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  1. Can you use this style in other contexts? With R.K. Nar*y*n.Terence Rajivan Edward - manuscript
    This paper argues against a thesis that Shashi Tharoor seems to accept: that R.K. Narayan’s style is bound up with a very specific context, of people left behind by the times in South India. It cannot deal with other subject matter. I present a little fiction to challenge the thesis.
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  2. Philosophy and fiction: common problems, uncommon solutions? (By D*n*ld D*vids*n?).Terence Rajivan Edward - manuscript
    I consider a proposal for what the relation between philosophy and fiction is: the same problems appear in both, but fiction explores solutions which are not available to philosophers. I use Joe Horton’s all-or-nothing problem to illustrate the proposal, but pose an objection to it.
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  3. “La proximité de cet homme”: a case of Victorian deconstruction?Terence Rajivan Edward - manuscript
    I observe that the aim and method of a Victorian text within Shakespeare criticism overlaps significantly with deconstruction.
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  4. Dorothea’s Lockean impressions through the lens of Joseph Raz.Terence Rajivan Edward - manuscript
    The natural interpretation is that Dorothea’s early impressions of Edward Casaubon, in terms of John Locke, are illusory. But I draw attention to Joseph Raz’s suggestion that it is the status of Locke which is mistaken, though I favour the natural interpretation.
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  5. Dorothea versus John Locke’s philosophy.Terence Rajivan Edward - manuscript
    I interpret George Eliot as objecting to John Locke in Middlemarch – more specifically, his theory of ideas – by means of her account of Dorothea’s experiences of Edward Casaubon at dinner.
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  6. Puzzle-solving experiments in literature: postmodern problems.Terence Rajivan Edward - manuscript
    In this paper, I try to illustrate the difficulties of attempting literary experiments to determine why a seemingly good work was not embraced by a wider reading public, focusing on Max Beerbohm’s pastiche book A Christmas Garland.
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  7. Other criticism of Milan Kundera: crowd problems.Terence Rajivan Edward - manuscript
    This paper examines another criticism of Milan Kundera apart from the familiar charge of sexism: that his representations of crowds are overly negative. It is made in a paper by Martha Kuhlman. I agree that Kundera generally depicts crowds in a negative light, but I also observe that there are major and puzzling differences between novels when it comes to details, which I believe is intentional.
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  8. George Eliot and the explanation of rituals.Terence Rajivan Edward - manuscript
    I contrast the Frazerian approach to rituals with an approach suggested by George Eliot in her esteemed novel Middlemarch.
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  9. Ritual and realism in Flora Nwapa’s Women are Different.Terence Rajivan Edward - manuscript
    In Nwapa’s novel, Dora and Rose are both confronted with the rituals of Tunde, but engage with them in different ways. I attempt a somewhat pained contrast: Dora’s way is closer to that of the functionalist participant observer, whereas Rose’s way is closer to that of earlier armchair anthropologists who sought the origins of rituals. I also note a puzzle to do with literary realism.
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  10. A gain from “faux specialization,” from Flora Nwapa’s Efuru.Terence Rajivan Edward - manuscript
    This paper begins with Adam Smith’s advice to specialize and draws attention to an advantage from a misleading appearance of fixed specialization, identified in Flora Nwapa’s novel Efuru.
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  11. On Milan Kundera’s definition of graphomania.Terence Rajivan Edward - manuscript
    This paper presents two objections to Milan Kundera’s definition of graphomania.
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  12. “Graphomania” in Told by an Idiot, and crowds.Terence Rajivan Edward - manuscript
    This paper examines what is said about a craze for essay writing in Rose Macauley’s 1923 essayistic novel Told by an Idiot, comparing the material with Milan Kundera on graphomania. In the appendix, I note a passage on crowds which is reminiscent of the widely read European author.
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  13. Realistic fantasies: puzzles about what it is like to be Elizabeth Costello.Terence Rajivan Edward - manuscript
    In this paper, I present two puzzles arising from J.M. Coetzee’s novel Elizabeth Costello, a fiction which is closely connected to analytic philosophy.
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  14. Beyond micro analysis of pastiche: Max Beerbohm’s imitation of Joseph Conrad.Terence Rajivan Edward - manuscript
    It is tempting to always try to distinguish convincing from poor literary imitation by micro-analysis. The analysis observes various patterns of word and punctuation use in the original and compares those with the imitation. I argue that no such sophistication is needed when faced with Max Beerbohm’s imitation of Joseph Conrad.
