Introducción -- Los rostros de la crítica -- Después del posmodernismo -- El concepto y la metáfora -- Las imágenes y las formas del entendimiento -- Citas memorables -- El oficio de la filosofía.

“There’s no need for DNA tests to prove that One Hundred Years of Solitude is Don Quixote’s heir.” G. Rabassa This paper is a personal attempt to relate the concept of language games as portrayed by the Austrian Philosopher Ludwig Wittgenstein with the literary magic of Gabriel García Márquez. The topic came up to me after reading an essay of the Colombian writer Carlos Patiño Roselli. His exposition on the language games in Wittgenstein triggered a series ofassociations in me that (...) made me see spoken language as the actor that plays the leading role in both authors. In order to address this topic I will first summarize Wittgenstein’s notion of language-games, on one hand, and then I will remind us of what we commonly understand under “magical realism” in GGM; then, I will propose a free interpretation of §103 in PhU relating it to Melquiades’ return from death to live in a story he tells in some papyrus. And now, “Back to the rough ground!”. (shrink)

Borges, Calvino, and Eco are as noted for the intriguing philosophical puzzles they present as they are for their inventive literary styles. In their writings, sequences of causality are reversed, individuals switch identities, and stories of one person mirror those of others. Literary Philosophers brings together a group of distinguished philosophers, literary scholars, and comparativists to explore and debate the relationship between philosophy and literature in the works of these brilliant figures.

In this short paper I try to present William James’s connection with the Argentinian writer Macedonio Fernández (1874-1952), who was in some sense a mentor of Borges and might be considered the missing link between Borges and James.

The year of the centennial of the Argentinean writer Jorge Luis Borges is probably the right time to exhume one of the links that this universal writer had with William James. In 1945, Emece, a publisher from Buenos Aires, printed a Spanish translation of William James’s book Pragmatism, with a foreword by Jorge Luis Borges.

The following article discusses a certain concrete ethical-historical sensibility that opens, in part, in the work of Hegel and serves as an introduction to two figures of spirit beyond Hegel’s onto-theological thought: namely, Frantz Fanon and Gabriel García Márquez. The discussion seeks to introduce a “thinking sensibility,” i.e., an opening toward the articulate understanding of history in and through its singularities. This figures a space for a way of thinking arising in the concrete unfolding of spirits out of singularities that (...) overwhelm any single or universal call for unity. In terms of history, this concerns not a thinking that gives sense to history through concepts, but a thought that from its specificity and situation unfolds diverse articulations, and hence configurations of the senses of spirit or histories. (shrink)

Jorge Luis Borges, "The Lottery in Babylon," from Labyrinths Jorge Luis Borges of Argentina (-), poet, novelist, librarian, author, and literary critic, ...