In this paper I discuss a central objection against diseases being natural kinds—namely, that diseases are processes or transitions and hence they should not be conceptualized in the ‘substantish’ framework of natural kinds. I indicate that the objection hinges on conceiving disease kinds as phase kinds, in contrast to the non-phase, natural kinds of the exact sciences. I focus on somatic diseases and argue, via a representative comparison, that if disease kinds are phase kinds, then exact science kinds are phase (...) kinds as well. On the other hand, if exact science kinds are non-phase kinds, then disease kinds are non-phase kinds as well. This objection should thus be rejected, under a certain caveat, though. If natural kind membership has an influence over the diachronic identity of kind members, then it is possible, in principle, to draw the phase/non-phase distinction such that an ‘ontological gap’ lies between medical kinds and exact science kinds. I show further that this caveat is unavoidable even in relation to substantive universals and ‘essential’ properties—two controversial, strong features that were traditionally associated to natural kinds. (shrink)

Horgan believes that the truth of the statement “Beethoven’s fifth symphony has four movements” does not require that there be some “dedicated object” answering to the term “Beethoven’s fifth simphony”. To the contrary, the relevant language/world correspondence relation is less direct than this. Especially appropriate is the behavior by Beethoven that we would call “composing his fifth symphony”. Our objections go along two directions: (1) is the process ontology (a) really a right kind of ontology for artworks (symphonies, novels) and, (...) (b) more important, is this kind of ontology compatible with Parmenidian approach to ontology? The answer to (a) is negative. With reference to point (1b) we might say that Parmenides was a typical staunch advocate of substance metaphysics rather than process metaphysics. Traditionally, substances are individuated by their properties, namely, there are assumed two sorts of properties: primary and secondary. Primary properties describe the substance as it is in and by itself; secondary properties underlie the impact of substances upon others and the responses they elicit from them. (2) The claim that it is most unlikely to suppose that we can have some kind of cognitive contact “with an entity which has no spatio-temporal location and does not causally interact with anything” does not hold. We underpin the claim that there is some cognitive access to entity such as Beethoven’s fifth symphony with Bender’s theory of realization relation between musical work and performance. (shrink)

Abstract In this paper I argue that holes are not objects, but should instead be construed as properties or relations. The argument proceeds by first establishing a claim about angles: that angles are not objects, but properties or relations. It is then argued that holes and angles belong to the same category, on the grounds that they share distinctive existence and identity conditions. This provides an argument in favour of categorizing holes as one categorizes angles. I then argue that a (...) commitment to the existence of properties to be identified with holes provides sufficient resources to account for true claims about holes. Content Type Journal Article Category Original Article Pages 1-13 DOI 10.1007/s10670-011-9318-7 Authors Phillip John Meadows, Philosophy, Arthur Lewis Building, University of Manchester, Oxford Road, Manchester, M13 9PL UK Journal Erkenntnis Online ISSN 1572-8420 Print ISSN 0165-0106. (shrink)

Taking ontological realism about social groups as the thesis that groups are composite material objects constituted by their members, this paper considers a challenge to the very possibility that groups be regarded as material entities. Ordinarily we believe that two groups can have synchronic co-extensive memberships—for example, the choir and the rugby team—while preserving their distinctive identity conditions. We also doubt that two objects of the same kind can be in the same place at the same time, which would appear (...) to be the case when groups have identical memberships. I explain that the principle denying the synchronic co-location of objects of the same kind need not apply universally to material objects and that it is a mistake to take resistance to penetrability as a necessary feature of materiality. Therefore, initial appearances notwithstanding, groups can be in the same place at the same time. Key Words: identity • materiality • location • social group. (shrink)

Holes are an interesting case-study for ontologists and epistemologists. Naive, untutored descriptions of the world treat holes as objects of reference, on a par with ordinary material objects. (‘There are as many holes in the cheese as there are cookies in the tin.’) And we often appeal to holes to account for causal interactions, or to explain the occurrence of certain events. (‘The water ran out because of the hole in the bucket.’) Hence there is prima facie evidence for the (...) existence of such entities. Yet it might be argued that reference to holes is just a façon de parler, that holes are mere entia representationis, as-if entities, fictions. (shrink)

Argle claimed that holes supervene on their material hosts, and that every truth about holes boils down to a truth about perforated things. This may well be right, assuming holes are perforations. But we still need an explicit theory of holes to do justice to the ordinary way of counting holes--or so says Cargle.