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  15. On the chaste world of Milan Kundera*.Terence Rajivan Edward - manuscript
    Milan Kundera is now perhaps the greatest living philosopher, but he suffers from logical problems. One might propose that since he is a person who works primarily in the medium of fiction, one should not be too harsh on him, rather find ways to make him more logical. The result may be rather chaste.
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  16. History lessons in contemporary French literature: a brief inquiry.Terence Rajivan Edward - manuscript
    This paper makes a comparison between Milan Kundera and Annie Saumont. I assume there is a message being sent by Saumont in her highly recommended short story “You Should Have Changed at Dol,” regarding history in Kundera, but what is the message? I offer two interpretations.
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  17. The identity of Milan Kundera as astrologer.Terence Rajivan Edward - manuscript
    In his The Book of Laughter and Forgetting, Milan Kundera describes how he was fired from his job and secretly wrote astrology columns. I register a puzzle that various readers should feel about this information, owing to the distinctive style of Kundera: how can this be kept a secret? I also propose solutions.
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  18. Objections to Robert Graves’s The Greek Myths.Terence Rajivan Edward - manuscript
    This is a two page handout summarizing a number of objections made against Robert Graves's book of Greek myths.
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  19. Literary Girls, by K*thleen St*ck: chapter 2, the low-high culture divide.Terence Rajivan Edward - manuscript
    This paper is a response to Kathleen Stock’s book Material Girls, by way of imitation. I have attempted to write a faux chapter in the book’s style, identifying four moments in overcoming the low-high culture divide in responses to the arts.
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  20. Análisis figurativo de tres poemas de Jorge Eduardo Eielson.Jesús Miguel Delgado Del Aguila - forthcoming - Cuadernos de Investigación Filológica.
  21. Work and Object, by Peter Lamarque. [REVIEW]Gemma Celestino - forthcoming - Disputatio.
  22. Trascendencia del contenido emotivo de Escalas melografiadas (1922) de César Vallejo.Jesús Miguel Delgado Del Aguila - forthcoming - Cuadernos Fronterizos.
  23. Influencias multiliterarias de Trilce (1922) del poeta peruano César Vallejo.Jesús Miguel Delgado Del Aguila - forthcoming - Todas as Artes.
  24. Opposite: Poems, Philosophy & Coffee. [REVIEW]John Gibson - forthcoming - British Journal of Aesthetics.
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  25. The Logic of Exemplarity.Jakub Mácha - forthcoming - Law and Literature (online first):1-15.
    The topic of exemplarity has attracted considerable interest in philosophy, legal theory, literary studies and art recently. There is broad consensus that exemplary cases mediate between singular instances and general concepts or norms. The aim of this article is to provide an additional perspective on the logic of exemplarity. First, inspired by Jacques Derrida’s discussion of exemplarity, I shall argue that there is a kind of différance between (singular) examples and (general) exemplars. What an example exemplifies, the exemplarity of the (...)
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  26. Fictions That Don’t Tell the Truth.Neri Marsili - forthcoming - Philosophical Studies.
    Can fictions lie? According to a classic conception, works of fiction cannot contain lies, since their content is neither presented as true nor meant to deceive us. But this classic view can be challenged. Sometimes fictions appear to make claims about the actual world, and these claims can be designed to convey falsehoods, historical misconceptions, and pernicious stereotypes. Should we conclude that some fictional statements are lies? This article presents two views that support a positive answer, and two that support (...)
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  27. Jane Austen's Emma: Philosophical Perspectives.Ira Newman - forthcoming - Journal of Aesthetics and Art Criticism.
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  28. When Paintings Argue.Gilbert Plumer - forthcoming - Philosophy.
    My thesis is that certain non-verbal paintings such as Picasso’s GUERNICA make (simple) arguments. If this is correct and the arguments are reasonably good, it would indicate one way that non-literary art can be cognitively valuable, since argument can provide the justification needed for knowledge or understanding. The focus is on painting, but my findings seem applicable to comparable visual art forms (a sculpture is also considered). My approach largely consists of identifying pertinent features of viable literary cognitivism and then (...)
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  29. Recovering Fictional Content and Emotional Engagements with Fiction.Emine Hande Tuna - forthcoming - Analysis.
  30. Transcendental Phenomenology Meets Negritude Poetry.Jonathan Webber - forthcoming - In T. Storm Heter & Kris Sealey (eds.), Creolizing Sartre. Rowman and Littlefield.
