This essay sounds out Derrida's plurivocal term of frequencies as well as Nancy's understanding of resonance to argue that ghosts live in the ear. Heeding how the different nuances of this term bear on Derrida's reading of Hamlet, it not only seeks to understand the significance of the ghost's rhythmic appearance:disappearance in Shakespeare's play, but indeed, how it comes to frequent Derrida's Specters of Marx.

O autor reexamina a crítica de Derrida à fenomenologia de Husserl de forma a mostrar como a sua coerência estrutural emerge não tanto de uma redução a uma doutrina particular, mas antes das exigências de uma concepção unitária, especificamente impostas pelas determinações epistemológicas e metafísicas da presença. PALAVRAS-CHAVE – Desconstrução. Derrida. Fenomenologia. Husserl. Presença. Significado. ABSTRACT – The author reexamines Derrida’s critique of Husserl’s phenomenology, so as to show how its structural coherency arises not so much from the reduction to (...) a particular doctrine, but rather from the demands of a unitary conception, specifically from the demands imposed by the epistemological and metaphysical determinations of presence. KEY WORDS – Deconstruction. Derrida. Husserl. Meaning. Phenomenology. Presence. (shrink)

This book examines a series of common metaphors in the works of Derrida and the Sufism of Muhyddin Ibn 'Arabi, considered to be of the most influential figures in Islamic thought. The author addresses the significant absence of attention on the relationship between Islam and Derrida and also provides a deconstructive perspective on Ibn 'Arabi.

This article reconsiders the issue of Luce Irigaray's proximity to Jacques Derrida on the question of woman. I use Derrida's reading of Nietzsche in Spurs: Nietzsche's Styles (1979) and Irigaray's reading of Heidegger in L'Oubli de l'air (1983) to argue that reading them as supplements to one another is more accurate and more productive for feminism than separating one from the other. I conclude by laying out the benefits for feminism that such a reading would offer.

Review of _Radical Atheism_, focusing on the question of hospitality.

The theme of the ‘deconstruction of Christianity’, which was selected for this special issue of Derrida Today, is one that arises not from the work of Derrida himself in the first instance but instead from that of Jean-L Nancy. Not only is this so but Derrida's ([2000] 2005) own view of the notion of the ‘deconstruction of Christianity’ seems, on the evidence available, to be at least open to quite a bit of interpretation given the ambiguous nature of some of (...) his comments on the question. Given this is so it might not be thought at all obvious why this theme should be selected for a special issue of Derrida Today and in this introduction I want to address both this possible disquiet and also provide some background to the arrival of concern with this topic. (shrink)

This book promises a ‘radical reappraisal’ (Kates 2005, xv) of Derrida, concentrating particularly on the relationship of Derrida to philosophy, one of the most vexed questions in the reception of his work. The aim of the book is to provide the grounds for this reappraisal through a reinterpretation in particular of two of the major works Derrida published in 1967: Speech and Phenomena and Of Grammatology. However the study of the development of Derrida's work is the real achievement of the (...) book as Kates discusses major works dating from the 1954 study of genesis in Husserl's phenomenology through to the essays on Levinas and Foucault in the early 1960's as part of his story of how Derrida arrived at the writing of the two major works from 1967. (shrink)

This article addresses Jacques Derrida's consideration of Judaism relating it to a need to understand international institutions and the notion of the universal in a new way. It also discusses Lyotard's and Hegel's accounts of Judaism.

This paper takes up the Heideggerean question of difference. I argue that while Heidegger raises this question, his response to the question remains ambiguous and that this ambiguity pivots around the question of time. The bulk of the paper then looks at how Derrida and Deleuze respectively attempt to advance beyond Heidegger’s ambiguity regarding the questions of difference and time. Derrida is able to demonstrate the manner in which time—as delay—is constitutive of any attempt to think difference. I argue, however, (...) that his innovative articulation of “différance” maintains an extrinsic rather than intrinsic relation to difference in-itself. To achieve an intrinsic relation, it is necessary to turn to the work of Deleuze, particularly to his discussion of “nonsense” and “singularity.”. (shrink)

