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  1. George J. Agich (1983). L. W. Beck's Proposal of Meta-Critique and the “Critique of Judgment”. Kant-Studien 74 (3):261-270.
  2. Ingrid Bauer-Drevermann (1965). Der Begriff der Zufälligkeit in der Kritik der Urteilskraft. Kant-Studien 56 (3-4):497-504.
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  3. Daniel Breazeale (2003). Two Cheers for Post-Kantianism: A Response to Karl Ameriks. Inquiry 46 (2):239 – 259.
    Karl Ameriks has recently devoted an entire volume to defending what he calls "orthodox" Kantianism against what he judges to be the "errors" of such post-Kantian idealists as K. L. Reinhold and J. G. Fichte and to exposing what he claims is the frequently unnoticed but always deleterious influence of post-Kantianism upon certain prominent strands of contemporary philosophy. In response, this paper challenges Ameriks' interpretation of Kantianism itself and of the "post-Kantian project", as well as his construal of transcendental idealism. (...)
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  4. M. Budd (1998). Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part 1: Natural Beauty. British Journal of Aesthetics 38 (1):1-18.
  5. Malcolm Budd (2002). The Aesthetic Appreciation of Nature: Essays on the Aesthetics of Nature. Oxford University Press.
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Everyone delights in the beauty of flowers, and some are thrilled by the immensity of mountains or of the night sky. But what is involved in serious aesthetic appreciation of the natural world? Malcolm Budd presents four interlinked studies in the aesthetics of nature, (...)
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  6. Malcolm Budd (1998). Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part I: Natural Beauty. British Journal of Aesthetics 38 (1):1-18.
  7. Malcolm Budd (1998). Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part II: Natural Beauty and Morality. British Journal of Aesthetics 38 (2):117-126.
  8. Paul Crowther (1989). The Kantian Sublime: From Morality to Art. Oxford University Press.
    With this, the first volume in the Oxford Philosophical Monographs series, Paul Crowther breaks new ground by providing what is probably the first study in any language to be devoted exclusively to Kant's theory of the sublime. It fills a gap in an area of scholarship where Kant makes crucial links between morality and aesthetics and will be particularly useful for Continental philosophers, among whom the Kantian sublime is currently receiving widespread discussion in debates about the nature of postmodernism. Crowther's (...)
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  9. Susanne Herrmann-Sinai (2009). Musik und Zeit bei Kant. Kant-Studien 100 (4):427-453.
    There are two ways of dealing with Kant's derogatory position on music. Either it is claimed that Kant's opinion is a result of biographical factors, or Kant is regarded as a mere predecessor of a more successful music aesthetics. While the first way mistakes Kant's personal preferences for a philosophical argument about the nature of sound, the second approach underestimates the close connection between his music aesthetics and his whole philosophical system. Against these approaches the article defends the proposition that (...)
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  10. Eric S. Nelson (2010). China, Nature, and the Sublime in Kant. In Stephen R. Palmquist (ed.), Cultivating Personhood: Kant and Asian Philosophy. Walter de Gruyter. 333--348.
  11. Günther Patzig (1965). Die logischen formen praktischer sätze in kants ethik. Kant-Studien 56 (3-4).
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  12. John Protevi, The Organism as the Judgment of God: Aristotle, Kant and Deleuze on Nature (That is, on Biology, Theology and Politics).
    God has been called many things, but perhaps nothing so strange as the name of “lobster” which he receives in A Thousand Plateaus.1 Is this simple profanation a pendant to the gleeful anti-clericalism of Deleuze2, for whom there is no insult so wretched as that of “priest”?3 Certainly, on one level. But it is also a clue to Deleuze’s ability to use a traditional concern of theology, the name of God, to intervene in the most basic questions of Western philosophy, (...)
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  13. Alexander Rueger (2008). Beautiful Surfaces: Kant on Free and Adherent Beauty in Nature and Art. British Journal for the History of Philosophy 16 (3):535 – 557.
  14. Alexander Rueger (2007). Kant and the Aesthetics of Nature. British Journal of Aesthetics 47 (2):138-155.
    I try to identify the characteristic and distinguishing features of a theory of natural beauty (as opposed to the sublime) that can be found in Kant's Critique of Judgement. Lest this may seem superfluous, I argue first that, contrary to a common view, Kant's theory does not take the experience of beauty in nature as theoretically basic and that he does not deal with beauty in art only as a derivative case of aesthetic experience. I then try to understand what (...)
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  15. Thomas Sturm (2004). Manfred Kuehn: Kant - A Biography. [REVIEW] Philosophical Quarterly 54:476-479.
    Review of Manfred Kuehn's outstanding biography on Immanuel Kant. A critical point I raise concerns Kuehn's discussion of Kant's relation to Hume. Scholars are divided over the questions of (a) whether Hume was an actual inspiration for Kant’s Critical philosophy, (b) whether Kant’s defense really addresses Hume’s problem of causality, and, of course, (c) whether Kant’s arguments provide a satisfactory solution to the problem. Sometimes these questions are not clearly distinguished by interpreters, part of the reason Kant scholarship appears so (...)
