Don't fence me in : Rorty and Sartre -- On freedom and action : Dewey and Sartre -- A (neo) American in Paris : Bourdieu and Mead -- Mead on cosmopolitanism, sympathy, and war -- W.E.B. Du Bois : double-consciousness, Jamesian sympathy, and the cosmopolitan -- Self-concept in the new sociology of ideas : reflections on Neil Gross's Richard Rorty : the making of an American philosopher -- Eros and self-determination -- What if Hegel's master and slave were women?

This essay revisits the question of Sartre's method with particular emphasis on the posthumously published Notebooks for an Ethics , Critique of Dialectical Reason ( Volume II ), and “Morale et histoire.” I argue that Sartre's method—an ever-evolving though never seamless blend of phenomenological description, dialectical analysis, and logical inference—is at once the seed and fruit of his mature ontology of praxis. Free organic praxis, what Sartre more than once calls “the human act,” is neither closed nor integral, but is (...) rather intrinsically open-ended and integrative. Thus a philosophical method that seeks at once to illuminate human experience and human history must itself be both a reflection and inflection of the essential openness and integrativity of praxis itself. In the conclusion, I argue that the openness and integrativity of Sartre's method are its core strengths and the sources of its continued philosophical worth. (shrink)

By what incredible foresight did the most significant intellectual quarrel of the twentieth century anticipate the major issue of the twenty-first? When Camus and Sartre parted ways in 1952, the main question dividing them was political violence—specifically, that of communism. And as they continued to jibe at each other during the next decade, especially during the war in Algeria, one of the major issues between them became terrorism. The 1957 and 1964 Nobel Laureates were divided sharply over which violence most (...) urgently demanded to be addressed and attacked—the humiliations and oppressions, often masked, that Sartre described as systematically built into daily life under capitalism and colonialism, or the brutal and abstract calculus of murder seen by Camus as built into some of the movements that claimed to liberate people from capitalist and colonial oppression.The Sartre-Camus conflict remains, fifty years later, philosophically unresolved. And I would argue—against today's conventional wisdom so persistently asserted by Tony Judt—it is also historically unresolved, despite today. (shrink)

Until now it has been impossible to read the full story of the relationship between Albert Camus and Jean-Paul Sartre. Their dramatic rupture at the height of the Cold War, like that conflict itself, demanded those caught in its wake to take sides rather than to appreciate its tragic complexity. Now, using newly available sources, Ronald Aronson offers the first book-length account of the twentieth century's most famous friendship and its end. Albert Camus and Jean-Paul Sartre first met in 1943, (...) during the German occupation of France. The two became fast friends. Intellectual as well as political allies, they grew famous overnight after Paris was liberated. As playwrights, novelists, philosophers, journalists, and editors, the two seemed to be everywhere and in command of every medium in post-war France. East-West tensions would put a strain on their friendship, however, as they evolved in opposing directions and began to disagree over philosophy, the responsibilities of intellectuals, and what sorts of political changes were necessary or possible. As Camus, then Sartre adopted the mantle of public spokesperson for his side, a historic showdown seemed inevitable. Sartre embraced violence as a path to change and Camus sharply opposed it, leading to a bitter and very public falling out in 1952. They never spoke again, although they continued to disagree, in code, until Camus's death in 1960. In a remarkably nuanced and balanced account, Aronson chronicles this riveting story while demonstrating how Camus and Sartre developed first in connection with and then against each other, each keeping the other in his sights long after their break. Combining biography and intellectual history, philosophical and political passion, Camus and Sartre will fascinate anyone interested in these great writers or the world-historical issues that tore them apart. (shrink)

In October and November, 1948, an exchange on democracy between Jean-Paul Sartre and Albert Camus appeared in Jean Daniel's monthly Caliban. At first glance these articles confirm the prevailing sense that the 1952 split was inevitable. But reading the break back into the relationship presents it with a kind of necessity, corresponding to the law of "analysis after the event" described by Doris Lessing. Inasmuch as it resulted in a break, we are tempted to focus from the start on "the (...) laws of dissolution" of the relationship. As in a marriage that ends in divorce, afterwards we fixate on the logic of the breakup, as if the two were bound to fall out and that is all that matters. But the Sartre/Camus story was in reality too open-ended and complex for such a onesided reading of the story. The events of the year before these articles give us a very different sense of the relationship. (shrink)

The author argues for a conjunction of Albert Camus’s “idealism” with Jean-Paul Sartre’s “dialectical realism” as a corrective to the limitation of each for the sake of a viable transformative politics.

