The late J.L. Austin's influence on contemporary philosophy was substantial during his lifetime, and has grown greatly since his death in 1960. This third edition of Philosophical Papers, the first edition of which was published in 1961, includes all of Austin's published papers (except "Performatif-Constatif") as well as a new essay entitled "The Line and the Cave in Plato's Republic", which has been reconstructed from Austin's notes.

For this second edition, the editors have returned to Austin's original lecture notes, amending the printed text where it seemed necessary.

This edition comprises the full text of Austin's The Province of Jurisprudence Determined, a classic work of moral, political, and legal philosophy, and Austin ...

O SET THE STAGE for the discussion[1], I will rehearse and clarify a well-known dispute between A. J. Ayer and J. L. Austin concerning whether perceptual judgments are inferences. Both in his Sense and Sensibilia[2] and in his "Other Minds,"[3] Austin carefully distinguishes recognizing that p from inferring that p. For the purpose of comparing his position to Ayer's, we might put his basic claim in this way: given the way words such as "recognize" and "infer" are used outside philosophical (...) discussions, one clearly distinguishes instances of recognizing from instances of inferring. Yet Ayer does not dispute that, but replies that while non-philosophers do make a sharp distinction between the two, it is arbitrary for philosophical purposes.[4] Claims based upon one's having recognized something are sufficiently like claims based upon one's having inferred, Ayer supposes, that it is useful to treat them as instances of a common category. So the issue is not whether the distinction is recognized outside philosophical circles, but whether it is a defensible and useful one to make. Clearly, Austin insists upon the distinction because he supposes that failing to make it will promote philosophical confusion; indeed, he argues that one traditional problem of skepticism is largely due to this confusion.[5] In his "Other Minds," Austin tries to suggest how recognizing differs from inferring by showing how the sorts of questions or challenges brought to bear differ between the two sorts of claim:[6] for inferences, one wants a rehearsal of the pieces of evidence and an account of their connections to the judgment; for perceptual claims of recognition, one explores whether the observer had the opportunity to see what he claimed to have seen, whether he had acquired the expertise to recognize the sort of thing he claimed to have seen, and whether the circumstances were free of evident distraction and defect. But his readers' appreciation of these things depends. (shrink)

: Stanley Cavell reflects on the writing of Barbara Cassin in light of his interest in interpreting certain philosophers as "philosophically destructive," where this destructiveness may in fact be understood as philosophically creative. Cavell suggests that the writings of Austin and Wittgenstein may be considered in these terms, and speculates on the potential interest these writers might have for Cassin. Cassin's call for a rethinking of philosophy might be seen as uniquely essential to the practice of Austin and Wittgenstein.

Introduction CavelTs Voices and Derrida's Grammatology The stature of Stanley Cavell is increasingly considered unique among living American philosophers ...

If philosophy and poetry are to illuminate each other, we should first understand their tendencies to mutual antipathy. Examining (and, where possible, correcting) mutual misapprehension is part of this task. J. L. Austin's remarks on poetry offer one such point of entry: they are often cited by poets and critics as an example of philosophy's blindness to poetry (I). These remarks are complex and their purpose obscure—more so than those who take exception to them usually allow or admit (II). But (...) it is reasonable to think that, for all his levity at their expense, what Austin offers poets is exemption from forms of commitment. Since such exemption is precisely what poets and critics have sought, this diagnosis is eirenic (III). This exemption has a price, but it may be affordable (IV). (shrink)

The construction and analysis of arguments supposedly are a philosopher's main business, the demonstration of truth or refutation of falsehood his principal aim. In Sense and Sensibilia, J.L. Austin does something entirely different: He discusses the sense-datum doctrine of perception, with the aim not of refuting it but of 'dissolving' the 'philosophical worry' it induces in its champions. To this end, he 'exposes' their 'concealed motives', without addressing their stated reasons. The paper explains where and why this at first sight (...) outrageous aim and approach are perfectly sensible, how exactly Austin proceeds, and how his approach can be taken further. This shows Austin to be a pioneer of the currently much discussed notion of philosophy as therapy, reveals a subtle and unfamiliar use of linguistic analysis that is not open to the standard objections to ordinary language philosophy, and yields a novel and forceful treatment of the sense-datum doctrine. (shrink)

The essays in this collection show how law is relevant in both an "instrumental" and a "constitutive" sense, as a tool to accomplish particular purposes and as ...

