As far as an adequate understanding of phenomenal consciousness is concerned, representationalist theories of mind which are modelled on the information processing paradigm, are, as much as corresponding neurobiological or functionalist theories, confronted with a series of arguments based on inverted or absent qualia considerations. These considerations display the following pattern: assuming we had complete knowledge about the neural and functional states which subserve the occurrence of phenomenal consciousness, would it not still be conceivable that these neural states (or states (...) with the same causal r. (shrink)

In this essay, which draws on a set of interrelated issues in the phenomenology of perception, I call into question the assumption that Buddhist philosophers of the Dignāga-Dharmakīrti tradition pursue a kind of epistemic foundationalism. I argue that the embodied cognition paradigm, which informs recent efforts within the Western philosophical tradition to overcome the Cartesian legacy, can be also found– albeit in a modified form–in the Buddhist epistemological tradition. In seeking to ground epistemology in the phenomenology of cognition, the Buddhist (...) epistemologist, I claim, is operating on principles similar to those found in Husserl’s phenomenological tradition. (shrink)

Inspired by the writings of J. M. Hinton (1967a, 1967b, 1973), but ushered into the mainstream by Paul Snowdon (1980–1, 1990–1), John McDowell (1982, 1986), and M. G. F. Martin (2002, 2004, 2006), disjunctivism is currently discussed, advocated, and opposed in the philosophy of perception, the theory of knowledge, the theory of practical reason, and the philosophy of action. But what is disjunctivism?

The phenomenology of agency and perception is probably underpinned by a common cognitive system based on generative models and predictive coding. I defend the hypothesis that this cognitive system explains core aspects of the sense of having a self in agency and perception. In particular, this cognitive model explains the phenomenological notion of a minimal self as well as a notion of the narrative self. The proposal is related to some influential studies of overall brain function, and to psychopathology. These (...) elusive notions of the self are shown to be the natural upshots of general cognitive mechanisms whose fundamental purpose is to enable agents to represent the world and act in it. (shrink)

The passage above comes from the opening pages of Merleau-Ponty’s essay on Edmund Husserl. It proposes a risky interpretive principle. The main feature of this principle is that the seminal aspects of a thinker’s work are so close to him that he is incapable of articulating them himself. Nevertheless, these aspects pervade the work, give it its style, its sense and its direction, and therefore belong to it essentially. As Martin Heidegger writes, in a passage quoted by Merleau-Ponty:

The (...) greater the work of a thinker – which in no way coincides with the breadth
and number of writings – the richer is what is un-thought in this work, which
means, that which emerges in and through this work as having not yet been
thought.²

The goal of Merleau-Ponty’s essay, he says, is “to evoke this un-thought-of element in Husserl’s thought”.³. (shrink)

Through discussion of phenomenological and analytic traditions such as the philosophical problems of perceptual content, the content of demonstrative thoughts and the unity of proposition, Kelly explains that these concepts are not as alien to one another as most people believe.

In recent philosophy of mind, a series of challenging ideas have appeared about the relation between the body and the sense of touch. In certain respects, these ideas have a striking affinity with Husserl’s theory of the constitution of the body. Nevertheless, these two approaches lead to very different understandings of the role of the body in perception. Either the body is characterized as a perceptual “organ,” or the body is said to function as a “template.” Despite its focus on (...) the sense of touch, the latter conception, I will argue, nevertheless orients its understanding of tactual perception toward visual objects. This produces a distorted conception of touch. In this paper, I will formulate an alternative account, which is more faithful to what it is like to feel. (shrink)

This is a concordance of page numbers in the following editions of Merleau-Ponty's Phenomenology of Perception: English editions prior to the Routledge Classics 2002; Routledge Classics edition, with the new pagination; the French edition from Gallimard, prior to 2005; the 2e edition from Gallimard, 2005, with new pagination.

Dreyfus presents Todes's (2001) republished Body and World as an anticipatory response to McDowell (1994) which shows how preconceptual perception can ground conceptual thought. I argue that Dreyfus is mistaken on this point: Todes's claim that perceptual experience is preconceptual presupposes an untenable account of conceptual thought. I then show that Todes nevertheless makes two important contributions to McDowell's project. First, he develops an account of perception as bodily second nature, and as a practical-perceptual openness to the world, which constructively (...) develops McDowell's view. Second, and more important, this account highlights the practical and perceptual dimension of linguistic competence. The result is that perception is conceptual "all the way down" only because discursive conceptualization is perceptual and practical "all the way up". This conjunction of McDowell and Todes on the bodily dimensions of discursive practice also vindicates Davidson's and Brandom's criticisms of McDowell's version of empiricism. (shrink)

