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  1. Ion T. Agheana (1984). The Prose of Jorge Luis Borges Existentialism and the Dynamics of Surprise.
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  2. Beatriz De Alba-Koch (1997). The Dialogics of Utopia, Dystopia and Arcadia: Political Struggle and Utopian Novels in Nineteenth-Century Mexico. Utopian Studies 8 (1):19 - 30.
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  3. Dennis Alicea (2010). Los Rostros de la Crítica: Ensayos Filosóficos. Ediciones Callejón.
    Introducción -- Los rostros de la crítica -- Después del posmodernismo -- El concepto y la metáfora -- Las imágenes y las formas del entendimiento -- Citas memorables -- El oficio de la filosofía.
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  4. Juliâan Serna Arango (1990). Borges y la Filosof'ia. [S.N.].
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  5. Bermúdez Barrera (2008). Wittgenstein's Language Games and García Márquez´ Magical Realism. Proceedings of the Xxii World Congress of Philosophy 26:21-28.
    “There’s no need for DNA tests to prove that One Hundred Years of Solitude is Don Quixote’s heir.” G. Rabassa This paper is a personal attempt to relate the concept of language games as portrayed by the Austrian Philosopher Ludwig Wittgenstein with the literary magic of Gabriel García Márquez. The topic came up to me after reading an essay of the Colombian writer Carlos Patiño Roselli. His exposition on the language games in Wittgenstein triggered a series ofassociations in me that (...)
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  6. Gabriele Basi (2005). L'enumerazione whitmaniana in Jorge Luis Borges. Annali Della Facoltà di Lettere E Filosofia 26:235-260.
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  7. Ronald Bermudez (2007). Posiciones filosóficas en la literatura colombiana contemporánea. Logos 11:75-80.
    When valuing any a esthetic manifestation of art, including contemporary Colombian Literature, it is necessary to discuss the concept of literary art which lays at the heart of any proposal. Such proposal allows us to find the causes of the loss of its universal character and its docility in relation to modern tendecies which suggest that ther is a shallow treatment of related topics. Therefore, based on four authoritative texts I attempt to define degree of universality that nacional (colombian) literature (...)
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  8. Jorge Luis Borges, Nicolás Helft, Weber Ferro & Argentina) Nación Aires (1996). La Biblioteca Total Viaje Por El Universo de J. L. Borges. La Nación.
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  9. Bruno Bosteels (1995). After Borges: Literary Criticism and Critical Theory. Dissertation, University of Pennsylvania
    The writings of Jorge Luis Borges are finely in tune with some of the most innovative trends in contemporary criticism and theory, especially in answer to the questioning of subjectivity and representation in the human sciences. Adopting a constructivist approach, this reading gauges the impact of Borges's texts as they respond to this two-fold question through monstrosity and cartography. Whether as the hybrid, the purposeless, or the infamous, monstrosity in Borges is a multiple symbol irreducible to the concepts, forms, and (...)
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  10. Gerald Bruns (2002). Review of Jorge J.E. Gracia, Carolyn Korsmeyer (Eds.), Literary Philosophers: Borges, Calvino, Eco. [REVIEW] Notre Dame Philosophical Reviews 2002 (10).
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  11. Cristina Bulacio (2003). Los Escándalos de la Razón En Jorge Luis Borges.
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  12. Juan Arana Cañedo-argüelles (1994). El Centro Del Laberinto Los Motivos Filosóficos En la Obra de Borges.
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  13. Lillian Manzor Coats (1996). Borges/Escher, Sarduy/Cobra Un Encuentro Posmoderno.
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  14. Giovanna de Garayalde (1978). Jorge Luis Borges Sources and Illumination. Monograph Collection (Matt - Pseudo).
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  15. Alfonso de Toro (1999). Jorge Luis Borges Thoughts and Knowledge in the Xxth Century. Monograph Collection (Matt - Pseudo).
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  16. P. Duviols & V. A. Velen (1964). The Inca Garcilaso De La Vega Humanist Interpreter of the Inca Religion. Diogenes 12 (47):36-52.
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  17. E. M. Estrada & H. Haal (1963). The Lineage of Argentinian Literature. Diogenes 11 (43):79-97.
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  18. Howard Giskin (2013). Epistemic Uncertainty in Borges' “The Library of Babel”. Iamure International Journal of Literature, Philosophy and Religion 4 (1).