This paper illuminates the central arguments in Sartre's UNESCO address, 'The Singular Universal." The address begins by asking whether objective facts tell us everything there is to know about Kierkegaard. Sartre's answer is negative. The question then arises as to whether we can lay hold of Kierkegaard's "irreducible subjectivity" by seeing him as alive for us today, i.e., as transhistorical. Sartre's answer here is affirmative. However, a close inspection of this answer exposes a deeper level to the address. The struggle (...) to find a place for Kierkegaard within the world of objective knowledge is an allegory. It mirrors Sartre's struggle to find a place for his existentialism within the Marxism that dominates his later thinking. (shrink)

While Sartre scholars cannot fairly be described as being opposed to science, they have, for the most part, stayed aloof. The field of psychology, of course, has been an exception. Sartre himself felt compelled to present his own existential psychoanalysis by marking the parallels and differences between his position and traditional approaches, particularly the Freudian. The same is true with respect to his concept of bad faith and of emotional behavior. Scholars have followed his lead with richly productive results. But (...) we may note that the debate has centered on psychic and therapeutic issues, aspects of what Sartre called le vécu or lived experience, rather than on the findings of cognitive science or neuroscience. Although all existentialists and phenomenologists accept as a central tenet the fact that consciousness is embodied, there has been virtually no concern with the biological substratum. But the study of consciousness cannot be restricted within its own narrow confines—unlike, say, Greek grammar, which can be learned without reference to the rules of Arabic. At some point, there must be established an organic foundation for the behavior of the conscious organism. (shrink)

Merleau-Ponty's essay "Indirect Language and the Voices of Silence" is not thoroughly political in its content, nor is it solely addressed to Sartre. It is dedicated to Sartre, however, and the ideas it contains pose a definite challenge to Sartre's views in What is Literature? Merleau-Ponty rejected Sartre's view of communication arising from the direct transmission of meaning through prose. Instead, he stressed that real political significance is implicated in artistic expression, even if it is in some ways ambiguous. Although (...) it would be difficult to say that Sartre changed his views in direct response to "Indirect Language and the Voices of Silence," his later views do fall in line with Merleau-Ponty's thoughts. One might say that, by taking a Merleau-Pontian view of language, Sartre worked out some of the tensions in his earlier views. Consequently, he ended up with a much richer view of literature, yet one that retained the political significance he wanted in What is Literature? (shrink)

Jean Pierre Boulé's Sartre, Self Formation and Masculinities argues that we cannot adequately understand Sartre without taking account of the unique ways in which he negotiated the gender mandates of patriarchy. Taking Boulé's cue, I call on Lacan, Cixous and Beauvoir to interrogate Sartre's relationship to women, to his body and to writing. I argue for Boulé's approach but against several of his conclusions. Further, I credit Boulé with providing ammunition for challenging Lacan's universal account of the mirror stage, and (...) for pushing me to read Beauvoir's "Must we Burn Sade?" as a critique of Sartre's betrayal of the erotic's ethical demands. (shrink)

Frantz Fanon was an enthusiastic reader of Sartre's Critique of Dialectical Reason and in this essay I focus on what can be gleaned from The Wretched of the Earth about how he read it. I argue that the reputation among Sartre's critics of the Critique as a failure on the grounds that it was left incomplete should take into account its presence in Fanon's The Wretched of the Earth . Their shared perspectives on the systemic character of racism and colonialism, (...) on the genesis and fragility of groups, and on parties indicates the vitality of the ideas set out in the Critique . However, these similarities between the two thinkers are offset by their differences on national consciousness and on the rural masses. I end by speculating about a certain defence on Sartre's part toward Fanon's concrete experience. (shrink)