Argle claimed that holes supervene on their material hosts, and that every truth about holes boils down to a truth about perforated things. This may well be right, assuming holes are perforations. But we still need an explicit theory of holes to do justice to the ordinary way of counting holes--or so says Cargle.

Argle claimed that holes supervene on their material hosts, and that every truth about holes boils down to a truth about perforated things. This may well be right, assuming holes are perforations. But we still need an explicit theory of holes to do justice to the ordinary way of counting holes--or so says Cargle.

Your left and right hands are now touching each other. This could have been otherwise; but could your hands not be attached to the rest of your body? Sue is now putting the doughnut on the coffe table. She could have left it in the box; but could she have left only the hole in the box? Could her doughnut be holeless? Could it have two holes instead? Could the doughnut have a different hole than the one it has? Some (...) spatial facts seem tainted by necessity. This is problematic, since spatial facts are a paradigm of contingency. But the intermingling of space and modality may be surprisingly intricate. To a degree this is already visible in the part-whole structure of extended bodies. Parthood, itself a prima facie extrinsic relation, has an uncertain modal status. And questions about the necessity or the contingency of spatial facts and relations seem to run parallel to questions about the necessity or the contingency of parthood relations. Consider: Could an object have different parts than the ones it has? Common sense has an easy, affirmative answer to this question. However, 1 there are philosophers who, pressed by the need to overcome difficult conundrums concerning the identity of spatio-temporal particulars, have cast doubts on the adequacy of the common-sense answer. In recent years, for instance, Roderick Chisholm [1973, 1975, 1976] has defended the radical view that a true individual can neither gain nor lose parts, so that each single part is essential to it—a view that has come to be known as mereological es- sentialism. (shrink)

A brief introduction to the main philosophical problems and theories about the nature of holes and such-like nothingnesses.

In classical topology the only part of a doughnut that matters is the edible part. Here I review some good reasons for reversing the order and focusing on the hole instead. By studying the topology of the hole one can learn interesting things about the morphology of the doughnut (its shape), and by studying the morphology of the hole in turn one can learn a lot about the doughnut’s dynamic properties (its patterns of interaction with the environment). The price--of course--is (...) that one must be serious about reifying voids. (shrink)

The first part summarizes the basic framework (ontology, mereology, topology, morphology). The second part emphasizes its relevance to spatial reasoning and to the semantics of spatial prepositions in natural language. In particular, I discuss the semantics of ‘in’ and provide an account of such fallacious arguments as "There is a hole in the sheet. The sheet is in the drawer. Ergo *there is a hole in the drawer".

Holes are an interesting case-study for ontologists and epistemologists. Naive, untutored descriptions of the world treat holes as objects of reference, on a par with ordinary material objects. (‘There are as many holes in the cheese as there are cookies in the tin.’) And we often appeal to holes to account for causal interactions, or to explain the occurrence of certain events. (‘The water ran out because of the hole in the bucket.’) Hence there is..

Argle claimed that holes supervene on their material hosts, and that every truth about holes boils down to a truth about perforated things. This may well be right, assuming holes are perforations. But we still need an explicit theory of holes to do justice to the ordinary way of counting holes--or so says Cargle.

According to Roy Sorensen [Philosophical Studies 100 (2000) 175-191] an object cannot differ aesthetically from its mirror image. On his view, mirror-reversing an object — changing its left/right orientation — cannot bring about any aesthetic change. However, in arguing for this thesis Sorensen assumes that aesthetic properties supervene on intrinsic properties alone. This is a highly controversial assumption and nothing is offered in its support. Moreover, a plausible weakening of the assumption does not improve the argument. Finally, Sorensen's second argument (...) is shown to be formally flawed. As a result, the case for the aesthetic irrelevancy of orientation seems still open. (shrink)

I argue that when empty space is seen in mirrors—that is, when perceptual specular experience is veridical—specular empty space is, like pictorial empty space, seen-in. I explain how the phenomenal expansiveness of specular reflections can nonetheless be reconciled with the see-through look of specular space.

