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- Robert Alter (1996). Reading Style in Dickens. Philosophy and Literature 20 (1):130-137.
- Simon Beck (2006). Fiction and Fictions: On Ricoeur on the Route to the Self. South African Journal of Philosophy 25 (4):329-335.
- Ilya Bernstein (2008). Temporal Registers in the Realist Novel. Philosophy and Literature 32 (1):pp. 173-182.
- Jeanette Bicknell (2004). Self-Knowledge and the Limitations of Narrative. Philosophy and Literature 28 (2):406-416.
- Wayne Booth (1988). The Company We Keep. University of California Press.
- Luk Bouckaert & Rita Ghesquiere (2004). Dostoyevsky's Grand Inquisitor as a Mirror for the Ethics of Institutions. Journal of Business Ethics 53 (1-2):29-37.
- Eva T. H. Brann (1999). Tapestry with Images: Paul Scott's Raj Novels. Philosophy and Literature 23 (1).
- Hugh Bredin (1982). The Displacement of Character in Narrative Theory. British Journal of Aesthetics 22 (4):291-300.
- Gert Buelens (1997). Enacting History in Henry James: Narrative, Power, and Ethics. Cambridge University Press.
- Joseph Carroll (2008). The Cuckoo's History: Human Nature in Wuthering Heights. Philosophy and Literature 32 (2):pp. 241-257.
- Noël Carroll (2007). Narrative Closure. Philosophical Studies 135 (1):1 - 15.
- Peter Caws (2000). Moral Certainty in Tolstoy. Philosophy and Literature 24 (1).
- Evgenia V. Cherkasova (2004). Kant on Free Will and Arbitrariness: A View From Dostoevsky's Underground. Philosophy and Literature 28 (2):367-378.
- Kelly Coble (2005). Authenticity in Robert Musil's. Philosophy and Literature 29 (2).
- Ted Cohen (1997). Metaphor, Feeling, and Narrative. Philosophy and Literature 21 (2).
- Dorrit Cohn (2000). The Poetics of Plato's. Philosophy and Literature 24 (1).
- Thomas P. Crocker (2002). An American Novelist in the Philosopher King's Court. Philosophy and Literature 26 (1):57-74.
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- Gregory Currie (2006). Narrative Representation of Causes. Journal of Aesthetics and Art Criticism 64 (3):309–316.
- Gregory Currie (2004). Arts and Minds. Oxford University Press.
- Gregory Currie (1995). Unreliability Refigured: Narrative in Literature and Film. Journal of Aesthetics and Art Criticism 53 (1):19-29.
- Gregory Currie & Jon Jureidini (2004). Narrative and Coherence. Mind and Language 19 (4):409–427.
- E. M. Dadlez (2008). Form Affects Content: Reading Jane Austen. Philosophy and Literature 32 (2):pp. 315-329.
- Alan Dagovitz (2008). Moby-Dick 's Hidden Philosopher: A Second Look at Stubb. Philosophy and Literature 32 (2):pp. 330-346.
- Arthur C. Danto (1991). Narrative and Style. Journal of Aesthetics and Art Criticism 49 (3):201-209.
- David Davies (2010). Eluding Wilson's “Elusive Narrators”. Philosophical Studies 147 (3).
- Vincent Descombes (1992). Proust: Philosophy of the Novel. Stanford University Press.
- Mary Devereaux (2004). Moral Judgments and Works of Art: The Case of Narrative Literature. Journal of Aesthetics and Art Criticism 62 (1):3–11.
- Daniel Dohrn (2009). Counterfactual Narrative Explanation. Journal of Aesthetics and Art Criticism 67 (1):37-47.
- Jane Duran (2004). Virginia Woolf, Time, and the Real. Philosophy and Literature 28 (2):300-308.
- Laura Rachel Felleman Fattal (2004). The Search for Narrative. Journal of Aesthetic Education 38 (3).
- Susan L. Feagin (2007). On Noël Carroll on Narrative Closure. Philosophical Studies 135 (1):17 - 25.
- Gary D. Fireman, T. E. McVay & Owen J. Flanagan (2003). Narrative and Consciousness: Literature, Psychology and the Brain. Oxford University Press.
- Eitan Fishbane (2002). Tears of Disclosure: The Role of Weeping in Zoharic Narrative. Journal of Jewish Thought and Philosophy 11 (1):25-47.