I argue that any account of perceptual experience should satisfy the following two desiderata. First, it should account for the particularity of perceptual experience, that is, it should account for the mind-independent object of an experience making a difference to individuating the experience. Second, it should explain the possibility that perceptual relations to distinct environments could yield subjectively indistinguishable experiences. Relational views of perceptual experience can easily satisfy the first but not the second desideratum. Representational views can easily satisfy the (...) second but not the first desideratum. I argue that to satisfy both desiderata perceptual experience is best conceived of as fundamentally both relational and representational. I develop a view of perceptual experience that synthesizes the virtues of relationalism and representationalism, by arguing that perceptual content is constituted by potentially gappy de re modes of presentation. (shrink)

I develop a view of the common factor between subjectively indistinguishable perceptions and hallucinations that avoids analyzing experiences as involving awareness relations to abstract entities, sense-data, or any other peculiar entities. The main thesis is that hallucinating subjects employ concepts (or analogous nonconceptual structures), namely the very same concepts that in a subjectively indistinguishable perceptual experience are employed as a consequence of being related to external, mind-independent objects or property-instances. Since a hallucinating subject is not related to any such objects (...) or property-instances, the concepts she employs remain unsaturated. I argue that the phenomenology of hallucinations and perceptions can be identified with employing concepts and analogous nonconceptual structures. By doing so, I defend a minimalist view of the phenomenology of experience that (1) satisfies the Aristotelian principle according to which the existence of any type depends on its tokens and (2) amounts to a naturalized view of the phenomenology of experience. (shrink)

The experience of looking at a tilted penny involves a “phenomenological doubleness” in that it simultaneously seems to be of something circular and of something elliptical. In this paper, I investigate the phenomenological doubleness of this experience by comparing it to another case of phenomenological doubleness––the phenomenological doubleness of seeing an object in a painting. I begin by pointing out some striking similarities between the phenomenological characters of these two experiences. I then argue that these phenomenological characters have a common (...) explanation. More specifically, I argue that the psychological mechanism that explains the phenomenological doubleness of the experience of seeing an object in a painting can be extended to also explain the phenomenological doubleness of the experience of seeing a tilted penny. (shrink)

Recently, a number of epistemologists have argued that there are no non-conceptual elements in representational content. On their view, the only sort of non-conceptual elements are components of sub-personal organic hardware that, because they enjoy no veridical role, must be construed epistemologically irrelevant. By reviewing a 35-year-old debate initiated by Dagfinn F.

One influential focus of the recent debates about non-sensory aspects of the phenomenal character of our mental episodes has been on their intellectual elements. More specifically, it has been on what it is like to think or judge something in opposition to seeing or imagining it, as well as on the extent to which how we subjectively experience our thoughts and judgements depends on how they present the world as being.1 Other non-sensory aspects of character, by contrast, have been largely (...) neglected, despite two significant facts about them. The first is that they pertain, not only to judgements and similar thoughts, but also to perceptions and other sensory episodes — thus not raising the general issue of whether the episodes concerned possess a phenomenal character in the first place. And second, they are, in several respects, more interesting and perhaps also more basic than the sensory and the intellectual aspects usually discussed. In particular, they reflect or manifest the general nature of the type of episode concerned, rather than the specific differences among its instances. And, as part of this, they render especially the rational dimension of our mental episodes first-personally salient. Our aim in this essay is to describe the non-sensory and non-intellectual phenomenal aspects of perceptions and to highlight their link to the rational role of the latter. This will also involve an attempt at characterising the three kinds of phenomenal aspects at issue. More specifically, it is part of our proposal that the difference between the sensory and the intellectual aspects can be spelled out in terms of the non-neutrality and the reason-insensitivity of the presentational elements concerned. The phenomenal aspects of the third type — which may be called the rational aspects — may then be distinguished from the other two by reference to the fact that only the former concern the type of non-neutrality involved in the respective episodes, rather than what these episodes are non-neutral about.. (shrink)

Most accounts of veridical perception draw upon conventional causal theories of perception for an explanatory framework. Recently developed enactive or sensorimotor theories of perception pose a challenge to such accounts, necessitating a redefinition of veridical perception. I propose and defend one such definition, drawing upon empirical studies of perception, the resources of the enactive approach and phenomenology. I argue that perceptual experience engages an organism in a network of sensorimotor dependencies with the perceived object, and that veridical perceptions involve experiential (...) mastery of these dependencies. A thought example involving the phoneme restoration effect is used to compare this definition favourably with traditional accounts of veridical perception that involve the generation of matching content with appropriate causal history or patterns of counterfactual dependence. I also defend my account of veridical perception against several objections. (shrink)