In a brief comment in ‘History of the Lie’, his one sustained engagement with Arendt, Derrida criticizes the ‘absence’ of any reference to the ‘problematic of testimony, witnessing, or bearing witness’ in her work, and asserts that she was ‘not interested’ in what ‘distinguishes’ testimony from ‘proof’. This passage links Derrida’s reading of Arendt to a theme that concerns him throughout his later work, specifically the ‘affirmation’ or ‘act of faith’ that ostensibly conditions all human relations, and the possibility of (...) sociality in general. In this article, I claim not only that Arendt did address the problem of testimony or witnessing, and the difference between bearing witness and establishing proof, but also that her consideration of these issues represents an alternative to many of the arguments Derrida develops in his later work, especially his approach to responsibility and judgment, secrecy and memory, and the relation between the self and others. (shrink)

Touching on Nancy and Derrida offers a glimpse not only into the thesis both of Jean-Luc Nancy's critique of touch and of Derrida's Le Toucher, but also into the threshold of a technology of (the) sense to come. This glimpse is an interrogation, and one that is both historic and historical, in the sense that Derrida, in addressing Jean-Luc Nancy's work, has presented us with an encyclopedic history of touch in the philosophic tradition from Aristotle to Nancy, one in which (...) what Derrida calls “transcendental archifacticity” is accorded its proper value, and within which any seeming anthropological privilege, as an inherent aspect of the Phenomenological Reduction is, as Derrida says, ‘overshadowed.’ Such an overshadowing is both strategic, in terms of a historical phenomenological project, and tactical, in Derrida's investigative sense: tactical in terms of implementation, manifestation, manipulation (i.e. through the application of the hand, manus) and in terms of tact, tactility; to which must be tacked on, à la Nancy, con-tact, ‘with touch,’ a ‘with-touch’ in which a béance, a gash or dash, opens out in-between, ‘at the very point’ to use Derrida's repeated specification, of bifurcation and of con-tact, at the junction point of the ‘spacing out’ of a laminated différance con-noting more than it has or had ever done in Derrida's work itself. *. (shrink)

Ruins, their evocations and enigmas, have been a source of fascination since the advent of civilization. Both coordinating and distressing the relations of space and time, ruins are unparalleled catalysts of cultural analysis, as both history and adumbration. Ruins, and the concept of ruin on which they ‘rest’ and through which they decay, can be regarded in space, as strata, in time, as sedimenta, and in dynamic terms, as lamina. This essay works down through each focusing on the forceof ruin (...) occurring between them. The essay itself is a lamination: (1) Anselm Kiefer's exploration of ruins as artefacts, in recent works such as ‘Falling Star’, shown at Paris’ Grand Palais in the summer of 2007 as the first installation in its Monumenta series, plays across many dimensions of ruins’ themes; (2) Derrida's exploration of the very idea of ruin – not ruins but ruin, as artefacture – conceptualizing ruins’ liminal nature, at the very limit of phenomenology, in Mémoires d'aveuglesand elsewhere; (3) the ruin-caught-in-motion of the virtually unknown French-Italian painter ‘Monsù Desiderio’; (4) and the linguistic ruin of Samuel Beckett's ‘D'un ouvrage abandonné’ and ‘Sans’. Each contributes to the others as ruins and ruin accumulate. Finally, ruin's decay passes into and through a passe partout into the uninhabitable. (shrink)

This book provides a much needed insight not only into the importance of Hegel and the importance of Derrida's work on Hegel, but also the very foundations of postmodern and deconstructionist thought. Eleven essays by key contributors in the field present a comprehensive picture of Hegel's place in deconstruction today. Contributors: Stuart Barnett, Robert Bernasconi, Simon Critchley, Suzanne Gearhart, Werner Hamacher, Heinz Kimmerle, Jean-Luc Nancy, John H. Smith, Kevin Thompson, Andrzej Warminski.

The posthumous -- Fragments -- Toward a memory of the future: cinema, memory, history -- The image and the "trait" -- Postscript: l'arrêt de mort.

Written as a last, long posthumous letter to Jacques Derrida, the essay turns to the philosopher's last and, for the living, most important lesson – on ‘learning to live.’ In particular, it addresses – as constitutive of his unique ‘heterodidactics’ – two discrete communications on the subject. The first, in Spectres de Marx (1993), declares the lesson to be at once impossible and necessary, that is, ‘ethics itself’; in the second, the last interview ‘Je suis en guerre contre moi-même’ published (...) just before his death in 2004, Derrida confesses to ‘have remained uneducable’ on the subject. The essay reflects on the performative significance of this contradiction in the context of Derrida's intimacy with death, his taste for mourning, and his practice of writing as an experience of dying and resurrection. (shrink)