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  16. Thomas Sturm (1999). Zustand Und Zukunft der Akademie-Ausgabe von Kants Gesammelten Schriften. Kant-Studien 90 (1):100-106.
    The article reports discussions at an international conference of leading Kant scholars held at the University of Marburg (Germany) in 1998. The conference was concerned with both the current state and the need for revisions of the Academy edition of Kant's Gesammelte Schriften as well. As became clear, a complete revision is necessary in the case of Vols. XX-XXIV and XXVII-XXIX, since these can hardly be used for research. Improvements of various extent and content should be attempted in other volumes (...)
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  17. Rachel Zuckert (2007). Kant's Rationalist Aesthetics. Kant-Studien 98 (4):443-463.
    It is quite standard, even banal, to describe Kant's project in the Critique of Pure Reason [KrV] as a critical reconciliation of rationalism and empiricism, most directly expressed in Kant's claim that intuitions and concepts are two distinct, yet equally necessary, and necessarily interdependent sources of cognition. Similarly, though Kant rejects both the rationalist foundation of morality in the concept of perfection and that of the empiricists in feeling or in the moral sense, one might broadly characterize Kant's moral philosophy (...)
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Kant: Critique of the Power of Judgment
  1. Henry E. Allison (2001). Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment. Cambridge University Press.
    This book constitutes one of the most important contributions to recent Kant scholarship. In it, one of the pre-eminent interpreters of Kant, Henry Allison, offers a comprehensive, systematic, and philosophically astute account of all aspects of Kant's views on aesthetics. The first part of the book analyses Kant's conception of reflective judgment and its connections with both empirical knowledge and judgments of taste. The second and third parts treat two questions that Allison insists must be kept distinct: the normativity of (...)
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  2. Henry E. Allison (1997). Beauty and Duty in Kant's Critique of Judgement. Kantian Review 1:53-81.
  3. Henry E. Allison (1992). Kant's Antinomy of Teleological Judgment. Southern Journal of Philosophy 30 (S1):25-42.
  4. Karl Ameriks (2003). Interpreting Kant's Critiques. Oxford University Press.
    Karl Ameriks here collects his most important essays to provide a uniquely detailed and up-to-date analysis of Kant's main arguments in all three major areas of his work: theoretical philosophy (Critique of Pure Reason), practical philosophy (Critique of Practical Reason), and aesthetics (Critique of Judgment). Guiding the volume is Ameriks's belief that one cannot properly understand any one of these Critiques except in the context of the other two. The essays can be read individually, but read together they offer a (...)
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  5. Karl Ameriks (1995). Review: On Paul Guyer's Kant and the Experience of Freedom. [REVIEW] Philosophy and Phenomenological Research 55 (2):361 - 367.
  6. Karl Ameriks (1983). Kant and the Objectivity of Taste. British Journal of Aesthetics 23 (1):3-17.
  7. Karl Ameriks (1980). Kant and the Claims of Taste. [REVIEW] New Scholasticism 54 (2):241-249.
  8. Richard E. Aquila (2004). Interpreting Kant's Critiques. International Philosophical Quarterly 44 (4):591-593.
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  9. M. Arnold (2003). Harmonious Mood of Enlightened Burghers-The Relation Between Politics and Aesthetics in Immanuel Kant's' Kritik der Urteilskraftl'. Kant-Studien 94 (1):24-50.
  10. Markus Arnold (2003). Die Harmonische Stimmung Aufgeklärter Bürger. Zum Verhältnis von Politik Und Ästhetik in Immanuel Kants Kritik der Urteilskraft. Kant Studien 94 (1):24-50.
    Although Kant had to write his Critique of Judgement with an eye to the Prussian censorship, he nevertheless valued in his aesthetic theory the achievements of the French Revolution. Therefore, the purpose of the article is to analyze the underlying political philosophy of Immanuel Kant's third Critique in the context of the aesthetic theories of his time. The paper presents a brief account of his aesthetic theory (especially of his concepts of "harmony" and "free interplay" between the cognitive faculties) and (...)
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  11. Gary Banham (2000). Kant and the Ends of Aesthetics. Macmillan.
    This is a book focused primarily on reading the *Critique of Judgment* but which takes the central topics of it to be central to understanding the Critical Philosophy generally. It distinguishes types of aesthetics and teleology and in the process suggests an ambitious reconstruction of the landscape of Kant's architectonic.
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  12. Gary Banham, Dennis Schulting & Nigel Hems (eds.) (2012). The Continuum Companion to Kant. Continuum.
    The first genuine and comprehensive English-language handbook to the study of Kant's philosophy, containing sections on Kant's key works, the philosophical and historical contexts of his philosophy, essays on the reception and influence of the Kantian philosophy, a lexical A-Z list of lemmata addressing central themes and concepts of Kant's thought and an extensive English-language bibliography of secondary literature.
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  13. Anne Margaret Baxley (2005). The Practical Significance of Taste in Kant's Critique of Judgment: Love of Natural Beauty as a Mark of Moral Character. Journal of Aesthetics and Art Criticism 63 (1):33–45.
