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  1. Corey Abel (2006). Stoppard’s Hapgood and the Drama of Politics and Science. Perspectives on Political Science 35 (3):143-148.
    This paper presents a detailed analysis of Stoppard's "Hapgood," in order present two related arguments. First, due to the modal differences between science and human conduct, the play must relegate science to a secondary role, in spite of the apparent primacy of science as the engine of the play's theme and plot. Second, while the drama hinges on its presentation of a fictive world very much patterned after the world of human conduct, drawing on love, friendship, patriotism, and more, it (...)
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  2. Corey Abel (2003). Love and Friendship in Utopia: Brave New World and 1984. In Eduardo Velasquez (ed.), Love and Friendship: Rethinking Politics and Affection in Modern Times.
    Contrary to many "political" interpretations, of "Brave New World" and "1984" this paper stresses that the evil of totalitarian government is not simply in the presence of great and arbitrary power, but in the particular ways that such power erodes love and friendship, the bases of social life. The crisis represented by the destruction of all possibility of love and friendship is placed in the context of Dostoevsky's meditations on "The Grand Inquisitor," and reflections by noted political theorists on the (...)
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  3. Md Hussain Ahmed (2014). A Glimpse on Islamic Teaching. Pratidhwani the Echo (III):13-19.
    Islam' literally means submission but when the term is used in a religious context it means submission to Allah alone. Accordingly, a Muslim is one who submits to the Divine injunctions and does not deviate from them. "Al-Islam implies that you testify that there is no god but Allah and that Muhammad is the Messenger of Allah and you establish prayer, pay zakat, observe the fast of Ramadan, and perform pilgrimage to Holy Ka'ba at Mecca once in a lifetime if (...)
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  4. G. A. Akhmetova (2013). E. Zamyatin's novel "We" in russian classics. Liberal Arts in Russia 2 (1):57--64.
    The article dwells on the origin of the dystopian genre in the Russian classical literature of the 19th century in M. Saltykov-Shchedrin and F. Dostoevsky’s creative work. It is shown that a new genre created in the authors’ polemics of "The History of a Town" and "Legend of the Grand Inquisitor" with the utopian novel "What is to be done" by N. Chernyshevsky was finally completed in E. Zamyatin’s "We".
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  5. Khurshid Alam (ed.) (2014). Investigative Poetry & Other Poems. Createspace.
    The poems in this anthology are categorized in two sections Section I: Investigative Poetry and Section II: Other Poems. Section I includes the poems of investigative poetry genre. This genre is comparatively new and has been started by Charles Olson and Edward Sanders. The genre has high potentiality to wake people to historical truth. History has always been a subject distorted by the government authorities and people in power. Common people tend to know or believe what they are made familiar (...)
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  6. Jason Aleksander (forthcoming). The Divine Comedy’s Construction of its Audience in Paradiso 2.1-18. Essays in Medieval Studies 30.
  7. Emmanuel Alloa (2012). The Inorganic Community. Hypotheses on Literary Communism in Novalis, Benjamin and Blanchot. Boundary2. An International Journal of Literature and Culture 39 (3):75-95.
    If literary avant-garde journals and their communities have been, in the twentieth century, a space for creating, if not sustaining, major political utopias, it should help explain why this “literary communism,” as Jean-Luc Nancy called it, is not a weakened or substitutional form of politics. No myth without narration, no implementation without an instrumentation, no organic unity without a political organ voicing its claim, in short: no organicity without an organon. But can there be a (literary) community that does not (...)
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  8. Mikhail Bakhtin (2014). Bakhtin on Shakespeare (Excerpt From “Additions and Changes to Rabelais”). PMLA 129 (3):522-537.
    This is the English translation (with a brief introduction and relatively detailed commentary) of a long excerpt from Mikhail Bakhtin's notes titled "Additions and changes to Rabelais", written in the mid-1940s with reworking his then unpublished manuscript on François Rabelais in mind. This excerpt is most notable for being the only extant text in which Bakhtin discusses and analyses Shakespear's tragedies at relative length—a discussion interesting not only as a reading of Shakespeare, but also as an unusual and revealing example (...)
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  9. Irena Bartoszewska (2000). W kręgu prozy i dramatu : przekłady Witolda Hulewicza utworów Maxa Broda, Tomasza Manna i Henryka Kleista. Acta Universitatis Lodziensis 2:147-155.
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  10. Irena Bartoszewska (1997). Im Zeichen einer literarischen Freundschaft. Witold Hulewicz - Rainer Maria Rilke. Acta Universitatis Lodziensis 1:77-87.