    In the opening lines of ‘Black Orpheus’, written as a preface to an anthology of negritude poetry, Sartre challenges white readers ‘to feel, as I do, the shock of being seen’. Reading this poetry, he thinks, should undermine white people’s presumption of the objectivity of their perspective. Accordingly, the essay itself contradicts two prominent aspects of the philosophy he had so far developed: the idea that poetry could not be politically engaged; and the theory of radical freedom. These changes are (...)
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  31. Learning from Fiction.Greg Currie, Heather Ferguson, Jacopo Frascaroli, Stacie Friend, Kayleigh Green & Lena Wimmer - 2024 - In Alison James, Akihiro Kubo & Françoise Lavocat (eds.), The Routledge Handbook of Fiction and Belief. New York & Abingdon: Routledge. pp. 126-138.
    The idea that fictions may educate us is an old one, as is the view that they distort the truth and mislead us. While there is a long tradition of passionate assertion in this debate, systematic arguments are a recent development, and the idea of empirically testing is particularly novel. Our aim in this chapter is to provide clarity about what is at stake in this debate, what the options are, and how empirical work does or might bear on its (...)
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  32. Entrevista a Cristhian Briceño Ángeles sobre los escritores y las editoriales.Jesús Miguel Delgado Del Aguila - 2023 - Argos. Revista Electrónica Semestral de Estudios y Creación Literaria 10 (25):167-172.
    Esta entrevista se realizó de forma virtual y audiovisual el 3 de julio de 2021.
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  33. “La retórica contemporánea (la retórica de hoy) incluye muchas disciplinas que se han desarrollado en los siglos XX y XXI; entonces, es una especie de teoría de las teorías”. Entrevista a Stefano Arduini.Jesús Miguel Delgado Del Aguila - 2023 - Metáfora. Revista de Literatura y Análisis Del Discurso 5 (10):1-8.
    Stefano Arduini es catedrático de Lingüística en la Universidad de Roma Link Campus, donde es Presidente del Departamento de Licenciatura en Artes, Música y Artes Escénicas y Prorector para la Tercera Misión. Ha enseñado Lingüística General y Teoría de la Traducción en la Universidad de Urbino; Lingüística en la Universidad de Estudios Internacionales de Roma y en la Universidad de Módena; y Literatura Comparada en la Universidad de Alicante y en la Universidad Autónoma de Madrid. Desde 2005 es profesor honorario (...)
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  34. Entrevista a Víctor Manuel Ramos. “Hay palabras usadas en nuestra lengua española que provienen de las lenguas precolombinas y de las que actualmente se hablan en el país”.Jesús Miguel Delgado Del Aguila - 2023 - Aularia. Revista Digital de Educomunicación 12 (22):47-50.
    Esta entrevista se hizo a uno de los miembros de la Academia Hondureña de la Lengua, Víctor Manuel Ramos. Entre los aportes que el académico expresó, fue su contribución a la comunidad intelectual a través de estudios lingüísticos y literarios. En concreto, estos se apreciaron en el Diccionario de las Lenguas de Honduras; Literatura y su producción literaria de índole infantil. Para que ello fuera posible, el entrevistado comentó cómo fue su proceso de formación, el cual fue un tanto complejo, (...)
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  35. Violencia social: temática regularizada y necesaria para la recepción de la novela policial peruana (1990-2013).Jesús Miguel Delgado Del Aguila - 2023 - Kipus. Revista Andina de Letras y Estudios Culturales 53 (53):89-111.
    Este artículo sistematiza las temáticas abordadas desde la novela policial peruana en el período de los años 1990 hasta el 2013, siendo la violencia social la que más destaca. Para fundamentar esa recurrencia, el autor se basa en fuentes afines que distinguen el corpus según su clasificación. Sociológicamente, se hallan los postulados teóricos como el de posmodernidad de Fredric Jameson y Mario Vargas Llosa, junto con el de criminalidad de Luis Rodríguez Manzanera. En el Perú no se evidencia una taxonomía (...)
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  36. Entrevista a Cristhian Briceño Ángeles sobre los escritores y las editoriales.Jesús Miguel Delgado Del Aguila - 2023 - Argos. Revista Electrónica Semestral de Estudios y Creación Literaria 10 (25):167-172.