  14. Paul Bommersheim (1919). Der Begriff der organischen Selbstregulation in Kants Kritik der Urteilskraft. Kant-Studien 23 (1-3):209-220.
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  15. Bernard Bourgeois (1993). The Beautiful and the Good According to Kant (Translated by Charles Wolfe). Graduate Faculty Philosophy Journal 16 (2):359-373.
  16. Reinhard Brandt (2013). Zu Eckart Försters Die 25 Jahre der Philosophie. Eine systematische Rekonstruktion. Kant-Studien 104 (3):367-385.
  17. Angela Breitenbach (2013). Beauty in Proofs: Kant on Aesthetics in Mathematics. European Journal of Philosophy 22 (3).
    It is a common thought that mathematics can be not only true but also beautiful, and many of the greatest mathematicians have attached central importance to the aesthetic merit of their theorems, proofs and theories. But how, exactly, should we conceive of the character of beauty in mathematics? In this paper I suggest that Kant's philosophy provides the resources for a compelling answer to this question. Focusing on §62 of the ‘Critique of Aesthetic Judgment’, I argue against the common view (...)
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  18. Angela Breitenbach (2006). Mechanical Explanation of Nature and its Limits in Kant's Critique of Judgment. Studies in History and Philosophy of Science Part C 37 (4):694-711.
  19. Harold W. Brogan (2004). Kant's Retrieval of Leibniz. Epoché: A Journal for the History of Philosophy 8 (2):271-284.
    Kant’s avowed commitment to the basic principles of Leibniz’s metaphysics is evident throughout the critical project and stated explicitly in the Prize Essay. However, it is not until the Critique of Judgment, wherein Kant recognizes that Judgment operating in its reflective mood can engender synthetic a priori claims, that Kant is fully capable of appropriating the basic tenets of Leibniz’s metaphysics. This paper examines Kant’s treatment of Leibniz from the perspective of the Critique of Judgment. It is argued that from (...)
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  20. Steven Ravett Brown (2004). On the Mechanism of the Generation of Aesthetic Ideas in Kant's Critique of Judgment. British Journal for the History of Philosophy 12 (3):487 – 499.
  21. Paul W. Bruno (2010). Kant's Concept of Genius: Its Origin and Function in the Third Critique. Continuum.
    The first comprehensive study of the roots of the concept of genius in Kant's understanding of nature and his notion of the artist.
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  22. Malcolm Budd (1998). Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature Part III: The Sublime in Nature. British Journal of Aesthetics 38 (3):233-250.
  23. Craig Burgess (1989). Kant's Key to the Critique of Taste. Philosophical Quarterly 39 (157):484-492.
  24. Luigi Caranti (2005). Logical Purposiveness and the Principle of Taste. Kant-Studien 96 (3):364-374.
    In both Introductions to the Critique of Judgment Kant seems to identify the a priori principle at the basis of aesthetic judgments with the principle that guides reflective judgment in its cognitive inquiry of nature, i.e. the purposiveness of nature or systematicity. For instance Kant writes.
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  25. H. W. Cassirer (1938/1970). A Commentary on Kant's Critique of Judgment. New York, Barnes & Noble.
  26. Clive Cazeaux (2001). Review: Banham, Kant and the Ends of Aesthetics. [REVIEW] Kantian Review 5:141-147.
  27. Andrew Chignell (2013). Ogilby, Milton, Canary Wine, and the Red Scorpion: Another Look at Kant's Deduction of Taste. In Dina Emundts (ed.), Self, World, and Art. Walter De Gruyter. 261-282.
    An effort to expand and defend aspects of my earlier reading of the Deduction of Taste. The Red Scorpion is just for fun. -/- .
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  28. Andrew Chignell (2006). Beauty as a Symbol of Natural Systematicity. British Journal of Aesthetics 46 (4):406-415.
    I examine Kant's claim that a relation of symbolization links judgments of beauty and judgments of ‘systematicity’ in nature (that is, judgments concerning the ordering of natural forms under hierarchies of laws). My aim is to show that the symbolic relation between the two is, for Kant, much closer than many commentators think: it is not only the form but also the objects of some of our judgments of taste that symbolize the systematicity of nature. -/- .
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  29. Andrew Chignell (2004). Review of H.J. Glock (Ed), Strawson and Kant. [REVIEW] Notre Dame Philosophical Reviews 2004 (8).
  30. Ted Cohen (1990). An Emendation in Kant's Theory of Taste. Noûs 24 (1):137-145.
  31. Francis X. J. Coleman (1974). The Harmony of Reason: A Study in Kant's Aesthetics. University of Pittsburgh Press.
    Introduction The General Bearings of Kant's Third Critique The Critique of Judgment may be broadly viewed as a work of philosophical diplomacy in which Kant ...
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  32. Timothy M. Costelloe (2003). Hume, Kant, and the "Antinomy of Taste". Journal of the History of Philosophy 41 (2):165-185.
  33. Donald W. Crawford (1974). Kant's Aesthetic Theory. [Madison]University of Wisconsin Press.
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