It is one of Sartre's greatest strengths that his declared aim was 'to write for his own time'. From the 1940s onward, he became ever less interested in 'timeless' questions, and ever more concerned to explore the concrete realities of his own age. This engagement with the contemporary makes it particularly tempting to consider what Sartre's responses to the events of our own age would be. Ever since his death in 1980, those of us who have drawn insight and inspiration (...) from Sartre's works have tended to ask how Sartre might have judged particular political developments. And because of the central place given to violence in his thought, as well as his detailed reflections on the Second World War and the wars in Algeria and Vietnam, it is only natural to ask how Sartre would have responded to the appalling events of 11 September 2001 and the subsequent 'war on terror'. (shrink)

I believe that Sartre's theory of groups, coupled with the suppressed social ontology of BN, does provide an account of how positive and constructive social relations are possible, theoretically and practically. This explicates and makes intelligible the aspect of his concept of authentic existence that requires us to act on behalf of the freedom of all. Sartre's theory of the group does provide a basis for practical union and common effort in our social world, whereby "common" individuals can enrich their (...) concrete freedom. (shrink)

This piece explores the background to writing Sartre, Self-Formation and Masculinities and explains the theoretical tools used in the book before examining some of the issues raised by Bergoffen and Flynn in their critical review-articles and responding to these. It provides a more fully fledged account of Sartre's relationship with psychoanalysis and states how the book combines psychology and biography through a masculinity-aware lens. Both commentators stimulate interesting insights into my own essay, and open up new avenues which I sketch (...) out. The piece ends with a defence of the controversial question of Sartre changing towards the end of his life. (shrink)

The question whether, in the interim, the "socialist morality" allows adequate restraint on revolutionary action, cannot fairly be answered in abstraction from history, in this case our epoch. We submit that the group of projects called corporate "globalization" - imposing free trade, privatization, and dominance of transnational corporations - shapes that epoch. These projects are associated with polarization of wealth, deepening poverty, and an alarming new global U.S. military domination. Using 9/11 as pretext for a "war on terror," this domination (...) backs corporate globalization. If Nazi occupation of France and French occupation of Algeria made Sartre and Beauvoir assign moral primacy to overcoming oppressive systems, then U.S. global occupation should occasion rebirth of that commitment. Parallels among the three occupations are striking. France's turning of colonial and metropolitan working classes against each other is echoed by globalization's pitting of (e.g.) Chinese against Mexican workers in a race to lower wages to get investment. Seducing first-world workers with racial superiority and cheap imports from near-slavery producers once again conceals their thralldom to their own bosses. Nazi and French use of overwhelming force and even torture are re-cycled by the U.S. and its agents, again to hide the vulnerability of their small forces amidst their enemies. (shrink)

There are positive and negative lessons from Sartre: - Taking up some of his ideas one may arrive at a better model of consciousness in the analytic philosophy of mind; representing some of his ideas within the language and the models of a functionalist theory of mind makes them more accessible and inte¬grates them into the wider picture. - Sartre, as any philosopher, errs at some points, I believe; but these errors may be instruc¬tive, especially in as much as they (...) mirror some errors in some current theories of consciousness. This paper, therefore, is not a piece of Sartre scholarship, but an attempt of a “friendly take¬over” of some ideas I ascribe to Sartre into current models in the philosophy of mind. (shrink)

In this article I argue that Fanon articulates a more complex relationship between his notion of radical freedom and slavery reparations that allows for the possibility of demanding the latter without sacrificing the former. While at times Fanon seems to posit a simple dilemma according to which one must choose between freedom and reparations, he also describes a vicious cycle in which the taking of material reparations appears to be a precondition for freedom, yet the claim for reparations appears to (...) come at the cost of adoption of a constraining cultural identity. In other words, the process of attaining the material conditions necessary for radical freedom through slavery reparations can have the opposite effect of inhibiting freedom. The question of the possibility of taking reparations without sacrificing freedom becomes a question about the possibility of thinking about enslaved Africans and their descendants as a collective entitled to reparations without positing a constraining cultural identity. (shrink)

As debate continues1 we hope to shed some light on the development of Sartre's thought by returning to his philosophical beginnings, to his phenomenology, confident that it is here, in its origins, that we will find what has always been the very center of his thought.

