This category needs an editor. We encourage you to help if you are qualified.
Volunteer, or read more about what this involves.
Related categories
Siblings:
12 found
Search inside:
(import / add options)   Order:
  1. Francesca Brencio (2013). Sul gusto e sul giudizio di gusto. In M. Marchi & G. Di Renzo (eds.), Le declinazioni del gusto. Aracne
    Remove from this list  
    Translate
      Direct download  
     
    Export citation  
     
    My bibliography  
  2. Francis X. J. Coleman (1974). The Harmony of Reason: A Study in Kant's Aesthetics. University of Pittsburgh Press.
    Introduction The General Bearings of Kant's Third Critique The Critique of Judgment may be broadly viewed as a work of philosophical diplomacy in which Kant ...
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    My bibliography   2 citations  
  3. Manuel M. Davenport (1972). Kant and Maritain on the Nature of Art. British Journal of Aesthetics 12 (4):359-368.
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  4. C. E. Emmer (2001). The Senses of the Sublime: Possibilities for a Non-Ocular Sublime in Kant's Critique of Judgment. In Volker Gerhardt, Rolf Horstmann & Ralph Schumacher (eds.), Kant und die Berliner Aufklärung: Akten des IX. Internationalen Kant-Kongresses, Vol. 3. Walter de Gruyter
    It might at first seem that the senses (the five traditionally recognized conduits of outer sense) would have very little to contribute to an investigation of Kant's aesthetics. Is not Kant's aesthetic theory based on a relation of the higher cognitive faculties? Much however can be revealed by asking to what degree sight is essential to aesthetic judgment (of beauty and the sublime) as Kant describes it in the 'Critique of Judgment.' Here the sublime receives particular attention.
    Remove from this list  
    Translate
     
     
    Export citation  
     
    My bibliography  
  5. Immanuel Kant (1960). Observations on the Feeling of the Beautiful and Sublime. Berkeley, University of California Press.
    Kant's only aesthetic work apart from the Critique of Judgment , Observations on the Feeling of the Beautiful and Sublime gives the reader a sense of the personality and character of its author as he sifts through the range of human responses to the concept of beauty and human manifestations of the beautiful and sublime. Kant was fifty-eight when the first of his great Critical trilogy, the Critique of Pure Reason , was published. Observations offers a view into the mind (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    My bibliography   33 citations  
  6. Johann Jacob Kanter, Johann Georg Hamann, The False Subtlety, Four Syllogistic Figures, Natural Theology, Berlin Academy, Moses Mendelssohn, On Evidence, Only Possible Argument, Negative Magnitudes, Pure Reason, The Observations, An Attempt, Winter Semester, Edmund Burke, Philosophical Enquiry & Our Ideas (1961). Observations on the Feeling of the Beautiful and the Sublime. Philosophical Books 2 (2):7-9.
    Contents \t\t\t\t\t \tTRANSLATOR'S INTRODUCTION \t\t1 \t \tNOTE ON THE TRANSLATION \t\t39 \t OBSERVATIONS ON THE FEELING OF THE BEAUTIFUL AND SUBLIME \t\t\t\t\t \tSECTION ONE: \t\t\t\t \t\tOf the Distinct Objects of the Feeling of the Beautiful and Sublime \t\t45 \tSECTION TWO: \t\t\t\t \t\tOf the Attributes of the Beautiful and Sublime.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  7. Erman Kaplama (2016). Kantian and Nietzschean Aesthetics of Human Nature: A Comparison Between the Beautiful/Sublime and Apollonian/Dionysian Dualities. Cosmos and History: The Journal of Natural and Social Philosophy 12 (1):166-217.
    Both for Kant and for Nietzsche, aesthetics must not be considered as a systematic science based merely on logical premises but rather as a set of intuitively attained artistic ideas that constitute or reconstitute the sensible perceptions and supersensible representations into a new whole. Kantian and Nietzschean aesthetics are both aiming to see beyond the forms of objects to provide explanations for the nobility and sublimity of human art and life. We can safely say that Kant and Nietzsche used the (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    My bibliography  
  8. Erman Kaplama (2010). Introduction to Cosmological Aesthetics: The Kantian Sublime and Nietzschean Dionysian. International Journal of the Humanities 8 (2):69-84.
    This paper is founded on a close reading of Kant’s Opus Postumum in order both to explore the essential motivation that drove Kant to write a last comprehensive magnum opus and, by doing so, to show the essential link between his aesthetics and the idea of Übergang, the title of this last work. For this work contains not only his dynamical theory of matter defining motion as preliminary to the notions of space and time, and the advanced version of his (...)
    Remove from this list   Direct download (4 more)  
     
    Export citation  
     
    My bibliography  
  9. Salim Kemal (1986). Kant and Fine Art: An Essay on Kant and the Philosophy of Fine Art and Culture. Oxford University Press.
    Integrating Kant's ideas on aesthetics and morality, Dr. Kemal explains how Kant's theories emphasize that art is critical to the development of culture and community goals. He clarifies Kant's often obscure efforts to justify artistic judgements and demonstrates Kant's claim that they have their own necessity. Containing explanations of many difficult terms present in Kant's Critique of Judgment, this study is a valuable guide to understanding Kant's association of beauty and morality.
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    My bibliography   5 citations  
  10. Matthew Kieran (2010). Teaching & Learning Guide For: Art, Morality and Ethics: On the Moral Character of Art Works and Inter-Relations to Artistic Value. Philosophy Compass 5 (5):426-431.
  11. Ann A. Pang-White (2009). Nature, Interthing Intersubjectivity, and the Environment: A Comparative Analysis of Kant and Daoism. Dao: A Journal of Comparative Philosophy 8 (1):61-78.
    The Kantian philosophy, for many, largely represents the Modern West’s anthropocentric dominance of nature in its instrumental-rationalist orientation. Recently, some scholars have argued that Kant’s aesthetics offers significant resources for environmental ethics, while others believe that Kant’s flawed dualistic views in the second Critique severely undermine any environmental promise that aesthetic judgments may hold in Kant’s third Critique . This article first examines the meanings of nature in Kant’s three Critique s. It concludes that Kant’s aesthetic view toward sensible nature (...)
    Remove from this list   Direct download (5 more)  
     
    Export citation  
     
    My bibliography  
  12. Nick Riggle (2016). On the Interest in Beauty and Disinterest. Philosophers' Imprint 16 (9):1-14.
    Contemporary philosophical attitudes toward beauty are hard to reconcile with its importance in the history of philosophy. Philosophers used to allow it a starring role in their theories of autonomy, morality, or the good life. But today, if beauty is discussed at all, it is often explicitly denied any such importance. This is due, in part, to the thought that beauty is the object of “disinterested pleasure”. In this paper I clarify the notion of disinterest and develop two general strategies (...)
    Remove from this list   Direct download (2 more)  
     
    Export citation  
     
    My bibliography