This article examines the Kantian thesis of the a priori nature of our knowledge of space. Because it makes the representation of objects possible as external to us and all others, and consequently, as distinct and individualized, space (whatever its structure may be) claims the status as necessary condition and as apriori possibility of all knowledge. However, in the light of various physical, psychological and philosophical considerations, it seems that the particular structure allocated by Kant to space (i.e. uniqueness, infinity, (...) continuity, homogeneity, isotropy, Euclidean character and three-dimensional character) is neither necessary nor a priori but is rather contingent and dependent on experience. For this reason a pragmatist relativization of the transcendental approach appears to be necessary: the structure of space which makes knowledge possible is not apriori in an absolute sense, but rather, it is determined within the context of a certain practice, which is characterized by a certain mode of interaction with the environment and reveals particular empirical constraints to which this spatial structure must fit. (shrink)

A look at the dynamical concept of space and space-generating processes to be found in Kant, J.F. Herbart and the mathematician Bernhard Riemann's philosophical writings.

Abstract: This paper develops a novel interpretation of Kant's argument from incongruent counterparts to the effect that the representations of space and time are intuitions rather than concepts. When properly understood, the argument anticipates the contemporary position whereby the meaning of indexicals cannot be captured by descriptive contents.

In Newtonian physics, all phenomena take place in absolute space, which is a fixed scenario, and are referred to absolute time, which rules all processes. Motion is governed by a set of basic differential equations, and it is possible, at least in principle, to deduce future events from present initial conditions.

In the Transcendental Aesthetic, Kant famously makes the following startling claim, which we can call the transcendental ideality thesis concerning the nature of space, or, for ease of reference in what follows, simply “TI”.

This paper outlines a new interpretation of an argument of Kant's for the existence of absolute space. The Kant argument, found in a 1768 essay on topology, argues for the existence of Newtonian-Euclidean absolute space on the basis of the existence of incongruous counterparts (such as a left and a right hand, or any asymmetrical object and its mirror-image). The clear, intrinsic difference between a left hand and a right hand, Kant claimed, cannot be understood on a relational view of (...) space - for in terms of the spatial relations of their parts, there is no difference to be found. Kant's argument has been interpreted by, among others, Graham Nerlich (in 1973, Hands, Knees and Absolute Space, The Journal of Philosophy). I briefly discuss Nerlich, and then offer a different reconstruction of the argument, one that appears to be closer to Kant's text. The reconstruction, however, essentially involves ascription of primitive identity to parts of space. Comparing the Kantian absolutist account of incongruous counterparts using primitive identity to the correct relationist account, I conclude that the absolutist account pays a heavy metaphysical price, without buying any genuine explanatory advantage over the relationist. I go on to examine recent suggestions that parity-non-conservation phenomena in quantum physics allow a stronger version of Kant's challenge to relationism. On closer examination, it turns out that here too the absolutist or substantivalist must be appealing to space parts with primitive identity in order to claim an advantage over relationists; and here too, I argue the substantivalist story really has no advantage over the correct relationist account. (shrink)

This paper is an exposition and defense of Kant’s philosophy of geometry. The main thesis is that Euclidean geometry investigates the properties of geometrical objects in an inner space that is given to us a priori (pure space) and hence is a priori and synthetic. This thesis is supported by arguing that Euclidean geometry requires certain intuitive objects (Sect. 1), that these objects are a priori constructions in pure space (Sect. 2), and finally that the role of geometrical construction is (...) to provide geometrical objects, not concepts, as some have claimed (Sect. 3). (shrink)

It is argued that geometrical intuition, as conceived in Kant, is still crucial to the epistemological foundations of mathematics. For this purpose, I have chosen to target one of the most sympathetic interpreters of Kant's philosophy of mathematics – Michael Friedman – because he has formulated the possible historical limitations of Kant's views most sharply. I claim that there are important insights in Kant's theory that have survived the developments of modern mathematics, and thus, that they are not so intrinsically (...) bound up with the logic and mathematics of Kant's time as Friedman will have it. These insights include the idea that mathematical knowledge relies on the manipulation of objects given in quasi-perceptual intuition, as Charles Parsons has argued, and that pure intuition is a source of knowledge of space itself that cannot be replaced by mere propositional knowledge. In particular, it is pointed out that it is the isomorphism between Kantian intuition and a spatial manifold that underlies both the epistemic intimacy of the most fundamental type of geometrical intuition as well as that of perceptual acquaintance. (shrink)

Kant argued that the perceptual representations of space and time were templates for the perceived spatiotemporal ordering of objects, and common to all modalities. His idea is that these perceptual representations were specific to no modality, but prior to all—they are pre-modal, so to speak. In this paper, it is argued that active perception—purposeful interactive exploration of the environment by the senses—demands premodal representations of time and space.