    Mit dem Werk des österreichischen Dichters kam Witold Hulewicz ziemlich früh in Berührung. Fasziniert von dessen Dichtkunst, nahm er mit Rilke Briefkontakte auf. Die Korrespondenz belebte sich wesentlich, als Hulewicz an den ersten Üb ertragungen ins Polnische arbeitete. Im vorliegenden Artikel bemüht sich die Autorin nicht nur die freundschaftlichen Kontakte darzustellen, sondern auf die Rolle Hulewiczs als Übersetzer und Verbreiter des Rilkschen Werkes in Polen hinzu weisen.
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  11. Daniel Berrigan (1967). Peacemaking Is Hard. Thought: A Journal of Philosophy 42 (4):615-617.
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  12. Benjamin Bertram (2004). The Time is Out of Joint Skepticism in Shakespeare's England.
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  13. Barbara Bogołębska & Monika Worsowicz (2013). Dialog wiary z nauką i kulturą. Wydawnictwo Uniwersytetu Łódzkiego.
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  14. Wayne Booth (1988). The Company We Keep. University of California Press.
    Wayne C. Booth argues for the relocation of ethics to the center of our engagement with literature.
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  15. Guy Bouchard (1982). Marc Eli Blanchard, Description: Sign, Self, Desire. Critical Theory in the Wake of Semiotics Reviewed By. Philosophy in Review 2 (1):1-5.
    L'auteur se demande en quoi la sémiotique se distingue d'une part des approches traditionnelles de la littérature, d'autre part du structuralisme. Trois thèmes circulent à travers les divers chapitres: (1) la relativisation de l'analyse structurale au profit de la "sémio-stylistique"; (2) la promotion de la description aux dépens de la narration; (3) l'importance de la pastorale dans l'histoire de la littérature. Ces thèmes sont développés clairement, et l'auteur tient compte, entre autres, des apports de la philosophie contemporaine à la théorie (...)
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  16. Robert Boyle (1960). Hopkins' Imagery. Thought: A Journal of Philosophy 35 (1):57-90.
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  17. Brygida Brandys (1997). Die Gestalten die Dramen Ödön von Horvaths in Ihren Lokalkolorit. Folia Germanica 1:55-66.
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  18. Connie T. Braun (2010). Anne Michaels and the Affirmation of Being in the Poetics of Suffering and Trauma. Renascence 62 (2):157-173.
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  19. Gregory Brazeal (2007). The Supreme Fiction: Fiction or Fact? Journal of Modern Literature 31 (1):80-100.
    The article makes a case for giving up the quest to identify Wallace Stevens’ “supreme fiction.” The poet hoped to usher in the creation of an idea that would serve as a fictive replacement for the idea of God, known to be fictive but willfully believed. His hope has remained unfulfilled. By the poet’s own explicit standards, the supreme fiction does not appear in any of his poems, nor in his poetry as a whole, nor in poetry in general. The (...)
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  20. Francesca Brencio (2003). Il peso insopportabile. Arthur Rimbaud. Davar 1.
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  21. Dr Robert Brown (2010). Prosaic Desires. Journal of Philosophy: A Cross-Disciplinary Inquiry 6 (13):66-67.
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  22. Yu N. Buchilina (2013). Psychological interpretation of heroic images in the legend of the nibelungs in F. gebbel and H. Ibsen'€™s works. Liberal Arts in Russia 2 (2):203--210.
    In the article the psychological base of heroic characters of the mediaeval German epos “Das Nibelungenlied” and the Scandinavian “Edda” in literary interpretations of the playwrights and realists F. Hebbel and H. Ibsen is presented.
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  23. John Buell (1963). The Evil Imagery of Tennessee Williams. Thought: A Journal of Philosophy 38 (2):167-189.
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  24. Katarzyna Burska & Bartłomiej Cieśla (2014). Kreatywność językowa w komunikowaniu (się). Wydawnictwo Uniwersytetu Łódzkiego.
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  25. M. E. Button (2015). Reading Emerson in Neoliberal Times: Contesting the Abandonment of Autonomy. Political Theory 43 (3):312-333.
    Nineteenth-century American political thinkers like Emerson, Thoreau, and Whitman advocated for and sought to exemplify a life of self-direction and critical self-reflection, or personal autonomy, as a means of contesting entrenched routines of democratic-capitalist normalization and as a way of resisting a host of institutional disciplinary pressures. Today, the ideal of personal autonomy within a diverse liberal society is branded by many as a form of “comprehensive” disciplinary normalization in its own right. In this essay I offer a reconsideration of (...)
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  26. H. G. Callaway (1999). Review of Mott, W.T and R.E. Burkholder Eds., Emersonian Circles, Essays in Honor of Joel Myerson. [REVIEW] Transactions of the C.S. Peirce Society 35 (3):629-632.