  37. Entrevista a Audrey Louyer sobre la investigación y la canalización de la Literatura peruana fantástica. Un enfoque francés.Jesús Miguel Delgado Del Aguila - 2023 - Ñeatá 5 (2):134-144.
  38. Edward Said and Philosophy.Zeyad El Nabolsy - 2023 - Cambridge Journal of Postcolonial Literary Inquiry 11.
    This article brings to the forefront Timothy Brennan’s emphasis on Edward Said’s engagement with philosophy. An attempt is made to reconstruct some of Brennan’s claims about Said’s views on the relationship between mental representations and the external world. It is shown that Said rejected naïve or direct realism in favor of representationalism. It is also argued that, despite being seen as a post-modern thinker, Said subscribed to a version of the correspondence theory of truth. Said embraced some form of standpoint (...)
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  39. The African Novel and the Question of Communalism in African Philosophy (Roundtable on Jeanne-Marie Jackson's "The African Novel of Ideas").Zeyad El Nabolsy - 2023 - Safundi 24.
    Jeanne-Marie Jackson’s The African Novel of Ideas: Philosophy and Individualism in the Age of Global Writing provides an analytic framework for understanding the novel as a form of philosophical expression in African intellectual history. More specifically, she uses individualism as a tool for tracking the expression of abstract “philosophical thinking” in a selection of African novels. For Jackson, it is the fictional individual in the novel who is the primary bearer of philosophical thought. Jackson situates this interpretative heuristic vis-à-vis the (...)
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  40. The Crypt of Being: On the Gothic Sensibility of Reason.Cade Olmstead - 2023 - Dissertation, University of Vermont
    This thesis explores the relationship between philosophy and the gothic affect by examining the ways in which each handles conceptions of truth, identity, and visibility. While philosophy's idea of truth has traditionally been conceptualized through the metaphorics of light and its power of disclosure, this thesis argues that a distinctly gothic conception of truth emerges with the arrival of Kant's philosophy. Kant relies on a method and notion of truth which is not predicated on light but shadow and the constitutive (...)
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  41. Irish Identity and the Literary Revival: Synge, Yeats, Joyce and O'Casey.George Watson - 2023 - Routledge.
    First published in 1979, Irish Identity and the Literary Revival, through the works of W.B. Yeats, James Joyce, J. M. Synge, and Sean O'Casey, documents the complex spectrum of political, social and other pressures that helped fashion modern Ireland. At least three sets of cultural assumptions coexisted in Ireland during the years between 1890 and 1930, -- English, Irish and Anglo-Irish, each united by a common language but divided by considerable tensions and strain. The question of Irish identity forms the (...)
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  42. Instrução e Corrupção Moral pela Literatura: engajamento emocional e o valor epistémico da arte narrativa.Mariana Almeida Pereira - 2022 - Revista Filosófica de Coimbra 31 (61):59-74.
    Pretende-se auscultar a possibilidade de instrução moral pela literatura. Defender-se-á que a arte narrativa é capaz de instruir moralmente pois 1) proporciona um tipo de conhecimento não-proposicional que permite o acesso a novas perspetivas, e 2) é capaz de cultivar e refinar os valores e as práticas morais dos leitores, através do engajamento emocional. Tentar-se-á mostrar que o poder inverso — o poder de corromper moralmente — não se verifica (ou não se verifica tão facilmente): apelar-se-á à resistência imaginativa humana (...)
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  43. UnQuantum Woolf: The Many Intellectual Contexts of To the Lighthouse's Metaphorical Wave-Particle Binary.Xavier Cousin - 2022 - Dissertation, Durham University
    This thesis is a sceptical investigation into the notion that the metaphorical wave-particle binary of Virginia Woolf's To the Lighthouse is related to quantum physics. Indeed, the field of literature and science has employed conceptual similarities as the main means of connecting quantum concepts to novels, however, this has led to a host of scholarly difficulties, prompting the need for a re-examination of analogical linkages. Woolf is the model candidate for such a re-examination, given her historical and philosophical proximity with (...)
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  44. Munguengue: o quilombo de minh’alma.Luiz Carlos Mariano Da Rosa - 2022 - São Paulo, SP, Brasil: PZP - Politikón Zôon Publicações.
    Convergindo para uma existência em si irredutível às condições histórico-culturais e aos seus limites, ao ser humano em sua infância enquanto arquétipo refém do sonho e senhor da solidão se impõe o devaneio que envolve o transcendente como telos em uma experiência de “iluminação” cujo caráter dizível, na rememoração enquanto vivência do fenômeno primordial, somente se torna possível nas fronteiras mítico-poéticas e na correspondência dialética envolvendo memória e imaginação em uma construção epistêmico-simbólico-existencial que encerra como fundamento a concepção baseada na (...)
