Metaphor is a pervasive feature of language. We use metaphor to talk about the world in both familiar and innovative ways, and in contexts ranging from everyday conversation to literature and scientific theorizing. However, metaphor poses serious challenges for standard theories of meaning, because it seems to straddle so many important boundaries: between language and thought, between semantics and pragmatics, between rational communication and mere causal association.

Racial epithets are terms used to characterize people on the basis of their race, and are often used to harm the people that they target. But what do racial epithets mean, and how do they work to harm in the way that they do? In this essay I set out to answer these questions by offering a pragmatic view of racial epithets, while contrasting my position with Christopher Hom's semantic view.

These days it is widely agreed that there is no such thing as absolute motion and rest; the motion of an object can only be characterized with respect to some chosen frame of reference.1 This is a fact of which many of us are well-aware, and yet a cursory consideration of the ways we ascribe motion to objects gives the impression that it is a fact we persistently ignore. We insist to the police officer that we came to a full (...) and complete stop at the stop sign, we fret that traffic is moving too slowly, we observe that the sun has dropped below the hills on the horizon, all without ever saying which frames of reference we have in mind. (shrink)

This article examines one way in which a fiction can carry ontological commitments. The ontological commitments that the article examines arise in cases where there are norms governing discourse about items in a fiction that cannot be accounted for by reference to the contents of the sentences that constitute a canonical telling of that fiction. In such cases, a fiction may depend for its contents on the real-world properties of real-world items, and the fiction may, in that sense, be ontologically (...) committed. Having outlined a way of gauging the ontological commitments of a fiction, the article concludes by illustrating the way in which these considerations can be put to work in assessing the prospects of using fictionalism as a tactic for understanding the metaphysics of modality without incurring a commitment to the real existence of merely possible worlds. (shrink)

In the first half of the paper I critically review some previous attempts to deal with metonymy. I focus in particular on the classical approach, the associationist approach and the Gricean approach. The main point of my criticisms is that the notion of empirical associations among objects is in itself inadequate for a complete descriptive and explanatory account of metonymy.