Paper published on author's website available at http://www.garybanham.net/PAPERS_files/Artificial%20Life%20and%20the%20Inhuman%20Condition.pdf.

This article addresses Jacques Derrida's consideration of Judaism relating it to a need to understand international institutions and the notion of the universal in a new way. It also discusses Lyotard's and Hegel's accounts of Judaism.

Colour plays a fundamental role in the philosophical treatments of painting. Colour while it is an essential part of the work of art cannot be divorced from the account of painting within which it is articulated. This paper begins with a discussion of the role of colour in Schelling's conception of art. Nonetheless its primary concern is to develop a critical encounter with Jean-François Lyotard's analysis of the Dutch painter Karel Appel. The limits of Lyotard's writings on painting, which this (...) paper will attribute in part to Lyotard's ‘empiricism’, becomes most apparent in his treatment of colour. (shrink)

Best known for his book The Postmodern Condition , Jean-Francois Lyotard is one of the leading figures in contemporary French philosophy. This is the first collection of articles to offer an estimation and critique of his work, with particular focus on the importance to Lyotard of the question of judgement. Lyotard's interest in judgement is evident in his continuing engagement with the work of Kant. Lyotard's own essay, Sensus Communis , which opens the volume, investigates through Kant the presuppositions of (...) judgement. Other essays consider how Lyotard has rendered problematic existing forms of aesthetic, ethical, legal and political judgement. Judging Lyotard is an important collection that will reintroduce Lyotard to English-speaking audiences. It is of particular interest to students of philosophy, critical theory, and literary studies. (shrink)

Paraesthetics' is a neologism invented by David Carroll to unlock the extra-aesthetic relationship between art and literature in the work of Michel Foucault, ...

I read Kant or Adorno or Aristotle not in order to detect the request they themselves tried to answer by writing, but in order to hear what they are requesting from me while I write or so that I write. J.-F. Lyotard.

In this original study, Keith Crome argues for the importance of Lyotard's analysis of sophistry. In the first section, the author examines the accounts of sophistry given in the works of Plato, Hegel and Heidegger. Sensitive to the important differences between them Keith Crome nevertheless establishes their fundamental identity. In the second section, the book shows the radicality of Lyotard's analysis in contrast to such traditional views. It examines Lyotard's complex and original readings of sophistical arguments, and offers a new (...) interpretation of The Differend. (shrink)

Full-text of this article is not available in this e-prints service. This article was originally published [following peer-review] in Southern Journal of Philosophy, published by and copyright University of Memphis.

Following Lyotard's death in 1998, this book provides an exploration of the recurrent theme of education in his work. It brings to a wider audience the significance of a body of thought about education that is subtle, profound and still largely unexplored. This book also makes an important contribution to contemporary debates on postmodernism and education.

This paper presents the philosophies of J.-F. Lyotard and J. Habermas as motivated by the common goal of conceiving a credible theory of social justice whilst avoiding the aporias of the philosophy of subjectivity. It is argued that each constructs a conception of social justice through conceiving domination within the philosophical framework furnished by the linguistic turn. This argument will involve an examination of the divergent readings given by these thinkers of the relation between injustice and language use. Lyotard's critique (...) of Habermas's philosophy is then examined. It is maintained that Lyotard's notion of aesthetic presentation sheds light on an important deficiency in Habermas's attempt to conceive justice in terms of the emancipatory potential of communicative speech. Lyotard's theory of justice is then defended against the charge that it constitutes a renouncement of normative critique. However, the defence of Lyotard is tentative, since, it is argued, the commitment to the paradigm of Kantian aesthetics poses problems for Lyotard's critique of the subjective foundationalist project. Key Words: Habermas • á justice • language • Lyotard • universalism. (shrink)