    In his short story “The Library of Babel” (1941), Argentinean writer Jorge LuisBorges (1899–1986) examines the nature of reality, in particular epistemologicalboundaries to knowing in the world and universe. In this tale Borges is concerned withepistemic certainty, whether the universe is decipherable by use of reason, philosophy,or scientific investigation. I examine Borges’ tale as an allegory of the dilemma modernsfind themselves in, in an age when the moorings which have anchored us, belief inGod, religious faith, moral absolutes, the idea of (...)
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  19. Jorge J. E. Gracia (2001). Borges's "Pierre Menard": Philosophy or Literature? Journal of Aesthetics and Art Criticism 59 (1):45-57.
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  20. Jorge J. E. Gracia, Carolyn Korsmeyer & Rodolphe Gasché (eds.) (2002). Literary Philosophers?: Borges, Calvino, Eco. Routledge.
    Borges, Calvino, and Eco are as noted for the intriguing philosophical puzzles they present as they are for their inventive literary styles. In their writings, sequences of causality are reversed, individuals switch identities, and stories of one person mirror those of others. Literary Philosophers brings together a group of distinguished philosophers, literary scholars, and comparativists to explore and debate the relationship between philosophy and literature in the works of these brilliant figures.
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  21. Jon Helgason (1999). En Vallfart Till Island-Samtal Med Jorge Luis Borges. Res Publica 45 (oktober).
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  22. Didier Tisdel Jaén (1992). Borges' Esoteric Library Metaphysics to Metafiction. Monograph Collection (Matt - Pseudo).
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  23. Christopher Janaway (1992). Borges and Danto: A Reply to Michael Wreen. British Journal of Aesthetics 32 (1):72-76.
  24. Rajmund Kalicki (1980). Jorge Luis Borges. Monograph Collection (Matt - Pseudo).
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  25. Gregorio Kaminsky, Universidad de Buenos Aires & Jornadas Borges Y. la Filosofía (1994). Borges y la Filosofía. Instituto de Filosofía, Facultad de Filosofía y Letras, Universidad de Buenos Aires.
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  26. Robert Lima (1993). Borges and the Esoteric. Duquesne University.
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  27. J. Liscano & J. L. Borges (1987). National Identity in Latin-American Literature. Diogenes 35 (138):41-60.
  28. María Cristina Machado Toro (2013). El humano adjetivo: la poesía de Borges. Escritos 21 (46):282-285.
    Este texto es un estudio profundo sobre lo poético en la obra de Jorge Luis Borges, rastreado no solo en sus poemas sino en su narrativa: ensayo y cuento. Lo que permite sostener que la cualidad principal de su escritura se encarna en la figura del poeta. El eje central del estudio se refiere a la particularidad de su adjetivación en la cual puede reconocerse el vínculo entre literatura y filosofía puesto que en la escritura de Borges el adjetivo no (...)
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  29. Clancy W. Martin (2006). Borges Forgets Nietzsche. Philosophy and Literature 30 (1):265-276.
  30. Marina Martin & "Jorge Luis Borges" Center for Studies and Documentation Universitet) (2002). Borges, Perplejidades Filosóficas Dossier Especial. Borges Center, Aarhus Universitet, Romansk Institut.
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  31. H. Martinez (2004). A Gênese Estética Do 'Tema Del Traidor y Del Héroe'de Jorge Luis Borges. Revista de filosofía (Chile) 16 (19):57-64.
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  32. Zulma Mateos (1998). La Filosofía En la Obra de Jorge Luis Borges. Monograph Collection (Matt - Pseudo).
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  33. María Rosa Palazón Mayoral (2011). Algunas Reflexiones Sobre la Estética de Antonio Caso. In Adalberto Santana (ed.), Filosofía, Historia de Las Ideas E Ideología En América Latina y El Caribe. Universidad Nacional Autónoma de México
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  34. Palazón Mayoral & María Rosa (2006). La Estética En México, Siglo Xx: Diálogos Entre Filósofos. Fondo de Cultura Económica.
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  35. Sergio Missana (2003). La M'aquina de Pensar de Borges.
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  36. Sergio Missana (2002). Borges' Thinking Machine. Dissertation, Stanford University
    This dissertation presents a broad diachronic overview of the writings of Jorge Luis Borges. Unlike most critical approaches, which have tended to focus primarily on 'content', this work is concerned with the stylistic, rhetorical, and philosophical strategies that govern the operation of his texts as a whole. It attempts to describe the emergence, predominance, and eventual exhaustion of these principles within the operation of Borges' texts. ;Borges' oeuvre is characterized as a machine, in the sense in which Systems Theory speaks (...)
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  37. Ashley Moore, The Function of Food in Latin American Literature.