- Carol Freedman (1997). The Morality of Huck Finn. Philosophy and Literature 21 (1):102-113.
- David Gallop (1999). Jane Austen and the Aristotelian Ethic. Philosophy and Literature 23 (1).
- John Gibson (2011). Thick Narratives. In John Gibson Noel Carroll (ed.), Narrative, Emotion, and Insight. PSUP.
- John Gibson, Luca Pocci & Wolfgang Huemer (2007). A Sense of the World: Essays on Fiction, Narrative, and Knowledge. Routledge.
- Amihud Gilead (2008). How Few Words Can the Shortest Story Have? Philosophy and Literature 32 (1):pp. 119-129.
- David A. Goldfarb (1996). Lermontov and the Omniscience of Narrators. Philosophy and Literature 20 (1):61-74.
- David Goldknopf (1969). The Confessional Increment: A New Look at the I-Narrator. Journal of Aesthetics and Art Criticism 28 (1):13-21.
- Robert Gooding-Williams (1986). Literary Fiction as Philosophy: The Case of Nietzsche's Zarathustra. Journal of Philosophy 83 (11):667-675.
- James Harold (2006). On Judging the Moral Value of Narrative Artworks. Journal of Aesthetics and Art Criticism 64 (2):259–270.
- James Harold (2005). Narrative Engagement with Atonement and The Blind Assasin. Philosophy and Literature 29 (1):130-145.
- James G. Hart (1989). From Mythos to Logos to Utopian Poetics: An Husserlian Narrative. International Journal for Philosophy of Religion 25 (3):147 - 169.
- Penelope Ingram (1999). "One Drifts Apart": To the Lighthouse as Art of Response. Philosophy and Literature 23 (1).
- Daniel Jacobson (1996). Sir Philip Sidney's Dilemma: On the Ethical Function of Narrative Art. Journal of Aesthetics and Art Criticism 54 (4):327-336.
- Marjorie Jolles (2012). Between Embodied Subjects and Objects: Narrative Somaesthetics. Hypatia 27 (1):n/a-n/a.
- Stewart Justman (2008). Converts, Uncertainty, and the Novel. Philosophy and Literature 32 (2):pp. 359-372.
- Robert S. Kawashima (2004). Verbal Medium and Narrative Art in Homer and the Bible. Philosophy and Literature 28 (1):103-117.
- Gary Kemp (2005). Philosophy as Fiction: Self, Deception, and Knowledge in Proust (Review). Philosophy and Literature 29 (2):498-500.
- Tpeter Kemp & Craig Dilworth (1988). Toward a Narrative on Ethics: A Bridge Between Ethics and the Narrative Reflection of Ricoeur. Philosophy and Social Criticism 14 (2):179-201.
- Joseph Carroll Jonathan Gottschall John A. Johnson Daniel J. Kruger (2009). Human Nature in Nineteenth-Century British Novels: Doing the Math. Philosophy and Literature 33 (1):pp. 50-72.
- Peter Lamarque (2004). On Not Expecting Too Much From Narrative. Mind and Language 19 (4):393–408.
- Iddo Landau (2005). To Kill a Mandarin. Philosophy and Literature 29 (1):89-96.
- Joshua Landy (2004). Philosophy as Fiction: Self, Deception, and Knowledge in Proust. Oxford University Press.
- John Randolph LeBlanc (2006). Memory and Justice: Narrative Sources of Community in Camus's. Philosophy and Literature 30 (1).
- F. N. Lees (1964). Identification and Emotion in the Novel: A Feature of Narrative Method. British Journal of Aesthetics 4 (2):109-114.
- Thomas M. Lennon (2007). Proust and the Phenomenology of Memory. Philosophy and Literature 31 (1):52-66.
- John Lippitt (2007). Getting the Story Straight: Kierkegaard, Macintyre and Some Problems with Narrative. Inquiry 50 (1):34 – 69.
- Genevieve Lloyd (1993). Being in Time: Selves and Narrators in Philosophy and Literature. Routledge.
- Tony McAdams (1993). The Great Gatsby as a Business Ethics Inquiry. Journal of Business Ethics 12 (8):653 - 660.