In this book, Honi Haber offers a much-needed analysis of postmodern politics. While continuing to work towards the voicing of the "other," she argues that we must go beyond the insights of postmodernism to arrive at a viable political theory. Postmodernism's political agenda allows the marginalized other to have a voice and to constitute a politics of difference based upon heterogeneity. But Haber argues that postmodern politics denies us the possibility of selves and community--essential elements to any viable political theory. (...) Haber calls into question the postmodern dichotomy of totality or difference. She argues that the self--which need not be coherent or unchanging--is always already a social entity. The "subject" must be understood as a subject-in-community, but any subject is constructed by many different communities. The subject whose death has been dictated by postmodern deconstruction is the very subject whose life is necessary for a politics of difference. Haber develops this theory through a detailed examination of postmodern politics as formulated in the work of Lyotard, Rorty, and Foucault. Beyond Postmodern Politics suggests that we must use the concept of subjects-in-community in order to move beyond postmodern politics and arrive at a genuine politics of difference. (shrink)

Heidegger formulates the artwork's origin in a movement against the false motion of portrayal and repetition. The term mimesis is employed in the present essay to describe this origin and the means by which truth 'happens', specifically when mimesis turns against itself as imitation. The movement of the artwork is considered within the following constellation: the concept of mimesis is examined in light of Heidegger's 'Origin' essay to illuminate the concept and the essay by placing both in relation to Adorno's (...) aesthetics (especially the way mimesis figures there) as well as Kant's doctrine of the sublime- via Lyotard's Lessons on the Analytic of the Sublime. The movement of the artwork toward truth is presented as the movement of mimesis. Further, for both Heidegger and Adorno's accounts, the mimetic movement of the artwork parallels the movement of aesthetic judgment, especially as it is construed in regard to Kant's doctrine of the sublime. Key Words: aesthetic judgment • .art theory • . beauty • . mimesis • . the Sublime. (shrink)

The systematic philosophical foundation for Jean-François Lyotard's postmodern and post-Marxist politics is described. The central principle of the right to create different "phrases" is uncovered and examined. The political consequences of this philosophical system are explored, leading to the conclusion that Lyotard's commitment to difference leads to political indifference. The philosophical roots of this indifference are detailed in Lyotard's Cartesian starting point and his analysis of Holocaust revisionism. This analysis reveals an idealist basis to Lyotard's philosophy of difference. Lyotard's concept (...) of difference is compared to that of Ernesto Laclau and Chantal Mouffe. (shrink)

Lyotard’s earliest major work, available in English for the first time. Jean-François Lyotard is recognized as one of the most significant French philosophers of the twentieth century. Although nearly all of his major writing has been translated into English, one important work has until now been unavailable. Discourse, Figure is Lyotard’s thesis. Provoked in part by Lacan’s influential seminars in Paris, Discourse, Figure distinguishes between the meaningfulness of linguistic signs and the meaningfulness of plastic arts such as painting and sculpture. (...) Lyotard argues that because rational thought is discursive and works of art are inherently opaque signs, certain aspects of artistic meaning such as symbols and the pictorial richness of painting will always be beyond reason’s grasp. A wide-ranging and highly unusual work, Discourse, Figure proceeds from an attentive consideration of the phenomenology of experience to an ambitious meditation on the psychoanalytic account of the subject of experience, structured by the confrontation between phenomenology and psychoanalysis as contending frames within which to think the materialism of consciousness. In addition to prefiguring many of Lyotard’s later concerns, Discourse, Figure captures Lyotard’s passionate engagement with topics beyond phenomenology and psychoanalysis to structuralism, semiotics, poetry, art, and the philosophy of language. (shrink)

Lyotard is considered one of the most brilliant and influential of French post-structuralist thinkers.

This is an essential guide to an thinker. Frederic Jameson sees Lyotard as responding to a contemporary "crisis of representation" in the sciences -- a crisis which calls into question "an essentially realistic epistemology, which conceives of representation as the reproduction, for subjectivity, of an objectivity that lies outside it -- projects a mirror theory of knowledge and art, whose fundamental evaluative categories are those of adequacy, accuracy, and Truth itself.".