A flop is a picture that mirror reverses the original scene. Some flops are reversed copies. For instance, mirror reversal is systematic with technologies that require contact between a template and an imprint surface. Other flops are just pictures that have undergone the operation of flopping. For example, a slide that is inserted backwards into a projector is a flop.

Stereotypically, computation involves intrinsic changes to the medium of representation: writing new symbols, erasing old symbols, turning gears, flipping switches, sliding abacus beads. Perspectival computation leaves the original inscriptions untouched. The problem solver obtains the output by merely alters his orientation toward the input. There is no rewriting or copying of the input inscriptions; the output inscriptions are numerically identical to the input inscriptions. This suggests a loophole through some of the computational limits apparently imposed by physics. There can be (...) symbol manipulation without inscription manipulation because symbols are complex objects that have manipulatable elements besides their inscriptions. Since a written symbol is an ordered pair of consisting of a shape and the reader''s orientation to that inscription, the symbol can be changed by changing the orientation rather than inscription. Although there are the usual physical limits associated with reading the answer, the computation is itself instantaneous. This is true even when the sub-calculations are algorithmically complex, exponentially increasing or even infinite. (shrink)

I discuss a solution to the Yale shadow puzzle, due to Roy Sorensen, based on the actual process theory of causation, and argue that it does not work in the case of a new version of the puzzle, which I call "the Bilkent shadow puzzle". I offer a picture of the ontology of shadows that constitute the basis for a new solution that uniformly applies to both puzzles.

In his latest book, Roy Sorensen offers a solution to a puzzle he put forward in an earlier article -The Disappearing Act. The puzzle involves various question about how the causal theory perception is to be applied to the case of seeing shadows. Sorensen argues that the puzzle should be taken as bringing out a new way of seeing shadows. I point out a problem for Sorensen’s solution, and offer and defend an alternative view, according to which the puzzle is (...) to be interpreted as showing a new way of seeing objects, in virtue of their contrast with light. (shrink)

Roy Sorensen’s adventure in Shadowland started with his prize-winning article, "Seeing Intersecting Eclipses" (published in The Journal of Philosophy, and chosen by the board of the Philosopher’s Annual as one of the ten best philosophy articles of 1999), which is the basis for the first two chapters in this book. The recipe adopted in that article is followed in most of the following thirteen chapters, five of them being based on Sorensen’s previous articles on the topic: start with an open (...) mind regarding the existence and causal efficacy of absences, shadows, i.e. absences of light, in our case, devise a riddle involving perception of such absences, and draw the consequences for the philosophy of perception and/or ontology. (shrink)

Mainstream metaphysics has been preoccupied by inquiring into the nature of major kinds of entities, like objects, properties and events, while avoiding minor entities, like shadows or holes. However, one might want to hope that dealing with such minor entities could be profitable for even solving puzzles about major entities. I propose a new ontological puzzle, the Shadow of Constitution Puzzle, incorporating the old puzzle of material constitution, with shadows in the role of the minor entity to guide our approach (...) to the issues involved. I then analyze the standard answers to the original puzzle of constitution, in their role as potential solutions to the new puzzle. Finally, I discuss three views that can solve the proposed puzzle. (shrink)

Roy Sorensen has discussed a scenario he calls 'the Disappearing Act', introduced a puzzle based on this scenario, and offered a solution to this puzzle. We argue against Sorensen's solution and offer our own.

