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  1. Robert Welsh Jordan (1992). (Edmund Husserl's) Vorlesungen Ueber Ethik Und Wertlehre 1908?1914. [REVIEW] Husserl Studies 8 (3):221-232.
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  2. Erazim Kohák (1993). “Knowing Good and Evil...” (Genesis 3:5b). [REVIEW] Husserl Studies 10 (1):31-41.
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  3. Danielle Lories (2006). Remarks on Aesthetic Intentionality: Husserl or Kant. International Journal of Philosophical Studies 14 (1):31 – 49.
    It is sometimes claimed that Husserl's writings provide an inspiration for considering art today. More specifically we ask here whether Husserl's description of aesthetic attitude is rich and original. The comparisons he draws between the aesthetic attitude and the phenomenological attitude always aim to clarify the phenomenological attitude and thus take it for granted that the typical features of the aesthetic attitude are well known. In this way Husserl presupposes and retrieves the teaching of Kant, although in certain working notes (...)
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  4. Ronald McIntyre (2012). &Quot;we-Subjectivity&Quot;: Husserl on Community and Communal Constitution. In Christel Fricke & Dagfinn Føllesdal (eds.), Intersubjectivity and Objectivity in Adam Smith and Edmund Husserl. Ontos Verlag. 8--61.
    I experience the world as comprising not only pluralities of individual persons but also interpersonal communal unities – groups, teams, societies, cultures, etc. The world, as experienced or "constituted", is a social world, a “spiritual” world. How are these social communities experienced as communities and distinguished from one another? What does it mean to be a “community”? And how do I constitute myself as a member of some communities but not of others? Moreover, the world of experience is not constituted (...)
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  5. Tom Nenon (1990). Husserl's Ethics? Research in Phenomenology 20 (1):184-188.
  6. William Hosmer Smith (2012). The Phenomenology of Moral Normativity. Routledge.
    The topic of this book is a fundamental philosophical question: why should I be moral? Philosophers have long been concerned with the legitimacy of morality's claim on us, especially with morality's ostensible aim to motivate certain actions of all persons unconditionally. While the problem of moral normativity - that is, the justification of the binding force of moral claims - has received extensive treatment analytic moral theory, little attention has been paid to the potential contribution that phenomenology might make to (...)
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  7. Detlef Thiel (1998). Der Phänomenologe in der Galerie. Husserl Und Die Malerei. Axiomathes 9 (1-2):35-47.
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  8. Milan Uzelac (1998). Art and Phenomenology in Edmund Husserl. Axiomathes 9 (1-2):7-26.
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