Alice Crary has recently developed a radical reading of J. L. Austin's philosophy of language. The central contention of Crary's reading is that Austin gives convincing reasons to reject the idea that sentences have context-invariant literal meaning. While I am in sympathy with Crary about the continuing importance of Austin's work, and I think Crary's reading is deep and interesting, I do not think literal sentence meaning is one of Austin's targets, and the arguments that Crary attributes to Austin or (...) finds Austinian in spirit do not provide convincing reasons to reject literal sentence meaning. In this paper, I challenge Crary's reading of Austin and defend the idea of literal sentence meaning. (shrink)

Gadamer and Habermas both argue that some earlier theorists of interpretation in the human sciences, despite recognizing the meaningful character of social reality, still succumb to objectivism because they fail to conceive the relation of interpreters to their subjects in terms of cross-cultural normative "dialogue." In particular, Gadamer and Habermas claim that the most prominent nineteenth-century philosopher of the human sciences, Wilhelm Dilthey, fell prey to a misleading Cartesian outlook which sought to ground the objectivity of interpretation on complete transcendence (...) of the interpreter's present cultural and historical situation. This article challenges Gadamer's and Habermas's claim by arguing that new research on nineteenth-century hermeneutic thought reveals Dilthey to be much more aware of the reflexive, present-centered nature of historical research than they maintain and further that their own "dialogical" model of interpretation suffers from notable obscurities which Dilthey's work itself helps expose. Key Words: Dilthey • Gadamer • Habermas • hermeneutics. (shrink)

Ludwig Feuerbach is traditionally regarded as a significant but transitional figure in the development of nineteenth-century German thought. Readings of Feuerbach's The Essence of Christianity tend to focus on those features which made it seem liberating to the Young Hegelians: namely, its criticism of reification as abstraction, and its interpretation of religion as alienation. In this long-awaited book, the first of an important new series, Van Harvey claims that this is a limited and inadequate view of Feuerbach's work, especially of (...) his critique of religion. The author argues that Feuerbach's philosophical development led him to a much more complex and interesting theory of religion which he expounded in works which have been virtually ignored hitherto. By exploring these works, Harvey gives them a significant contemporary re-statement, and brings Feuerbach into conversation with a number of modern theorists of religion. (shrink)

The thesis presents a development of J. L. Austin's analysis of truth and its accompanying analysis of sentence structure. This involves a discussion and refinement of Austin's notions of the demonstrative and descriptive conventions of language and of the demonstrative and descriptive devices of sentences. The main point of the thesis is that ordinary language must be treated as an historical phenomenon: one that has evolved its more complex features through a long series of variations upon a small number of (...) rudimentary conventions and locutions. The utility of Austin's analysis is shown to lie in the description that it provides of the functions of these rudimentary conventions and locutions. The analysis is used to illuminate a number of problematic sentences and expressions of ordinary language, including identity sentences, definite descriptions, existential sentences, and conditionals. (shrink)

In the first chapter of Confucius: The Secular as Sacred, Herbert Fingarette argues that in the Analects Confucius holds the essence of human virtue to be a kind of magic power and this magic can be explained in terms of J. L. Austin’s analysis of the “performative utterance.” This paper attempts to explicate what Fingarette’s claims concerning magic and the “performative” amount to. I will argue that even though there is something to the underlying spirit of Fingarette’s project, he either (...) misused or simply misunderstood Austin and, because of this misuse or misunderstanding, he has possibly misunderstood Confucius as well. (shrink)

A play's text is nearly all talk, and in the performance of a play the physical activity is sparse and exceedingly limited. Used of a play, the term ‘action’ does not mean what it normally means. Its true meaning is illuminated by reference to J. L. Austin and his doctrine of speech-acts. Dramatic action is, for the most part, speech-action. And a skilful manipulation of speech-acts enables the gifted dramatist not only to tell a story but to communicate what is (...) going on below the surface. (shrink)

Sky Marsen proposes a new way of reading philosophy, through the lens of narrative semiotics she highlights the similarities between creative and philosophical writing and shows how theoretical texts, such as philosophy, rely to a large extent on strategies of communication present also in fictional narratives.

Introduction: The argument of this book John Austin believed that the first ' moral' (now it would be called social) science to be established was political ...

There is not one John Austin, but at least half-a-dozen.

Some of Austin's general statements about the doctrines of sense-datum philosophy are reviewed. It is concluded that Austin thought that in these doctrines "directly see" is given a new but inadequately explained and defined use. Were this so, the philosophical use of "directly see" would lack a definite sense and this would correspondingly affect the doctrines. They would lack definite truth-value. Against this, it is argued that the philosopher's use of "directly see" does not support Austin's general thesis that the (...) sense-datum doctrines lack truth-value. (shrink)

What is the relationship between saying ‘I know that Q’ and guaranteeing that Q? John Austin, Roderick Chisholm and Wilfrid Sellars all agreed that there is some important connection, but disagreed over what exactly it was. In this paper I discuss each of their accounts and present a new one of my own. Drawing on speech-act theory and recent research on the epistemic norms of speech acts, I suggest that the relationship is this: by saying ‘I know that Q’, you (...) represent yourself as having the authority to guarantee that Q. (shrink)

This book is available either individually, or as part of the specially-priced Arguments of the Philosphers Collection.