 8 (3):221-232.
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  2. Erazim Kohák (1993). “Knowing Good and Evil...” (Genesis 3:5b). Husserl Studies 10 (1):31-41.
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  3. Danielle Lories (2006). Remarks on Aesthetic Intentionality: Husserl or Kant. International Journal of Philosophical Studies 14 (1):31 – 49.
    It is sometimes claimed that Husserl's writings provide an inspiration for considering art today. More specifically we ask here whether Husserl's description of aesthetic attitude is rich and original. The comparisons he draws between the aesthetic attitude and the phenomenological attitude always aim to clarify the phenomenological attitude and thus take it for granted that the typical features of the aesthetic attitude are well known. In this way Husserl presupposes and retrieves the teaching of Kant, although in certain working notes (...)
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  4. Tom Nenon (1990). Husserl's Ethics? Research in Phenomenology 20 (1):184-188.
  5. William Hosmer Smith (2012). The Phenomenology of Moral Normativity. Routledge.
  6. Detlef Thiel (1998). Der Phänomenologe in der Galerie. Husserl Und Die Malerei. Axiomathes 9 (1-2).
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  7. Milan Uzelac (1998). Art and Phenomenology in Edmund Husserl. Axiomathes 9 (1-2).
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