Lyotard talks of performativity or the subsumption of education to the efficient functioning of the social system. Education is no longer to be concerned with the pursuit of ideals such as that of personal autonomy or emancipation, but with the means, techniques or skills that contribute to the efficient operation of the state in the world market and contribute to maintaining the internal cohesion and legitimation of the state. But this requires individuals of a certain kind -- not Kantian autonomous (...) persons but Foucault's normalized and governable individuals. In constituting such individuals discourse is critically important. But how discourse effects this through the force of language is not fully developed by Foucault. This paper draws upon the performative account of language offered by John Austin to develop more fully comments made by Foucault on the force or effects of language in constituting normalized and governable individuals for the march of performativity. (shrink)

Jacques Derrida has written much in recent years on the topic of mourning. This essay takes Derrida's insights into mourning in general and collective mourning in particular in order to ask about the relationship between mourning and politics. Taking a lead from a recent work of Derrida's on Jean-François Lyotard, the essay develops its argument through two examples, one from ancient Greece and one from twentiethcentury America: the role mourning plays in the constitution and maintenance of the state in Plato's (...) Laws and the controversy surrounding the consecration of the tomb of the Unknown Soldier of Vietnam in Arlington National Cemetery. This latter example provides the occasion for questioning the possibilities of mourning the unknown or the unidentifiable and for addressing some of the ways in which the United States has mourned or failed to mourn, remembered or failed to remember, in the wake of September 11. (shrink)

Philosophers of science have paid little attention, positive or negative, to Lyotard's book The postmodern condition, even though it has been popular in other fields. We set out some of the reasons for this neglect. Lyotard thought that sciences could be justified by non-scientific narratives (a position he later abandoned). We show why this is unacceptable, and why many of Lyotard's characterisations of science are either implausible or are narrowly positivist. One of Lyotard's themes is that the nature of knowledge (...) has changed and thereby so has society itself. However much of what Lyotard says muddles epistemological matters about the definition of 'knowledge' with sociological claims about how information circulates in modern society. We distinguish two kinds of legitimation of science: epistemic and socio-political. In proclaiming 'incredulity towards metanarratives' Lyotard has nothing to say about how epistemic and methodological principles are to be justified (legitimated). He also gives a bad argument as to why there can be no epistemic legitimation, which is based on an act/content confusion, and a confusion between making an agreement and the content of what is agreed to. As for socio-political legitimation, Lyotard's discussion remains at the abstract level of science as a whole rather than at the level of the particular applications of sciences. Moreover his positive points can be accepted without taking on board any of his postmodernist account of science. Finally we argue that Lyotard's account of paralogy, which is meant to provide a 'postmodern' style of justification, is a failure. (shrink)

The surge of interest in Jean-Francois Lyotard's writings has pushed him into the centre of debate on the postmodern.

Jean-Francois Lyotard is often considered to be the father of postmodernism. Here leading experts in the field of cultural and philosophical studies, including Barry Smart, John O' Neill and Victor J. Seidler, tackle many of the questions still being asked about this controversial figure.

Jean-François Lyotard, the highly influential twentieth-century philosopher of the postmodern, has had an enormous impact on the course and commitment of contemporary philosophy. Lyotard: Philosophy, Politics, and the Sublime is a thoroughgoing reassessment of his extraordinary legacy and contribution to contemporary cultural, political, ethical, and aesthetic theory, and an indispenable guide to key issues in his philosophy. Fifteen distinguished scholars have contributed new, original essays examining the main themes in Lyotard's work with a focus on the special intersections of philosophy, (...) psychoanalysis, politics, and the experience of the sublime in art. The volume includes an up-to-date bibliography of works by and about Lyotard, previously unpublished photographs of Lyotard, and an incisive essay by Lyotard himself on the philosophical significance of Freud's case of Emma. (shrink)

This paper is a critical, and fairly detailed, engagement with Lyotard's account of 'postmodern' science as it is found in his _The Postmodern Condition: A Report on Knowledge_.

