Abstract Both parties in the active philosophical debate concerning the conceptual character of perception trace their roots back to Kant's account of sensible intuition in the Critique of Pure Reason. This striking fact can be attributed to Kant's tendency both to assert and to deny the involvement of our conceptual capacities in sensible intuition. He appears to waver between these two positions in different passages, and can thus seem thoroughly confused on this issue. But this is not, in fact, the (...) case, for, as I will argue, the appearance of contradiction in his account stems from the failure of some commentators to pay sufficient attention to Kant's developmental approach to philosophy. Although he begins by asserting the independence of intuition, Kant proceeds from this nonconceptualist starting point to reveal a deeper connection between intuitions and concepts. On this reading, Kant's seemingly conflicting claims are actually the result of a careful and deliberate strategy for gradually convincing his readers of the conceptual nature of perception. (shrink)

I criticize recent nonconceptualist readings of Kant’s account of perception on the grounds that the strategy of the Deduction requires that understanding be involved in the synthesis of imagination responsible for the intentionality of perceptual experience. I offer an interpretation of the role of understanding in perceptual experience as the consciousness of normativity in the association of one’s representations. This leads to a reading of Kant which is conceptualist, but in a way which accommodates considerations favoring nonconceptualism, in particular the (...) primitive character of perceptual experience relative to thought and judgment. (shrink)

I draw a connection between the question, raised by Hume and Kant, of how aesthetic judgments can claim universal agreement, and the question, raised in recent discussions of nonconceptual content, of how concepts can be acquired on the basis of experience. Developing an idea suggested by Kant's linkage of aesthetic judgment with the capacity for empirical conceptualization, I propose that both questions can be resolved by appealing to the idea of "perceptual normativity". Perceptual experience, on this proposal, involves the awareness (...) of its own appropriateness with respect to the object perceived, where this appropriateness is more primitive than truth or veridicality. This means that a subject can take herself to be perceiving an object as she (and anyone else) ought to perceive it, without first recognizing the object as falling under a corresponding concept. I motivate the proposal through a criticism of Peacocke's account of concept-acquisition, which, I argue, rests on a confusion between the notion of a way something is perceived, and that of a way it is perceived as being. Whereas Peacocke's account of concept-acquisition depends on an illicit slide between these two notions, the notion of perceptual normativity allows a legitimate transition between them: if someone's perceiving something a certain way involves her taking it that she ought to perceive it that way, then she perceives the thing as being a certain way, so that the corresponding concept is available to her in perceptual experience. (shrink)

We are able to think of empirical objects as capable of existing unperceived. What explains our grasp of this conception of objects? In this paper I examine the claim that experience explains our understanding of objects as capable of existing unperceived with reference to Kant’s Critique of Pure Reason. I argue that standard accounts of experience’s explanatory role are unsatisfactory, but that an alternative account can be extracted from the first Critique – one which relies on Kant’s transcendental idealism.

The contemporary discussion of non-conceptual content inaugurated by Gareth Evans and John McDowell has generated a range of differing views as to Kant's position on the issues raised. I argue that for Kant perception is prior to thought and that it is as being prior that perception connects us to reality in outer intuition. I then argue that for Kant thought relates to perception by being the rule for perceptual procedures. This accounts for thought's extending in scope beyond what we (...) actually perceive to all that is manifest in space and time. As against Merleau-Ponty this Kantian understanding of thought beyond perception does not distort the nature of reality which remains essentially that which can be engaged. (shrink)

According to Kant's theory of thought or cognition, thoughts are rules for empirical reactions in the compass of spatial and temporal constructions. Theses rules function to represent our situation in relation to all the ways it is proper to interact with reality. After outlining Kant's theory, I present a modified version in which rules are identified with executive mechanisms for behavioural output. Following Kant, I show how such rules can pertain to the past in terms of mechanisms for being beyond (...) or past stages of temporal constructions. This identification of rules with mechanisms allows for a real definition of the truth of thoughts as the active realizability of the mechanisms that thoughts are. I show how this modified version can encompass the full scope of even relativistic spatio-temporal reality, and indicate why this theory deserves consideration as against rival descriptive and causal theories of cognition. (shrink)

In this article I raise a number of issues concerning John McDowell’s widely influential revisionist reading of Kant. These have to do with what I see as his failure – despite ambitious claims in that regard – to overcome the various problematic dualisms that dogged Kant’s thought throughout the three Critiques. Moreover, as I show, they have continued to mark the discourse of those who inherit Kant’s agenda in this or that updated, e.g., ‘linguistified’ form. More specifically, I argue that (...) McDowell’s ‘new’ reading amounts to no more than a series of terminological shifts or substitutions, such that (for instance) the well-known problem with explaining how ‘sensuous intuitions’ can be somehow synthesised with ‘concepts of understanding’ is replaced – scarcely resolved – by an equally opaque and question-begging appeal to Kantian ‘receptivity’ and ‘spontaneity’. My essay goes on to discuss a number of kindred dichotomies, among them that of nature and ‘second nature’, all of which can basically be seen as resulting from the normative deficit entailed by McDowell’s particular kind of half-way naturalizing project. I conclude that this project shows insufficient regard to the history of post-Kantian continental thought, in particular the similar problems faced by ‘subjective’ and ‘objective’ idealists like Fichte and Schelling. (shrink)

Inspired by Kant, Merleau-Ponty and Sellars, I illustrate and identify certain kinds of unity which are typical (if not universal) features of our conscious experience, and argue that Kant was right to claim that such unities are produced by unconscious processes of synthesis: A perceptual experience of succession is not reducible to a succession of perceptual experiences. The experience of perceiving one object as having several features is not reducible to a conjunction of perceptual experiences of those features. A cross-modal (...) perceptual experience is not reducible to a conjunction of single-modality perceptual experiences. Incoming perceptual information is synthesized into a single scene-a representation of the world as perceived from a spatio-temporal point of view. Any two of the simultaneous features of the experience of a subject S can be thought of together by S. Many of the experiences of a subject S can be thought of by S at a later time as part of his or her history of experience. These can be summarized in the general principle: An experience of a complex is not a complex of experiences. This is consistent with Sellars' principle that: A sense-impression of a complex is a complex of impressions because the latter applies at the sub-personal, unconceptualized level, and the former at the conscious level of conceptualized experiences. (shrink)

There has been considerable recent debate about whether Kant's account of intuitions implies that their content is conceptual. This debate, however, has failed to make significant progress because of the absence of discussion, let alone consensus, as to the meaning of in this context. Here I try to move things forward by focusing on the kind of content associated with Frege's notion of , understood as a mode of presentation of some object or property. I argue, first, that Kant takes (...) intuitions to have a content in this sense, and, secondly, that Kant clearly takes the content of intuitions, so understood, to be distinct in kind from that possessed by concepts. I then show how my account can respond to the most serious objections to previous non-conceptualist interpretations. (shrink)

How do we form concepts like those of three, bycicle and red? According to Kant, we form them by carrying out acts of comparison, reflection and abstraction on information provided by the senses. Kant's answer raised numerous objections from philosophers and psychologists alike. "Kant e la formazione dei concetti" argues that Kant is able to rebut those objections. The book shows that, for Kant, it is possible to perceive objects without employing concepts; it explains how, given those perceptions, we can (...) form categories and empirical concepts; and it argues that theories like Kant's - abstractionist theories of concept formation - are more plausible than is often assumed. (shrink)