In this article, I will investigate Sartre's claims regarding need as an element of the human condition, and I will compare them to the analysis of need found in the works of Marx and of Herbert Marcuse. These comparisons will raise important questions, such as: given the cultural diversity of experiences of need, is Sartre justified in speaking of needs common to all humans? Are these human needs to be considered permanent fixtures, or do they change historically? And, how might (...) this affect their status as fundamental and truly human? Finally, is it even possible for us to recognize our real human needs, and to distinguish them from artificially created and alienated false "needs," while we exist in what Sartre identifies as the current state of subhumanity? (shrink)

Emotion is traditionally described as a phenomenon that dominates the subject because one does not choose to be angry, sad, or happy. However, would it be totally absurd to conceive emotion as behaviour and a manifestation of the spontaneity and liberty of consciousness? In his short text, Esquisse d''une theorie des émotions, Sartre proposes a phenomenological description of this psychological phenomenon. He distinguishes between constituted affectivity, which gives rise to emotions, and an original affectivity lacking intentionality, and tied closely to (...) bodily processes. It appears that emotion is first and foremost a magical attitude toward the world, an attitude freely adopted by the subject. Against what is often written, this thesis doesn''t mean that emotion would be a pure comedy but only that, in spite of appearances, this behaviour isn''t a matter of what Descartes calls soul''s passions. (shrink)

As a psychologist working with individuals, couples, and groups over the past 25 years, I have become convinced that group therapy holds effective possibilities for treatment that neither individual nor couples therapy can match. In theorizing about why group work holds such potency for changing lives, I have come to place it in a Sartrean context. I believe that group therapy offers a greater possibility for revolutionary praxis than individual or couples therapy. In saying this, I am not talking about (...) political or social revolution, but rather the possibility for radical change in a person's orientation toward the world, which groups tend to provoke and reinforce in a way that is more difficult in other forms of therapy. Sartre's concept of groups in his later philosophy, especially in Search for a Method and the Critique of Dialectical Reason, can help us to understand better this transformative power of groups. Such power is not always positive, of course, as Sartre himself recognizes—and as social and political history so amply demonstrates. But the nature of therapy groups is such that they at least have the potential for positive results. (shrink)

: A highly detailed application of Dewey's "dramatic rehearsal" to a particular ethical dilemma situation is developed here. This illustrates the role of moral imagination and creativity, and of self-discovery and self-transformation, within dramatic rehearsal. A primary concern is to show how decisions emerge through unification; what sorts of decisions emerge; how they can be evaluated; and whether the choices and evaluations accord with what is generally taken to be ethical/moral. Sartre's dilemma of a French student during World War II—who (...) is torn between staying with his mother who needed him and making his way to England to join the Free French Forces—provides the illustrative case. Using this case leads to a comparison of Dewey's and Sartre's approaches, and to a Deweyan reinterpretation and reconstruction of the process of decision in Sartre's early ethical theory. Criteria that Sartre, rightly, rejects as determinants of decision are shown to function in dramatic rehearsal as instruments for exploring the meanings of the dilemma. Sartre's analogy between making an ethical decision and creating a painting is explored in terms of Dewey's esthetic theory. This illuminates how dramatic rehearsal develops, and how it culminates in ethical decision. The idea that one makes oneself as one makes one's decision is shown to flow from the painting analogy, in both Sartre and Dewey. How this Deweyan account relates to Sartre's theory of radical choice is considered. Openings for the Deweyan perspective are sought in a brief exploration of Sartre's later ethical theories. (shrink)

Machine generated contents note: Part I. A Retrospective Overview: 1. The Family Idiot; 2. Saint Genet: Actor and Martyr; 3. The Critique of Dialectical Reason; 4. Being and Nothingness; Part II. The Works Themselves: 5. Being and Nothingness; 6. The Critique of Dialectical Reason; 7. Saint Genet: Actor and Martyr; 8. The Family Idiot; 9. The Family Idiot (concluded); Afterword: Madame Bovary.