What is the meaning of reason in our postmodern society today? Is reason a weapon of domination, or can it also serve as a means for emancipation? Is it possible for reason to understand its "other"--what it is not? Confronting such questions, Bounds of Reason is a compelling discussion of the limits and meaning of rationality as a tool for understanding the ideas of truth, justice and freedom. Emilia Steuerman explores the modernist and postmodernist controversy between Habermas and Lyotard to (...) highlight the problems encountered both by a defense of reason and by the lack of meaning that haunts a world without it. Using Kleinian theory to examine the debate as it is manifested in the main philosophical themes of this century, Steuerman argues that a rational and ethical theory of justice must take into account that which is not rational, symmetrical or transparent--namely a primitive world of love and hatred which colors and shapes our perceptions. (shrink)

Recently, James Smith and Merold Westphal have sought to reconcile Christianity with Lyotard’s definition of the postmodern – “incredulitytowards metanarratives” – by claiming that Christianity is not a metanarrative in Lyotard’s sense. This paper argues that their understanding of theLyotardian metanarrative is too restrictive, and that the term specifically includes Christianity within its scope. Despite this, though, there is a meansby which Christianity and Lyotard can be brought closer together. That method is to understand Lyotard’s refusal of metanarratives as being (...) tosome extent provisional. Combining this idea with Lyotard’s notion of the differend allows Christianity and Lyotardian postmodernism to be found, ifnot in agreement, at least to coexist. (shrink)

In this article three viewpoints on the relation of body and language are discussed: the poststructuralist viewpoint of Judith Butler, the phenomenological viewpoint of Maurice Merleau-Ponty and the postmodernist viewpoint of Jean-François Lyotard. The reason juxtaposing for these three accounts is twofold. First, the topic requires a combination of post-structuralist and phenomenological insights, and second, the accounts are supplementary. Butler's account raises questions that can be answered with the help of Merleau-Ponty's work. Lyotard's anthropology of the inhuman offers a perspective (...) of finitude that is missing in the other two. The aim of the article is to outline the necessary ingredients of an adequate conception of the speaking embodied subject. (shrink)

In this article, I explore the relationship between the philosophy of Theodor Adorno and the Bilderverbot , or biblical Second Commandment against images. My starting point is J. F. Lyotard's construction of the melancholic sublime in his essay `What is the Postmodern?', which I argue he uses to critique Adorno's aesthetics, and, more generally, his position as a `modern' thinker. To prove that Lyotard had Adorno in mind when he constructed the category of the melancholic sublime, I return to an (...) earlier piece by Lyotard — `Adorno as the Devil' — which is a reading of Thomas Mann's Dr Faustus , in which Adorno is said to be one of the faces of the Devil. My argument is that Lyotard's understanding of Adorno is flawed because he does not recognize the distinctly Jewish, albeit secularized, character of his thought. I set out to challenge Lyotard by demonstrating the central importance that the Bilderverbot plays in Adorno's work, which should not be understood as melancholic because the Jewish Messianism associated with the Bilderverbot is profoundly future-oriented. In short, I argue that Lyotard's depiction of Adorno is flawed because he reads him as a Christian, while he should be approaching him as a secularized Jew. Key Words: Theodor Adorno • aesthetic theory • Dr Faustus • the image prohibition • Jewish thought • Jean-François Lyotard • Thomas Mann • Messianism • representation • the sublime. (shrink)

Lyotard and the Political is the first book to consider the full range of the French philosopher Francois Lyotard's political thought and its broader implications. Author James Williams clearly and carefully traces the development of Lyotard's thought from his early Marxist essays on the Algerian struggle for independence to his break with the thought of Marx and Freud. This book explains why Lyotard lost his belief in revolutionary politics and seeks to draw out the positive and negative consequences of this (...) loss. Encompassing all of Lyotard's thought, early and late, the book situates his work in terms of the dominant political and philosophical positions of the twentieth century.Williams clearly explains the relationship between Lyotard's thought and the thought of Kant, Heidegger, and Deleuze. (shrink)

Jean-Francois Lyotard was one of the most influential European thinkers in recent decades.