It is sometimes said that no living philosopher is a genuine modal realist. This is no doubt an exaggeration. But at least this much is true: while we all partake of possible world talk when philosophizing, most of us regard this talk as incurring no commitment to a plurality of concrete worlds.

Modal fictionalists propose to defuse the unwanted ontological commitments of modal realism by treating modal realism as a fictional story, and modal assertions as assertions, prefixed by a fictionalist operator, that something is true in that story. However, consideration of conditionals with modal antecedents raises the problem ofembedding, which shows that the simple prefixing strategy cannotsucceed. A compositional version of the fictionalist strategy isdeveloped and critiqued, and some general semantic morals aredrawn from the failures of both strategies.

and argue that (2) is similarly not true, but a convention: we use talk of pos• sibility to capture claims about consistency, or whatever. (This is merely an example; I don't suppose that (2) appeals to anyone particularly as a neces• sary truth about possibility or consistency.) Again, the kind of thing that is in..

This paper examines the logic of fictions within fictions. I argue that consistently nested consistent fictions must have certain formal characteristics. The most important is that they form a tree structure. Depending on one’s theory of fictional objects, additional constraints may apply regarding the appearance of a fictional object in two or more fictional universes. The background motivation for the paper is to use iterated fiction operators as a tool for making sense of iterated modal operators; I conclude by noting (...) briefly where the results about nested fictions can, and where they cannot, be extended to nested possible worlds. (shrink)

In this paper, I will defend modalfictionalism. The paper has two parts. In thefirst part, I will suggest a revised version ofmodal fictionalism which can avoid certaintechnical problems. In the second part, I willpropose a nominalized version of modalfictionalism and a general scheme offictionalism for the nominalist.

The Brock-Rosen problem has been one of the most thoroughly discussed objections to the modal fictionalism bruited in Gideon Rosen’s ‘Modal Fictionalism’. But there is a more fundamental problem with modal fictionalism, at least as it is normally explained: the position does not resolve the tension that motivated it. I argue that if we pay attention to a neglected aspect of modal fictionalism, we will see how to resolve this tension—and we will also find a persuasive reply to the Brock-Rosen (...) objection. Finally, I discuss an alternative reading of Rosen, and argue that this position is also able to fend off the Brock-Rosen objection. (shrink)

This article examines one way in which a fiction can carry ontological commitments. The ontological commitments that the article examines arise in cases where there are norms governing discourse about items in a fiction that cannot be accounted for by reference to the contents of the sentences that constitute a canonical telling of that fiction. In such cases, a fiction may depend for its contents on the real-world properties of real-world items, and the fiction may, in that sense, be ontologically (...) committed. Having outlined a way of gauging the ontological commitments of a fiction, the article concludes by illustrating the way in which these considerations can be put to work in assessing the prospects of using fictionalism as a tactic for understanding the metaphysics of modality without incurring a commitment to the real existence of merely possible worlds. (shrink)

Bob Hale in Hale 1995b posed a dilemma for modal fictionalism (more specifically, Rosen's version of modal fictionalism). A modal fictionalist who maintains the version outlined in Rosen 1990 believes that the fiction of possible worlds (PW, to use Rosen and Hale's abbreviation) is not literally true. The question arises, however, about its modal status. Is it necessarily false, or contingently false? In either case, Hale argues, the modal fictionalist is in trouble. Should the modal fictionalist claim that the story (...) of possible worlds is necessarily false, then the modal fictionalist cannot gloss their "according to the fiction of possible worlds ... ." prefix as "were the fiction of possible worlds true, then ... would be true". This is because, according to Hale, conditional claims with antecedents which are necessarily false are automatically true, so it follows that if the fiction of possible worlds is taken to be necessarily false, all conditionals of the form "were the fiction of possible worlds true then ..." are true, and not merely the ones that the modal fictionalist wishes to endorse. If the modal fiction is to be useful, not everything should be true according to it: examples of claims that had better not be true according to it include the claim that 2+2=7, or the claim that there are no possible worlds. On the other hand, if the fiction of possible worlds (PW) is only contingently false, Hale claims this also lands the Rosen's fictionalism in unacceptable trouble, though it is not so clear why (see below). Let me discuss these horns in turn. (shrink)

Questions about necessity (or what has to be, or what cannot be otherwise) and possibility (or what can be, or what could be otherwise) are questions about modality. Fictionalism is an approach to theoretical matters in a given area which treats the claims in that area as being in some sense analogous to fictional claims: claims we do not literally accept at face value, but which we nevertheless think serve some useful function. However, despite its name, “Modal Fictionalism” in its (...) usual manifestations is not primarily fictionalism about claims of necessity and possibility, but rather a fictionalist approach to claims about possible worlds. (For instance, modal fictionalism is not normally fictionalist about the claim that “it is possible that there be a species of tail-less kangaroo”, but rather about the claim that “there is a possible world in which there is a species of tail-less kangaroo”.) The practice of taking possible worlds to be merely convenient fictions, or of treating talk about possible worlds as being useful without being literally correct, is quite common in philosophical circles. It is only recently, however, that philosophers have seriously examined the implications of taking possible worlds to be merely fictional objects, like Sherlock Holmes or a frictionless surface. (shrink)

Introduction -- What is fiction? -- Realism about fictional objects -- Fictional objects are nonexistents -- Worlds and truth : fictional worlds, possible worlds, and impossible worlds -- Fictional entities are abstract artifacts -- Irrealism : fiction and intentionality -- Some fictionalists -- Fictionalism about possible worlds -- Moral fictionalism -- Retrospect.