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  45. Why Deconstruction Might Work in Theory but Not in Practice.Alan Daboin - 2022 - Philosophy and Literature 46 (1):86-99.
    Abstract:In this article, I argue that even if one can justify the initial impetus to want to deconstruct a literary or philosophical text, this does not make it possible in practice. To this end, I engage with relevant aspects of Jacques Derrida's thought, examining the motivations and purpose behind wanting to carry out a deconstruction, to then offer a pragmatic critique of the idea one might ever be able to do so. I base my argument on various factors, including deconstruction's (...)
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  46. Panorama contemporáneo de la Lingüística y la Literatura en Chile. Entrevista a Victoria Espinosa Santos, miembro de la Academia Chilena de la Lengua.Jesús Miguel Delgado Del Aguila - 2022 - Boletín GEC 30 (30):197-204.
    Victoria Espinosa Santos es miembro de la Academia Chilena de la Lengua desde 2017 y forma parte de la Comisión de Lexicografía. Esta entrevista, realizada de forma virtual el 6 de julio de 2021, se concentra en los siguientes temas: las variaciones del español de América, el rol de las lenguas indígenas en el español de Chile, el trabajo de las academias de la Lengua Española, el rol de las academias en relación con la lingüística y la literatura.
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  47. Rendimiento y panorama actual de la producción literaria en Uruguay. Entrevista a Ricardo Pallares, miembro de la Academia Nacional de Letras de Uruguay.Jesús Miguel Delgado Del Aguila - 2022 - Argus-A. Artes and Humanidades 12 (45):1-7.
    Esta entrevista fue realizada a Ricardo Pallares, miembro de la Academia Nacional de Letras de Uruguay. Uno de los objetivos medulares de este encuentro fue que el académico brindara un panorama de cómo se percibe la Literatura en sus manifestaciones heterogéneas, ya sea a nivel local o internacional. Para ello, el referente de esta entrevista hizo una apreciación en torno a algunas áreas donde se desenvuelve esta disciplina, tales como en el ámbito educativo, la sociedad, los concursos literarios y las (...)
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  48. Construcción viril con la experiencia femenina en La ciudad y los perros.Jesús Miguel Delgado Del Aguila - 2022 - Revista Científica Del Sistema de Estudios de Postgrado (SEP) 5 (1):25-32.
    OBJETIVO: establecer una taxonomía a partir de las mujeres que se plasman en La ciudad y los perros. Asimismo, se explicará cuál es el rol de cada tipología hallada que se involucra en el desarrollo de los cadetes. MÉTODO: se confrontará con la teoría sociológica y los estudios críticos que se han hecho sobre la obra literaria para determinar en qué medida los personajes aludidos están en una correspondencia ineludible con las mujeres. RESULTADOS: se consiguió clasificar el propósito de los (...)
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  49. Función social de la ironía en Decamerón, de Giovanni Boccaccio.Jesús Miguel Delgado Del Aguila - 2022 - Letras 1 (71):153-178.
    Decamerón ha causado una reacción convulsa por su contenido social y la burla a patrones adscritos a la religión y la moral medievales en Italia. Por ello, se propone fundamentar esas razones que acarrearon el asombro de la obra literaria de Giovanni Boccaccio. Se retoma el concepto de la función social de la ironía, que a la vez parte de tres principios básicos desarrollados por Bergson. Una situación cómica requiere inteligencia, insensibilidad y crítica social. Con ello es posible explicar que (...)
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  50. Una búsqueda inconclusa del campo retórico de Trilce (1922).Jesús Miguel Delgado Del Aguila - 2022 - Cuadernos Del Hipogrifo. Revista Semestral de Literatura Hispanoamericana y Comparada 17 (17):47-60.
    Este artículo tiene como objetivo comprobar que en Trilce es inconcluso delimitar el campo retórico. Este concepto desarrollado por Stefano Arduini comprende la labor de establecer de forma organizada y perlocutiva el entorno y las influencias que propiciaron la creación del poemario. En ese sentido, ese trabajo es de utilidad para fijar los parámetros y el contexto que servirán para erigir la ideología o la poética de un determinado escritor, así como si se piensa realizar un análisis posterior de cualquiera (...)
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