In reaching his narrative view of the self in Oneself as Another, Paul Ricoeur argues that, while literature offers revealing insights into the nature of the self, the sort of fictions involving brain transplants, fission, and so on, that philosophers often take seriously do not (and cannot). My paper is a response to Ricoeur's charge, contending that the arguments Ricoeur rejects are not flawed in the way he suggests, and that his own arguments are sometimes guilty of the very charges (...) he lays at the door of his opponents. (shrink)

In a remarkable exchange between neuroscientist Jean-Pierre Changeux and philosopher Paul Ricoeur, this book explores the vexed territory between these...

No contemporary thinker has participated in more intellectual debates in the post-war period than Paul Ricoeur. His writings evolved from an initial concern with existentialism and phenomenology, through structuralism and psychoanalysis and the work he undertook within the hermenuetic tradition, to his recent studies in metaphor and narrative. This introduction is the first study to survey the entire range of Ricoeur's work and, exploiting the obvious thematic parallels, situates it within the context of post-structuralism. It includes the first discussion of (...) Ricoueur's Time and Narrative , a work likely to prove the most significant contribution to the theory of narrative since early structuralism. (shrink)

We argue that Paul Ricoeur’s work on narrative and alienation provides a largely untapped, though potentially fruitful way of re-thinking the question of political agency within the context of globalization. We argue that the political agency of many around the world has been placed in an exceedingly fragile position due to the rapid pace of globalization, the movement of multi-national corporations from their previous national headquarters, etc. We use Ricoeur’s work to argue that the alienation of globalization is not something (...) that can be simply overcome either in a unified world-state or a retreat to protectionist nationalism, because institutional mediation—and consequently alienation—is in some sense constitutive of all politics: the world of political representation operates by its own set of rules, which are at least partially disconnected from the represented world. Using the work of Mouffe, a radical democratic theorist, we then flesh out an ideal of agonistic citizenship (which recognizes both the need for and the inevitability of discursive struggle in politics) in a number of overlapping communities of interest, rather than tying political participation solely to the sovereign government of my state. The state will remain important, but because globalization has disenfranchised so many from their participation in “local” modes of self-governance (tied to the state in which they live), we have a responsibility to re-envision what political participation means outside the traditional context of the state. Rather than merely citizens of a particular state, we need to begin thinking of ourselves politically—and then acting—as “citizens” of Green Peace, Human Rights Watch, Doctors Without Borders, or whatever other supra-local concrete universals or communities of interest to which we belong, investing the time and energy there that we might previously have invested solely in our state’s government. (By implication, we must also ensure that these organizations work in transparent democratic ways themselves.) We believe that by re-plotting our narratives of political engagement in this way, we can positively respond to the alienation created by globalization, while avoiding both the extremes of “McWorld” (hyperglobalism) and “Jihad” (complete skepticism towards, or war against globalization) that Benjamin Barber and David Held have recently described. (shrink)

If Descartes's Cogito can be held as the opening of the era of modern subjectivity, it is to the extent that the I is taken for the first time in the position of foundation, i.e., as the ultimate condition for the possibility of all philosophical discourse. The question raised in this paper is whether the crisis of the Cogito, opened later by Hume, Nietzsche and Heidegger on different philosophical grounds, is not already contemporaneous to the very positing of the Cogito.

Empowerment is a key word in Catherine Audard’s new book on Rawls and a central characteristic of Rawls’ approach to justice. A very different “hermeneutic” approach to justice is presented by Paul Ricoeur, the French philosopher and theologian who, against the background of his own work, examined Rawls’ views in several publications. This essay compares the two views and defends the proposition that empowerment is the common denominator. The author suggests that Rawls would not have objected to including some of (...) Ricoeur’s ideas in the past-principle stage of his Theory. (shrink)

Although Paul Ricoeur's writings are widely and appreciatively read by theologians, this is the first book to offer a full, sympathetic yet critical account of Ricoeur's theory of narrative interpretation and its contribution to theology. Unlike many previous studies of Ricoeur, Part I argues that Ricoeur's hermeneutics must be viewed in the light of his overall philosophical agenda, as a fusion and continuation of the unfinished projects of Kant and Heidegger. Particularly helpful is the focus on Ricoeur's recent narrative theory (...) as the context in which Ricoeur deals with problems of time and the creative imagination; and it becomes clear that narrative stands at the crossroads of Ricoeur's search for the meaning of human being as well as his search for the meaning of texts. Part II examines the potential of Ricoeur's narrative theory for resolving certain theological problems, such as the dichotomy betweens the Jesus of history and the Christ of faith. In so doing Vanhoozer relates Ricoeur's work to that of theologians such as Barth, Bultmann, Tillich, Pannenberg, Frei and Tracy. (shrink)

In Moral Creativity, John Wall argues that moral life and thought are inherently and radically creative. Human beings are called by their own primordially created depths to exceed historical evil and tragedy through the ongoing creative transformation of their world. This thesis challenges ancient Greek and biblical separations of ethics and poetic image-making, as well as contemporary conceptions of moral life as grounded in abstract principles or preconstituted traditions. Taking as his point of departure the poetics of the will of (...) Paul Ricoeur, and ranging widely into critical conversations with Continental, narrative, feminist, and liberationist ethics, Wall uncovers the profound senses in which moral practice and thought involve tension, catharsis, excess, and renewal. In the process, he draws new connections between sin and tragedy, practice and poetics, and morality and myth. Rather than proposing a complete ethics, Moral Creativity is a meta-ethical work investigating the creative capability as part of what it means, morally, to be human. This capability is explored around four dimensions of ontology, teleology, deontology, and social practice. In each case, Wall examines a traditional perspective on the relation of ethics to poetics, critiques it using resources from contemporary phenomenology, and develops a conception of a more original poetics of moral life. In the end, moral creativity is a human capability for inhabiting tensions among others and in social systems and, in the image of a Creator, creating together an ever more radically inclusive moral world. (shrink)

Here, some of the most influential thinkers in theological and philosophical ethics develop new directions for research in contemporary moral thought. Taking as their starting point Ricoeur's recent work on moral anthropology, the contributors set a vital agenda for future conversations about ethics and just community.

On Paul Ricoeur examines the later work of Paul Ricoeur, particularly his major work, Time and Narrative. The essays in this volume, including three pieces by Ricoeur, consider Time and Narrative, extending and developing the debate it has inspired. Time and Narrative is the finest example of contemporary philosophical hermeneutics and is one of the most significant works of philosophy published in the late twentieth century. Paul Ricoeur's study of the intertwining of time and narrative proposes and examines the possibility (...) that narrative could remedy a fatal deficiency in any purely phenomenological approach. He analyzed both literary and historical writing, from Proust to Braudel, as well as key figures in the history of philosophy: Aristotle, Augustine, Kant, Hegel, Husserl, and Heidegger. His own recognition of his limited success in expunging aporia opens onto the positive discovery of the importance of narrative identity, on which Ricoeur writeshere. An essential companion to Time and Narrative, this collection also provides an excellent introduction to Ricoeur's later work and to contemporary works in philosophical hermeneutics. It will be of major interest to philosophers, literary theorists, and historians. (shrink)