We show that cast shadows can have a significant influence on the speed of visual search. In particular, we find that search based on the shape of a region is affected when the region is darker than the background and corresponds to a shadow formed by lighting from above. Results support the proposal that an early-level system rapidly identifies regions as shadows and then discounts them, making their shapes more difficult to access. Several constraints used by this system are mapped (...) out, including constraints on the luminance and texture of the shadow region, and on the nature of the item casting the shadow. Among other things, this system is found to distinguish between line elements (items containing only edges) and surface elements (items containing visible surfaces), with only the latter deemed capable of casting a shadow. (shrink)

Imagine a child playing in the afternoon sun, suddenly jerking her arm one way then the other, trying to catch her shadow out. The game, the child soon learns, is one that she can never win. Her shadow moves the moment she does. Such childish games father common sense wisdom; when things move, so do their shadows. Or do they? A spinning sphere casts a shadow. But does its shadow also spin? The question takes you by surprise. Surely not? you (...) think. But then again, why not? This is the trope of Sorensen’s work. A seemingly simple phenomenon is probed in just the right way and, without warning, you are unsure what to say. (shrink)

The eclipse riddle -- Seeing surfaces -- The disappearing act -- Spinning shadows -- Berkeley's shadow -- Para-reflections -- Para-refractions : shadowgrams and the black drop -- Goethe's colored shadows -- Filtows -- Holes in the light -- Black and blue -- Seeing in black and white -- We see in the dark -- Hearing silence.

Sorensen’s celebrated problem about the eclipse of Near and Far is given a solution in which what is seen is Far, silhouetted. Near cannot be seen, as it is in the shadow of Far. A silhouette is a shadow. The so–called Yale Puzzle is a linguistic confusion.

What are musical works? Are they discovered or created? Can recordings substitute faithfully for live performances? This book considers these and other intriguing questions. It first outlines the nature of musical works, their relation to performances, and their notational specification; it then considers authenticity in performance, musical traditions, and recordings. Comprehensive and original, the volume discusses many kinds of music, applying its conclusions to issues as diverse as the authentic performance movement, the cultural integrity of ethnic music, and the implications (...) of the dominance of recorded over live music. (shrink)

I am attracted to ontological pluralism, the doctrine that some things exist in a different way than other things.1 For the ontological pluralist, there is more to learn about an object’s existential status than merely whether it is or is not: there is still the question of how that entity exists. By contrast, according to the ontological monist, either something is or it isn’t, and that’s all there is say about a thing’s existential status. We appear to be to be (...) ontological committed to what I will call almost nothings. Examples of almost nothings include holes, cracks, and shadows; almost nothings thrive in the absence of ‘positive’ entities such as donuts, walls, and sunlight. Let’s focus on holes, since the literature on them is voluminous.2 We quantify over holes, and even count them: we say, for example, that there are some holes in the cheese, seven to be precise. We ascribe features to them and talk as though they stand in relations: that hole is three feet wide, much wider than that tire over there. Holes apparently persist through time, as evidenced by the fact that my sweater has the same hole in it as the last time you saw me wear it. We even talk as though holes are causally efficacious: my ankle was badly sprained because I stepped in that hole in the sidewalk.3 It seems then that we believe in holes. If our beliefs are true, holes must enjoy some kind of reality. This puts the ontological monist in an uncomfortable position. According to her, everything that there is enjoys the same kind of reality, which is the kind of reality enjoyed by full-fledged concrete entities such as ourselves. She is committed to the unpleasant claim that holes are just as real as concretia, a claim that is apt to be met with incredulous stares by those not acquainted with contemporary metaphysics. Roy Sorensen (2008, p. 19) notes the tension almost nothings generate for ontological monists: ‘… it feels paradoxical to say that absences exist—but no better to say that absences do not exist’.. (shrink)

NPs with intensional relative clauses such as 'the impact of the book John needs to write' pose a significant challenge for trope theory (the theory of particularized properties), since they seem to refer to tropes that lack an actual bearer. I will propose a novel semantic analysis of such NPs on the basis of the notion of a variable object. This analysis avoids a range of difficulties that an alternative analysis based on the notion of an individual concept would face.

The eclipse riddle -- Seeing surfaces -- The disappearing act -- Spinning shadows -- Berkeley's shadow -- Para-reflections -- Para-refractions : shadowgrams and the black drop -- Goethe's colored shadows -- Filtows -- Holes in the light -- Black and blue -- Seeing in black and white -- We see in the dark -- Hearing silence.