Possible worlds present a formidable challenge for the lover of desert landscapes. One cannot ignore their usefulness; they provide, as David Lewis puts it, “a philosophers’ paradise”.1 But to enter paradise possibilia must be fit into a believable ontology. Some follow Lewis and accept worlds at face value, but most prefer some other choice from the current menu. Part of Chihara’s book is a critical discussion of some of these menu options: Lewis’s modal realism, Alvin Plantinga’s abstract modal realism, (...) Graeme Forbes’s anti-realism and Gideon Rosen’s modal fictionalism. These discussions are very detailed and conversant with the literature. The discussions of Forbes (pp. 142-167) and of paradox within Plantinga’s system (pp. 120-141) are particularly enlightening. The rest of the book is devoted to Chihara’s positive project: developing an account of the status of model theory for non-modal logic, and then applying it to the modal case. The prize is an understanding of possible worlds semantics that requires no commitment to possible worlds at all (beyond the purely formal “possible worlds” of the standard Kripke-models.) What does the relativized notion of truth in an interpretation studied in (non-modal) model theory have to do with plain old truth? Chihara’s answer involves “connecting theorems” that relate truth-in to truth (chapter 5). A “natural-language proto-interpretation of the sentential calculus” (NLPI of SC) is a function that assigns meanings of declarative sentences of English to sentence letters. Where I is an NLPI of SC and φ is a sentence letter, Chihara uses ‘[φ/I ]’ to refer to “φ with the meaning it has been assigned by I ” (p. 191); where φ is not atomic, he says (p. 192). (shrink)

Gideon Rosen proposes a view called "modal fictionalism" which Rosen thinks has all the benefits of modal realism without its ontological costs. Whereas modal realists have a paraphrase r(0) of a modal claim "0", modal fictionalists claim that the correct translation of "0" is rather the result of prefixing "according to the hypothesis of a plurality of worlds" to r(0). Rosen takes the prefix to be primitive and defines other modal notions in terms of it. Bob Hale, however, thinks the (...) fictionalist's project suffers from a "simple" dilemma. The purpose of this paper is to show that Rosen is right in taking the prefix as primitive and Hale is wrong in thinking fictionalism as being threatened by the dilemma. (shrink)

The modal fictionalist faces a problem due to the fact that her chosen story seems to be incomplete—certain things are neither fictionally true nor fictionally false. The significance of this problem is not localized to modal fictionalism, however, since many fictionalists will face it too. By examining how the fictionalist should analyze the notion of truth according to her story, and, in particular, the role that conditionals play for the fictionalist, I develop a novel and elegant solution to the incompleteness (...) problem. (shrink)

This article examines a popular complaint against the fictionalist account of possible objects bruited by Gideon Rosen. This is the complaint that modal fictionalism is, in some sense or other, hopelessly artificial. I shall separate two different strands to this worry and examine each in turn. As we shall see, neither strand to the objection is intractable.

Gideon Rosen’s [1990 Modal fictionalism. Mind, 99, 327–354] Modal Fictionalist aims to secure the benefits of realism about possible-worlds, whilst avoiding commitment to the existence of any world other than our own. Rosen [1993 A problem for fictionalism about possible worlds. Analysis, 53, 71–81] and Stuart Brock [1993 Modal fictionalism: A response to Rosen. Mind, 102, 147–150] both argue that fictionalism is self-defeating since the fictionalist is tacitly committed to the existence of a plurality of worlds. In this paper, I (...) develop a new strategy for the fictionalist to pursue in response to the Brock–Rosen objection. I begin by arguing that modal fictionalism is best understood as a paraphrase strategy that concerns the propositions that are expressed, in a given context, by modal sentences. I go on to argue that what is interesting about paraphrastic fictionalism is that it allows the fictionalist to accept that the sentence ‘there is a plurality of worlds’ is true without thereby committing her to the existence of a plurality of worlds. I then argue that the paraphrastic fictionalist can appeal to a form of semantic contextualism in order to communicate her status as an anti-realist. Finally, I generalise my conception of fictionalism and argue that Daniel Nolan and John O’Leary-Hawthorne [1996 Reflexive fictionalisms. Analysis, 56, 26–32] are wrong to suggest that the Brock-Rosen objection reveals a structural flaw with all species of fictionalism. (shrink)

Modal realism -- Time, space, world -- Existence -- Actuality -- Modal realism and modal tense -- Transworld individuals and their identity -- Existensionalism -- Impossibility -- Proposition and relief -- Fictional worlds -- Epistemology.