Kant's account of space as an infinite given magnitude in the Critique of Pure Reason is paradoxical, since infinite magnitudes go beyond the limits of possible experience. Michael Friedman's and Charles Parsons's accounts make sense of geometrical construction, but I argue that they do not resolve the paradox. I argue that metaphysical space is based on the ability of the subject to generate distinctly oriented spatial magnitudes of invariant scalar quantity through translation or rotation. The set of determinately oriented, constructed (...) geometrical spaces is a proper subset of metaphysical space, thus, metaphysical space is infinite. Kant's paradoxical doctrine of metaphysical space is necessary to reconcile his empiricism with his transcendental idealism. (shrink)

The thesis of this essay is that Kant's theory of the “forms of intuition” can be regarded as an account of the structure of our embodied perspective. The ideality and subjectivity of space is concluded to be an account of the perspective relative nature of the figure-ground relationship or how it is that objects emerge for us in empirical experience as being orientated in a spatio-temporal field. Time is regarded similarly as the event-series relationship. The significant role of embodiment in (...) Kant's thought on space and time is explored through a textual analysis of all of Kant's writings on the subject. By recovering the importance of the body to Kant's theoretical philosophy, the ontological implications of his theory of space and time and his idealism can be made more plausible. (shrink)

Kant uses incongruent counterparts in his work before and after 1781, but not in the first Critique. Given the relevance that incongruent counterparts had for his thought on space, and their persistence in his work during the 1780s, it is plausible to think that he had a reason for leaving them out of both editions of the Critique. Two implausible conjectures for their absence are here considered and rejected. A more plausible alternative is put forth, which explains that textual absence (...) as a result of the synthetic method of presentation intended for the Critique. (shrink)

Kant’s treatments of incongruent counterparts have been criticized in the recent literature. His 1768 essay has been charged with an ambiguous use of the notion of ‘inner ground’, and his 1770 claim that those differences cannot be apprehended conceptually is thought to be false. The author argues that those two charges rest on an uncharitable reading. ‘Inner ground’ is equivocal only if misread as mapping onto Leibniz notion of quality. Concepts suffice to distinguish counterparts, but are insufficient to specify their (...) spatial forms. Kant’s claims are reasonable and plausible, and have been reaffirmed repeatedly in contemporary discussions of demonstrative identification. (shrink)

: Kant's 'argument from geometry' is usually interpreted to be a regressive transcendental argument in support of the claim that we have a pure intuition of space. In this paper I defend an alternative interpretation of this argument according to which it is rather a progressive synthetic argument meant to identify and establish the essential role of pure spatial intuition in geometric cognition. In the course of reinterpreting the 'argument from geometry' I reassess the arguments of the Aesthetic and illustrate (...) the origin of Kant's view of the role of pure intuition in geometry. (shrink)

In this paper, I investigate an important aspect of Kant's theory of pure sensible intuition. I argue that, according to Kant, a pure concept of space warrants and constrains intuitions of finite regions of space. That is, an a priori conceptual representation of space provides a governing principle for all spatial construction, which is necessary for mathematical demonstration as Kant understood it.

Two puzzles with regard to the Kritik der reinen Vernunft (KrV) are incongruent counterparts and causality. In De mundi sensibilis atque intelligibilis forma et principiis (MSI), Kant indicates that the experience of things like left and right hands, so-called incongruent counterparts, involve certain pure intuitions, and hence constitute one line of evidence for the claim that the concept of space itself is a pure intuition. In KrV, Kant again argues that the concept of space itself is a pure intuition, but (...) does not cite the experience of incongruent counterparts as evidence for this claim. Since there is ostensibly nothing in KrV which tells against the existence of the experiences of incongruent counterparts, the natural question is: “Why, in KrV, does Kant not cite the experience of incongruent counterparts as evidence for the claim that the concept of space is a pure intuition?” The problem with causality is as follows. One of the most primary and basic claims of KrV is that empirical experience is structured by non-empirical concepts, such as substantiality and causality. In a portion of KrV entitled the Transcendental Deduction, Kant gives section 20 the heading “All sensible intuitions stand under the categories, as conditions under which alone their the manifold can come together in one consciousness”. Since categories are those concepts which structure empirical experience, section 20 has demonstrated that all sensible intuitions are subject to substantiality and causality. However, there is a later portion of KrV entitled the Second Analogy with the heading “Principle of temporal sequence according to the law of causality: All alterations occur in accordance with the law of the connection of cause and effect”. Thus, the natural question is: “What does the Second Analogy demonstrate about causality which the Transcendental Deduction did not already demonstrate about causality?”. (shrink)

In this paper we want to show how far the early, pre-critical Kant develops a theory of the constitution of space that not only anticipates insights usually attributed to the phenomenological theory of lived space with its emphasis on the constitutively central role of the human lived-body, but which also establishes the foundation for Kant’s Copernican turn according to which space is understood as ‘form of intuition’, implied in the activity of the transcendental subject. The key to understand this role (...) of the body lies in Kant’s understanding of the asymmetrical nature of a pair of hands, which despite being equal in size and structure, remain incongruent counterparts, and thus evade integration into a homogenous and purely self-referential form of space. (shrink)