My goal in writing this article is to give a brief overview of the two volumes of Sartre's Critique of Dialectical Reason. After a brief introduction, I proceed in three stages that move from the abstract to the concrete. I thus trace the development of such notions as comprehension into the dialectic, praxis into singularity and incarnation, the practico-inert into the totalization-of-envelopment, and the enhancement of the notion of scarcity as a general historical condition into a collective free choice. I (...) also suggest new divisions for Critique II. (shrink)

While many contemporary philosophers have downplayed the significance of the body and subscribed to a brain/body dualism in human consciousness, Joseph S. ...

"[A Commentary on Jean-Paul Sartre's Being and Nothingness] represents, I believe, a very important beginning of a deservingly serious effort to make the whole ...

I understand Sartre's ontology to develop in three stages: first, through Being and Nothingness and Saint Genet: Actor and Martyr; second, through the Critique of Dialectical Reason; and, finally, as it unfolds in The Family Idiot. Each stage depends upon the former and deepens the original ontology, while still introducing novel elements. For example, in Being and Nothingness, the in-itself, which is the source of our world-making, develops in the Critique into the practico-inert, which is the world made artifact, and (...) in The Family Idiot, both the in-itself and the practico-inert unite to become the Spirit of the Age, joining our adventure with nature to that of our adventure with our family and our history. My reflection will be developed in four stages: first, a general overview; second, a more extended study of what Sartre calls the problematic of human reality; third, a brief reflection on Sartre's methodology; and finally, a concluding survey. (shrink)

On the back cover of the original French edition of Sartre's Le scénario Freud (The Freud Scenario), the promotional blurb poses the question: "Est-ce ici Sartre qui analyse Freud ou Freud qui analyse Sartre?" (Is Sartre analyzing Freud here, or is Freud analyzing Sartre?). We do not, for obvious reasons, have anything of Freud's on Sartre, but we do have quite a lot of Sartre on Freud, and great quantities of Sartre on Sartre. It has sometimes seemed to me that (...) reading through everything that Sartre wrote—not just the autobiographical material but everything, including the carnets and the cahiers and the letters—might be a bit like having him in analysis. The speed and apparent openness with which he produced his texts, page after page in that quick yet legible script that French writers seem to turn out so effortlessly, mimic some of the conditions of free association, and an analytically sensitive eye, like the analyst's ear in therapeutic sessions, could no doubt piece together a plausible account of the Sartrean unconscious. (shrink)

This book is available either individually, or as part of the specially-priced Arguments of the Philosphers Collection.

According to those that would label Fanon a theorist of recognition, anti-colonial struggles for liberation are struggles for recognition. I will argue, however, that Fanon's discussion of recognition in Black Skin, White Masks offers a critique of the struggle for recognition, understood as the struggle to impose oneself on the other in order to be recognized as who one truly is. Fanon is critical of the idea that the freedom of colonial subjects will be realized when they are recognized by (...) the colonizer. Indeed, the struggle to be recognized by the colonizer actually perpetuates the oppression of the colonized, insofar as this struggle is a struggle to be recognized within the terms of a discourse that is dictated largely by the colonizer. As Fanon demonstrates, the social categories within which subjects become socially visible beings nevertheless work in the service of subjection. Insofar as this is the case, the struggle to be recognized in socially intelligible terms will yield, at best, ambiguous results. Therefore, I argue that Fanon, unlike contemporary theorists of recognition, is skeptical of the liberatory potential of a struggle for recognition that is directed at securing recognition from the colonial "master." Furthermore, Fanon uses the instance of colonial racial misrecognition as the occasion to criticize the concept of recognition more broadly. (shrink)

Jean-Paul Sartre''s position on religion has traditionally been reduced to variations of his well-known atheism. This is a result of collapsing the distinction between religion and theism, as both critics and supporters of Sartre have commonly done. Consequently, attention to Sartre''s persistent and pervasive concern with religious ideas, symbols, and experiences has been neglected. While the religious implications of Sartre''s thought have mostly been considered in relation to Christian theology, other newer areas of religious studies suggest additional avenues for considering (...) Sartre. Sartre''s possible connections to four such areas are discussed: 1) Eastern religions; 2) Jewish studies; 3) feminist theology, and 4) the psychoanalysis of religion. (shrink)