Jacques Derrida, one of the most influential, controversialb and complex thinkers of our time, has come to be at the center of many political debates. This is the first book to consider the political implications of Derrida's deconstruction. It is a timely response both to Derrida's own recent shift towards thinking about the political, and to the political focus of contemporary Continental philosophy. Richard Beardsworth's study, Derrida and the Political, locates a way of thinking about deconstruction using the tools of (...) political philosophy. (shrink)

Repetition plays a significant, productive role in the work of both Derrida and Deleuze. But the difference between these two philosophers couldn''t be greater: it is the difference between negation and affirmation, between Yes and No. In Derrida, the productive energy of repetition derives from negation, from the necessary impossibility of supplementing an absence. Deleuze recognizes the kind of repetition which concerns Derrida, but insists that there is another, primary form of repetition which is fully positive and affirmative. I will (...) argue that there is nothing in Derrida''s philosophy to match the affirmative, primary form of repetition articulated by Deleuze. Moreover, it is precisely this difference that accounts for the most exciting features of Deleuze''s work: the possibility of breaking through to the other side of representation, beyond authenticity and inauthenticity, becoming-becoming. (shrink)

Introduction Undoubtedly it would be useful to interpret the "new Nietzsche," as he is often called, within the larger contexts of "Nietzsche and the ...

Despite accusations of irresponsibility and negativity, Jacques Derrida's deconstruction has had an immense influence on contemporary social, political and cultural critique. 'Evolving negativity' offers a preliminary explanation of this influence by tracing the philosophical 'family tree' that links deconstruction to German Critical Theory via the Frankfurt School. The paper explores the origins of a certain dynamic and productive notion of negativity in Hegel's dialectic and describes its 'evolution' in the works of Max Horkheimer and Theodor Adorno as a process of (...) de-determination that finds its culmination in Derrida's notion of 'différance'. Set free of its totalizing, teleological force, Derrida's negativity as 'différance' is compared with Hegel's more general and generative notion of Negativität. The paper concludes that for this branch of 'critical' thinking, to flourish in the shadow of Hegel means also to be continually reinventing his respect for difference and negativity, and transforming it to respond to the questions of the present. Key Words: Adorno • Critical Theory • deconstruction • Derrida • dialectic • différance • difference • Hegel • Horkheimer • negativity. (shrink)

Interrupting Derrida is a major new work by Geoffrey Bennington, internationally renowned Derrida scholar and translator of Derrida's work. This bold and provocative collection of essays surveys key themes in work by and about Derrida. Presenting a compelling challenge to influential readings of Derrida that have emerged from both the philosophical and literary traditions, Bennington shows how Derrida's work "interrupts" metaphysics, not by redefining philosophy but by rendering it indefinite. Arguing that we can fruitfully interrupt Derrida himself, Bennington offers us (...) a dazzling and provocative reading that points the way towards any future dialogue with Derrida's work. (shrink)

The volume addresses these questions, contrasting Derrida's thought with philosophical predecessors such as Rosenzweig, Levinas, Celan, and Scholem, and tracing ...

How to introduce 'politics' as a specific concept within a deconstructive style of thinking? In order to answer this question, this contribution compares Derrida with Laclau. According to the former the starting-point of a deconstructive style of thinking is différance. It links together the economic detour of homecoming and the relation to otherness. Laclau's analysis of politics as hegemonization within a situation of undecidability presupposes this notion of différance and can therefore be useful in introducing politics within a deconstructive style (...) of thinking. But there still is a major difference between Derrida and Laclau's decisionism: if différance as the relation without relation of economy and otherness cannot avoid decisions based on power in order to stabilize the social, these decisions are always marked by passivity and therefore deconstructible in the name of 'justice' that exceeds politics even if it takes place nowhere but within politics. Key Words: decisionism • . Derrida • . hegemony • . Laclau • . law. (shrink)

Among educational theorists and philosophers there is growing interest in the work of Jacques Derrida and his philosophy of deconstruction. This important new book demonstrates how his work provides a highly relevant perspective on the aims, content and nature of education in contemporary, multicultural societies.