    In literary work, readers can recognize certain devices employed by the author to reflect on the human condition. Through these literary devices, the author can express creativity, emotion, history, politics, or problems of gender and race. One of these themes is food, because it can embody part of a culture and community through its artistic representations. In my proposal, I will analyze the function of food as a metaphor, establishing comparisons in four Latin American narratives: "Leccion de comida" (1971) by (...)
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  38. Aurea Mota (2014). "En El Sueño Del Hombre Que Soñaba, El Soñado Se Despertó": Ação E História Em Jorge Luis Borges. Kriterion: Revista de Filosofia 55 (129):23-39.
    Neste artigo argumentamos que os temas da ação e da história presentes em alguns contos de Jorge Luis Borges antecipam alguns pontos que apareceram nas discussões pós-estruturalistas - nos campos da história, filosofia, antropologia - das últimas décadas do século XX. No seu labirinto literário-filosófico, especialmente por meio da ideia de destino, Borges explora elementos chave que se tornaram parte da noção de crítica que enfatiza as ideias de contingência e da impossibilidade de controle deliberado dos efeitos da ação humana (...)
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  39. Jaime Nubiola (2001). William James and Borges Again: The Riddle of the Correspondence with Macedonio Fernández. Streams of William James 3 (2):10-11.
    In this short paper I try to present William James’s connection with the Argentinian writer Macedonio Fernández (1874-1952), who was in some sense a mentor of Borges and might be considered the missing link between Borges and James.
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  40. Jaime Nubiola (1999). Jorge Luis Borges and William James. Streams of William James 1 (3):7.
    The year of the centennial of the Argentinean writer Jorge Luis Borges is probably the right time to exhume one of the links that this universal writer had with William James. In 1945, Emece, a publisher from Buenos Aires, printed a Spanish translation of William James’s book Pragmatism, with a foreword by Jorge Luis Borges.
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  41. Cristina Ortiz (1999). Recontextualizaci'on de la Po'etica Del Siglo Xvii En la Obra de Jorge Luis Borges.
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  42. Luis Oyarzun (1963). Some Aspects of Latin American Poetry. Journal of Aesthetics and Art Criticism 21 (4):433-437.
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  43. John Perry (2007). `Borges and I' and `I'. Amherst Lecture in Philosophy 2:1-16.
    In Jorge Luis Borges’ short story, “Borges and I,” one character, referred to in the first person, complains about his strained and complex relation with another character, called “Borges.” But the characters are both presumably the author of the short story. I try to use ideas from the philosophy of language to explain how Borges uses language to express complex thoughts, and then discuss two interpretations of the story.
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  44. Malcolm K. Read (1993). Jorge Luis Borges and His Predecessors, or, Notes Towards a Materialist History of Linguistic Idealism.
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  45. Philip Seargeant (2009). Philosophies of Language in the Fictions of Jorge Luis Borges. Philosophy and Literature 33 (2):pp. 386-401.
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  46. Ilan Stavans (2010). Language and Coloniz. In Susana Nuccetelli, Ofelia Schutte & Otávio Bueno (eds.), A Companion to Latin American Philosophy. Wiley-Blackwell
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  47. Ilan Stavans (2010). Language and Colonization. In Susana Nuccetelli, Ofelia Schutte & Otávio Bueno (eds.), A Companion to Latin American Philosophy. Wiley-Blackwell
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  48. Jon Stewart (1995). Borges on Language and Translation. Philosophy and Literature 19 (2):320-329.
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  49. María Cristina Machado Toro (2013). El humano adjetivo: la poesía de Borges. Escritos 21 (46):282-285.
    Este texto es un estudio profundo sobre lo poético en la obra de Jorge Luis Borges, rastreado no solo en sus poemas sino en su narrativa: ensayo y cuento. Lo que permite sostener que la cualidad principal de su escritura se encarna en la figura del poeta. El eje central del estudio se refiere a la particularidad de su adjetivación en la cual puede reconocerse el vínculo entre literatura y filosofía puesto que en la escritura de Borges el adjetivo no (...)
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  50. Alejandro A. Vallega (2008). Unbounded Histories: Hegel, Fanon, and Gabriel García Marquez. Idealistic Studies 38 (1/2):41-54.
    The following article discusses a certain concrete ethical-historical sensibility that opens, in part, in the work of Hegel and serves as an introduction to two figures of spirit beyond Hegel’s onto-theological thought: namely, Frantz Fanon and Gabriel García Márquez. The discussion seeks to introduce a “thinking sensibility,” i.e., an opening toward the articulate understanding of history in and through its singularities. This figures a space for a way of thinking arising in the concrete unfolding of spirits out of singularities that (...)
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