    The 14 essays assembled in this volume, along with their intensive scholarship, create somewhat the impression of a Who's Who of contemporary literary studies of Ralph Waldo Emerson and the American Transcendentalists. All has been brought together by Mott and Burkholder to honor Joel Myerson, with the words of Emerson's famous remark to Walt Whitman, "We greet You at the Mid-point of a Great Career" (p. xi). An authority on Transcendentalism, textual and bibliographical studies, Myerson has written, edited, or co-edited (...)
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  27. Maria Katharina Carrig (1995). Skepticism and the Rhetoric of Renaissance Comedy. Dissertation, Yale University
    This dissertation examines how skeptical philosophy influenced, and was influenced by, experiments in comedy of the English Renaissance. Skepticism, a philosophical system that espouses both radical doubt as to the possibility of knowledge and suspension of all judgment, and that grounds its position in the rhetorical method of disproving any argument through multiple counter-arguments or "perspectivism," formed part of the epistemological debates of Renaissance humanism, the conflicts over faith and knowledge incited by the Reformation, and the development of rhetorical theory. (...)
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  28. Puja Chakraberty (2014). Who I Am – Feminism Revisited: An Overview. SOCRATES 2 (June 2014):1 - 8.
    Who I Am – Feminism Revisited: An Overview Author / Authors : Puja Chakraberty Page no.1 - 8 Discipline : English literature/Gender Studies/ Cultural studies Script/language : English (Roman) Category : Research paper Keywords: feminism, invincible, significance, rebirth, new woman, development, tribute, daredevil.
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  29. Taniya Chakraborty (2012). Abhijit Seneer 'Megher Nodi' : Bastobotar Nana Matra. Pratidhwani the Echo (I):12-25.
    Abhijit Sen is one of the prominent narrative writers in Contemporary Bengali literature. He is one who has stood ideologically against the inheritance of colonial model in the Bengali narrative world both in terms of form and content consciousness. Off and on, in his writings, Sen has criticized the trend of writing stories of love & sex only in Bengali fiction and pointed out that so called mainstream literature only depicts the life of growing middleclass and rich people, ignoring the (...)
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  30. Saurabh Chandra (2014). SOCRATES EDITION - II VOL: I ISSUE - MARCH 2014. Saurabh Chandra.
  31. Shubhrajit Chatterji (2014). Globalisation and Marzinality : A Sociological Analysis. International Journal of Humanities and Social Science Studies (I):1-11.
    Globalization is the so-called buzz word used extensively to refer to the socio-cultural and economic processes that have been dominating the current juncture in world history. It has become one of the most debated topics and key area of research among the policy makers, statesmen, corporate, politicians and academia respectively over the past few years. Globalization has been defined in different way. Globalization is not just an economic phenomenon – it also affects cultural, political, social, legal and religious life. Globalization (...)
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  32. Suchorita Chattopadhyay (2012). Ashapurna Devi’s “Women” – Emerging Identities in Colonial and Postcolonial Bengal. ARGUMENT 2 (1):75-95.
    Ashapurna Devi, a prominent Bengali woman novelist (1909–1995) focused on women’s creativity and enlightenment during the colonial and postcolonial period in Bengal, India. She herself displayed immense will power, tenacity and an indomitable spirit which enabled her to eke out a prominent place for herself in the world of creative writing. Her life spanned both colonial India and independent India and these diverse experiences shaped her mind and persona and helped her to portray the emerging face of the enlightened Bengali (...)
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  33. Urszula Chowaniec & Marzenna Jakubczak (2012). Conceptualizing Generation and Transformation in Women’s Writing. ARGUMENT 2 (1):5-15.
    The main objective of this collection of papers is to explore ideas of generation and transformation in the context of postdependency discourse as it may be traced in women’s writing published in Bengali, Polish, Czech, Russian and English. As we believe, literature does not have merely a descriptive function or a purely visionary quality but serves also as a discursive medium, which is rhetorically sophisticated, imaginatively influential and stimulates cultural dynamics. It is an essential carrier of collective memory and a (...)
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  34. W. Corlett (2006). Book Review: Citizen-Saints: Shakespeare and Political Theology. [REVIEW] Political Theory 34 (5):657-659.
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  35. Aleksandra Czechowska-Błachiewicz (1997). Welche Rolle spielen bei der Entlehnung die grammatischen Eigenschaften? Gezeigt am Beispiel deutscher entlehnungen in der polnischen Gegenwartssprache. Acta Universitatis Lodziensis 1:134-138.
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  36. Soma Das (2012). Quest for Identity: A Major Concern in the Life and Literature of African-Americans. Pratidhwani the Echo (I):82-88.
    The painful and tragic experience of the African- Americans in the United States of America led them to struggle for and establish an identity of their own. The survey of the history of the African- American people in different geographical spaces such as the African homeland, the middle passage, the American South and then the industrialized North, presents a picture where identity has been the foremost casualty in a history of displacement and migration, embittered by a conflict with the majority (...)