The difficulty to pin down the philosophical content of structuralism depends on the fact that it operates on an implicit metaphysics; such a metaphysics can be best unfolded by examining Jacques Derrida's deconstructionist critique of it. The essay argues that both structuralism and Derrida's critique rely on holistic premises. From an initial externalist definition of structure, structuralism's metaphysics emerges as a kind of 'immanent' holism, similar to the one pursued, in the contemporary analytic panorama, by Donald Davidson. By contrast, Derrida's (...) deconstructionist critique appears engaged in a 'quasi-transcendental' version of holism, which the author analyzes in connection with Martin Heidegger's notion of Verwindung, or twisted overcoming. Key Words: deconstruction • differenc • genealogy • holism • internalism/externalism • structuralism • Verwindung. (shrink)

Introduction In many ways this book is a kind of detective story. It tries to find something out about the kind of society which is taking shape in these ...

Life -- Labour -- Psyche -- Being -- The other -- Time -- Death.

: Are Derrida’s critique of presence and Dōgen’s emphasis on presence incompatible? I argue that they are not—and, in fact, that there is a deep connection between the projects of the two thinkers. In showing this I hope to combat some serious misconceptions about essential aspects of both Zen Buddhism and deconstruction.

What is it to be seen (naked) by one's cat? In “L'animal que donc je suis” (2006), the first of several lectures that he presented at a conference on the “autobiographical animal,” Jacques Derrida tells of his discomfort when, emerging from his shower one day, he found himself being looked at by his cat. Th experience leads him, by way of reflections on the question of the animal, to what is arguably the question of his philosophy: Who am I? It (...) is not so much that Derrida wants to answer this question as to be free of it. His task here is to determine the sense of it— where it leads, for example, when it comes to the nature of the diff erence between himself and his cat. Unlike animal rights activists (and unlike philosophers Martha Nussbaum and Cora Diamond, who have recently addressed this issue), Derrida does not want to erase this difference but wants to multiply it in order (among other things) to affirm the absolute alterity or singularity of his cat, which cannot be subsumed by any category (such as the animal). His cat is an Other in a way that no human being (supposing there to be such a thing, which Derrida is not prepared to grant) could ever be. And here is where “the question who?” leads as well, namely, to a path of escape from absorption into any identity-machine. As Derrida puts it in A Taste for the Secret: Who am I when I am not one of you? In a hospitable world one would be free not to answer. (shrink)

Beware of the abysses and the gorges, but also of the bridges and the barriers.It is fair to say that many philosophical interpretations of the Daoist classics have proceeded, or continue to proceed, to read into these works the quest for a transcendental, foundational principle, a permanent moment of rest beyond the turmoil of ever-changing things. According to this interpretation the Daoist sages are those who have for all time found this metaphysical ground of all things—"The Way" (dao 道)—and who (...) have tried (in vain, though, since language cannot convey this ultimate ground) to find ways of expressing this transcendental ground to their audience.To quote one instance of how easily such metaphysical .. (shrink)

In the revised and updated edition of this popular book, Sean Burke shows how the attempt to abolish the author is fundamentally misguided and philosophically ...

This paper offers a critique of Derrida's deconstruction of the promise on the grounds that it does not adequately account for the ethical constitution of the promise in the pragmatic context of face-to-face dialogue. Instead, Derrida focuses on the way in which the promise opens the horizon of interpretation or readability for an indefinite community of readers. Derrida's view is explicated at length, drawing on Limited Inc, Le monolinguisme de l'autre: ou, la prosthèse d'origine, and 'Avances', the Preface to Serge (...) Margel's Le tombeau du dieu artisan. Paul Ricoeur's interpretation of the promise as an attestation of my availability to the other person is presented as a more justifiable grounding of ethics. Key Words: attestation • community • Derrida • ethics • pragmatics • promise • Ricoeur. (shrink)

This paper explores two different methods of reading ‘Derrida’s own conscience’ – that is, of raising the question of ethics and obligation in deconstruction. The two readings under discussion here are staged by Jean-Luc Nancy in his seminal essay ‘The Free Voice of Man’. In the first half of the paper, I engage in a reading of Nancy’s essay in which I seek not only to highlight Nancy’s double formulation of the place of ethics in deconstruction, but also to re-mark (...) the transition in Derrida’s writings from the priority of the question to an emphasis on a call that precedes the question. In order to further explore this displacement of the priority of the question, the second half of the essay takes up an analysis of Derrida’s employment of the motif of ‘ Viens ’ (‘Come’) in his essay ‘On a Newly Arisen Apocalyptic Tone in Philosophy’. I suggest that ‘ Viens ’ should be read as Derrida’s formulation of: (1) another response, beyond questioning, to a call that precedes any question; (2) another thought of conscience and obligation; and (3) a thought of the trace of alterity at the very heart of conscience that signals the impossibility of any form of good conscience. Key Words: apocalypse • call • conscience • ethics • question • Viens. (shrink)