- Mark Richard McCulloh (2006). Destruction and Transcendence in W. G. Sebald. Philosophy and Literature 30 (2):395-409.
- Eduardo Mendieta (2005). Surviving American Culture: On Chuck Palahniuk. Philosophy and Literature 29 (2):394-408.
- Jukka Mikkonen (2008). Philosophical Fiction and the Act of Fiction-Making. SATS: Nordic Journal of Philosophy 9 (2):116-132.
- John Morreall (1994). The Myth of the Omniscient Narrator. Journal of Aesthetics and Art Criticism 52 (4):429-435.
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- Frederick A. Olafson (1988). Moral Relationships in the Fiction of Henry James. Ethics 98 (2):294-312.
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- Donna Tussing Orwin (1995). Book Review: Tolstoy's Art and Thought, 1847-1880. Philosophy and Literature 19 (1).
- David Parker (1996). Book Review: Ethics, Theory and the Novel. Philosophy and Literature 20 (1).
- George Pattison (1986). Nihilism and the Novel: Kierkegaard's Literary Reviews. British Journal of Aesthetics 26 (2):161-171.
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- Richard A. Posner (2000). Orwell Versus Huxley: Economics, Technology, Privacy, and Satire. Philosophy and Literature 24 (1).
- Richard A. Posner (1997). Narrative and Narratology in Classroom and Courtroom. Philosophy and Literature 21 (2).
- Michael Prince (1996). Philosophical Dialogue in the British Enlightenment: Theology, Aesthetics, and the Novel. Cambridge University Press.
- Anthony Rizzuto (1999). Book Review: Camus: Love and Sexuality. Philosophy and Literature 23 (1).
- Peter Roberts (2008). Bridging Literary and Philosophical Genres: Judgement, Reflection and Education in Camus'the Fall. Educational Philosophy and Theory 40 (7):873-887.
- Ruth Ronen & Efrat Biberman (2006). The Truth About Narrative, Or: How Does Narrative Matter? Philosophy and Literature 30 (1):118-139.
- Emma Rooksby (2005). Moral Theory in the Fiction of Isabelle de Charrière: The Case Of. Hypatia 20 (1).
- James Henry Rubin (1986). Allegory Versus Narrative in Quatremère de Quincy. Journal of Aesthetics and Art Criticism 44 (4):383-392.
- Dennis Sansom (2004). Tolstoy and the Moral Instructions of Death. Philosophy and Literature 28 (2):417-429.
- George Santayana, ed Saatkamp, Herman J. & William G. Holzberger (1995). Book Review: The Last Puritan: A Memoir in the Form of a Novel. Philosophy and Literature 19 (1).
- Ronald Schleifer & Jerry Vannatta (2006). The Logic of Diagnosis: Peirce, Literary Narrative, and the History of Present Illness. Journal of Medicine and Philosophy 31 (4):363 – 384.
- Roger Shattuck (1996). A Reciprocating Engine -- Like Proust. Philosophy and Literature 20 (1):104-110.
- Declan Sheerin (2009). Deleuze and Ricoeur: Disavowed Affinities and the Narrative Self. Continuum.
- David Sherman (1995). Camus's Meursault and Sartrian Irresponsibility. Philosophy and Literature 19 (1):60-77.
- Linda Simon (2004). William James's Lost Souls in Ursula le Guin's Utopia. Philosophy and Literature 28 (1):89-102.
- Justin Skirry (2001). Sartre on William Faulkner's Metaphysics of Time in the Sound and the Fury. Sartre Studies International 7 (2):15-43.
- Aaron Smuts (2009). Story Identity and Story Type. Journal of Aesthetics and Art Criticism 67 (1):5-14.
- Robert C. Solomon (2004). Pathologies of Pride in Camus's. Philosophy and Literature 28 (1).
- Olga Stuchebrukhov (2007). “Ridiculous” Dream Versus Social Contract: Dostoevskij, Rousseau, and the Problem of Ideal Society. Studies in East European Thought 59 (1-2):101 - 169.
- Stewart R. Sutherland (1970). Imagination in Literature and Philosophy: A Viewpoint on Camus's «L'Étranger’. British Journal of Aesthetics 10 (3):261-274.
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- Lynne Tirrell (1990). Storytelling and Moral Agency. Journal of Aesthetics and Art Criticism 48 (2):115-126.
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