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  37. M. Wanda Dawe (1998). Skepticism and the Skeptical Spirit. Stanley Cavell: The Philosophical Challenge of Literature. Dissertation, University of Ottawa (Canada)
    This thesis investigates different interpretations of modern skepticism in philosophy and literature. In philosophy, skepticism is most generally understood as the achievement of a certain kind of epistemological enquiry. Whether skepticism is directed toward knowledge of the existence of a separate and independent, "external" world, or toward our knowledge of the existence of others like ourselves in it , this comprehensive philosophical perspective is most often neither consistently defended nor absolutely refuted and yet it remains a constant theme of contemporary (...)
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  38. Johan De Smedt & Helen De Cruz (2015). The Epistemic Value of Speculative Fiction. Midwest Studies in Philosophy 39 (1):58-77.
    Speculative fiction, such as science fiction and fantasy, has a unique epistemic value. We examine similarities and differences between speculative fiction and philosophical thought experiments in terms of how they are cognitively processed. They are similar in their reliance on mental prospection, but dissimilar in that fiction is better able to draw in readers (transportation) and elicit emotional responses. By its use of longer, emotionally poignant narratives and seemingly irrelevant details, speculative fiction allows for a better appraisal (...)
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  39. E. A. Degaltseva (2012). Cold as metaphor of siberia (19th century representations). Liberal Arts in Russia 1 (1):84--94.
    The article is focused on discourse and fantasy studies representing Siberia in social mythology as one of the relevant and topical directions in the identity studies. Techniques of forming different myths uniting the society as a whole are presented. A mythologem “Siberia” together with various metaphorical characteristics (cold, snow, hard labour, clear) became unifying for ethnic and social groups of the region. Siberian literature plays an important role in forming the concept “Siberian” in numerous poetic texts serving as codes and (...)
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  40. Tamás Demeter (2011). A Touch of the Dramatic. In Josef Steiff (ed.), Sherlock Holmes and Philosophy. Open Court
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  41. Florian Demont (2008). The Expression of Self-Consciousness in Kamala Das's ''An Introduction''. Consciousness, Literature, and the Art 9 (2).
    The philosophy of G.W.F. Hegel emphasises the importance of understanding consciousness and, even more so, self-consciousness. His lectures on aesthetics contain aesthetic theories for all forms of art (viz. architecture, painting, music or poetry), but critics use them only in significantly altered versions. The present paper attempts to give an in-depth analysis of a poem following one interpretation of Hegel's philosophy of self-consciousness. The poem analysed is not a German Romantic poem, but an Indian poem from the mid-20th century. The (...)
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  42. Sayan Dey (2014). Re-Discovering English as an Oriental Weapon in Post Independent India: Chutneyfication of the Western Tongue Through Textual and Verbal Discourses. SOCRATES 1 (March 2014):33-38.
    In the contemporary era, English language performs a crucial role in global transformation and exchange. Diversification and modification of the language has not only diminished the age-old occidental/oriental dichotomies but has caused a complete erasure of the cartographical divisions of nation-state across the world. This language through a continuous process of colonial and marketing exchanges has become the primary source of universal contact. The acceptance and impact of English varies from nation to nation. English may have been introduced as a (...)
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  43. Gina Di Russo (2009). Valerio flacco fonte di draconzio? A proposito di romuleon 10, 52-80. Hermes 137 (2):233-251.
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  44. Ugo di Toro (2013). La duplice degenerazione della Fedra senecana. In Marcella Romeo (ed.), Donne de-generate. La costruzioe sociale trans-genre dell'identità femminile tra Settecento e Ottocento. Agorà & CO 41-58.
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  45. Bob Dorsett (2007). Whence Cometh (or Goeth) Ghost Writers? Journal of Information Ethics 16 (1):11-12.
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  46. Garin Dowd (2006). Introduction: Genre Matters in Theory and Criticism. In Garin Dowd, Lesley Stevenson & Jeremy Strong (eds.), Genre Matters. Intellect Ltd. 11--27.
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  47. Alexander García Düttmann (2011). Kafka and the Life of the Letter. Constellations 18 (1):67-73.
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  48. Marion Eggert (1989). Nur Wir Dichter Yuan Mei : Eine Dichtungstheorie des 18. Jahrhunderts Zwischen Selbstbehauptung Und Konvention. Brockmeyer.
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  49. Mehnert Elke (1997). Zur Rezeption Biblischer Mythen Durch Anna Seghers. Acta Universitatis Lodziensis 1:110-117.
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  50. Leszek Engelking (2011). Chwyt metafizyczny. Vladimir Nabokov - estetyka z sankcją wyższej rzeczywistości. Wydawnictwo Uniwersytetu Łódzkiego.
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