What is the significance of and logic behind Jacques Derrida's recent "political" writings? While Derrida's work refuses to obey any singular movement or register, he does, nonetheless, make recurrent attempts to negotiate between a politics of identity and difference. A similar undertaking can be found in the radical democratic writings of Ernesto Laclau and Chantal Mouffe. An encounter between these thinkers is here carried out in order to elucidate key themes in Derrida's The Other Heading. The reading aims at developing (...) and contextualising Derrida's relation to radical democratic thought so that his political strategies can be made more explicit. (shrink)

This paper argues that though Derrida is correct to bring to the fore the undecidability that is contained in his political notion of the democracy to come, his account does not extend the aporia of undecidable politics far enough. Derrida himself makes evident this gap. Though politics may be structured with undecidability, there are times when direct, decisive and definitive political interventions are required. In his campaign against capital punishment, the blitzing campaigns in Bosnia and Iraq, and in his call (...) for les villes-refuges, Derrida makes decisive appeals which somehow seem to contradict the undecidability he sees as arch-structuring. Alain Badiou’s thinking about time as a subjective, decisive intervention executed within his ontological framework of undecidability and multiplicity can serve to extend the aporia of undecidability inherent in politics, ultimately giving an account for both the undecidability that structures politics and the decisive timely interventions that would seem to contradict Derridean undecidability. (shrink)

This article focuses on Michel Foucault’s concepts of authorship and power. Jacques Derrida has often been accused of being more of a literary author than a philosopher or political theorist. Richard Rorty complains that Derrida’s views on politics are not pragmatic enough; he sees Derrida’s later work, including his political work, more as a “private self-fashioning” than concrete political thinking aimed at devising short-term solutions to problems here and now. Employing Foucault’s work around authorship and the origins of power, I (...) show that Derrida is indeed fashioning himself. This self-fashioning is not merely private or fanciful. Rather, I argue that Derrida can be read as employing what Foucault would call “technologies of the self” to not only show the play of possibility and impossibility at work in all politics and thought, but also to use his savoir to create two important and potentially constructive power structures. First, there is the power of deconstruction itself as a “militant critique” that calls for a forceful and irreducible justice. Second, there is the power of Derrida himself, understood as leaving behind a legacy of himself as the “originator” of deconstruction and as a public intellectual. (shrink)

Badiou and Derrida have dedicated much of their thought to politics and the nature of the political. Calcagno shows how their views diverge and converge, providing some very intriguing developments in Continental philosophy.

Rodolphe Gasché, The Tain of the Mirror: Derrida and the Philosophy of Reflection. Cambridge: Harvard University Press, 1986. 348 pp. Irene E. Harvey, Derrida and the Economy of Différance. Studies in Phenomenology and Existential Philosophy. Bloomington: Indiana University Press, 1986. xv & 285 pp. John Llewelyn, Derrida on the Threshold of Sense. New York: St. Martin's Press, 1986. xiii & 137 pp.

Nietzsche, Heidegger and Derrida: these are not merely the names of three authors, but of three matters for thought, of three ways beyond metaphysics, three transgressions. I want to offer here a reflection, first, upon the dynamics of these transgressions—how each conceives metaphysics and where each makes its move against metaphysics—and, then, upon the relationships of the three to one another, on the interplay of their transgressive practices.

Paraesthetics' is a neologism invented by David Carroll to unlock the extra-aesthetic relationship between art and literature in the work of Michel Foucault, ...

In recent continental philosophy of religion there has been significant attention paid to the Abrahamic doctrines of creation ex nihilo and divine omnipotence, especially by deconstructive thinkers such as Derrida, Caputo, and Keller. For these thinkers, the doctrine represents a form of agency that does violence to various forms of alterity. While broadly supportive of their fundamental philosophical and ethico-political views, especially about the primordiality of alterity, I differ from them in that I argue that creation ex nihilo articulates the (...) very structure of the alterity they are concerned with. The essay proceeds through a reading of Derrida’s representation of the doctrine and a “deconstruction” of his view by means of a reading of Augustine and Anselm. (shrink)