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Subcategories:History/traditions: Philosophy of Literature
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  1. Lars Aagaard-Mogensen (1982). Arts and Ends. Journal of Aesthetics and Art Criticism 41 (2):215-217.
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  2. Cuesta Abad & José Manuel (2010). La Transparencia Informe: Filosofía y Literatura de Schiller a Nietzsche. Abada Editores.
    La teoría moderna de la literatura surgió del encuentro, no siempre pacífico, entre la filosofía, la estética y la literatura bajo la influencia dominante de los programas idealistas y románticos. En el período que va desde la publicación del tratado de Schiller Sobre poesía ingenua y sentimental (1795) hasta la aparición de El nacimiento de la tragedia (1872) de Nietzsche, los conceptos poetológicos tradicionales fueron reelaborados en términos especulativos, sustancialistas y trascendentales. A través de una lectura comparada de textos filosóficos (...)
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  3. Fabrizia Abbate (2012). Est-Etiche Del Grigio. Editori Riuniti University Press.
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  4. Craig S. Abbott (1989). The Case of Debbie Revisited: A Literary Perspective. [REVIEW] Journal of Medical Humanities 10 (2):99-106.
    The publication in theJournal of the American Medical Association of a narrative entitled “It's Over, Debbie,” in which a gynecology resident apparently performs euthanasia, has stirred considerable debate characterized by varying interpretations not only of the ethical issues involved but of the meaning of the text itself. Formal analysis reveals the narrative to be strikingly literary in its ambiguity, its foregrounding of its own textuality, and its dominant structure of repetition and reversal. The analysis points to features that account for (...)
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  5. Philip Abbott (2013). The State of Nature on Route 66: Jack Kerouac's On The Road and the Social Contract Tradition. Philosophy and Literature 37 (1):210-227.
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  6. Qanseĭït Ăbdezūly (2006). Tăken Ălımqūlov Zhăne Qazaq Prozasy. Arys.
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  7. S. Abdoo (1984). Hardy's Jude: The Pursuit of the Ideal as Tragedy in The Existential Coordinates of the Human Condition: Poetic, Epic, Tragic. The Literary Genre. Analecta Husserliana 18:307-318.
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  8. Anxo Abuín González (2006). Escenarios Del Caos: Entre la Hipertextualidad y la Performance En la Era Electrónica. Tirant Lo Blanch.
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  9. Sabrina Achilles (2012). Literature, Ethics, and Aesthetics: Applied Deleuze and Guattari. Palgrave Macmillan.
    Introduction: the literary function -- Being constructivist -- Rethinking the performative in pragmatics -- The literary function and the cartographic turn: performative philosophy -- The literary function and society, I: affirmation of immanent aesthetics -- The literary function and society, II: community and subjectification -- The reader and the event of fiction -- Conclusion: degrees of freedom.
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  10. R. D. Ackerman (1990). Poetic Interaction: Language, Freedom, Reason (Review). Philosophy and Literature 14 (1):219-220.
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  11. R. D. Ackerman (1988). Post-Structuralism and the Question of History (Review). Philosophy and Literature 12 (2):307-308.
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  12. R. D. Ackerman (1987). Memoires: For Paul de Man (Review). Philosophy and Literature 11 (1):171-180.
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  13. R. D. Ackerman (1982). "A Counterpoint of Dissonance": The Aesthetics and Poetry of Gerard Manley Hopkins (Review). Philosophy and Literature 6 (1-2):209-210.
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  14. R. D. Ackerman (1979). Believing in a Fiction: Wallace Stevens at the Limits of Phenomenology. Philosophy and Literature 3 (1):79-90.
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  15. Joseph Acquisto (ed.) (2013). Thinking Poetry: Philosophical Approaches to Nineteenth-Century French Poetry. Palgrave Macmillan.
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  16. David Adams & Hans Blumenberg (1998). Does It Matter When? On Time Indifference. Philosophy and Literature 22 (1):212-218.
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  17. Walter Adamson (1993). The Adventure of Difference: Philosophy After Nietzsche and Heidegger (Review). Philosophy and Literature 17 (2):353-354.
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  18. Walter L. Adamson (1985). Literature and Propaganda (Review). Philosophy and Literature 9 (2):230-232.
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  19. Anthony Adler (2008). Literature After Philosophy. Proceedings of the Xxii World Congress of Philosophy 26:5-12.
    The following paper seeks to show, through a close reading of lines 604-612 from the second book of the Aeneid, that Virgil develops an understanding of truth opposed to the dominant understanding of truth of the philosophical tradition. Whereas philosophy (as exemplified in the “cave analogy” of Plato’s Republic)regards truth as a power over deception, Virgil comes to understand truth instead as the effect of a deception that cannot be “disillusioned,” and that in turn summons us towards an obedience to (...)
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  20. Thomas P. Adler (2013). The Search for God in the Plays of Tennessee Williams. Renascence 26 (1):48-56.
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  21. Helen Adolf (1951). The Essence and Origin of Tragedy. Journal of Aesthetics and Art Criticism 10 (2):112-125.
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  22. O. Adʹi͡aa (ed.) (2005). Dai͡aarshil Khiĭgėėd Mongol Khėlbichgiĭn Asuudal: Iltgėliĭn Ėmkhėtgėl. Mongol Ulsyn Shinzhlėkh Ukhaany Akademi Niĭgmiĭn.
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  23. Charles Affron (1992). Film Hieroglyphs: Ruptures in Classical Cinema (Review). Philosophy and Literature 16 (1):226-227.
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  24. J. Agassi (1970). Philosophy as Literature: The Case of Borges. Mind 79 (314):287 - 294.
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  25. Joseph Agassi (1983). This Message is for You. Maybe. Philosophy and Literature 7 (1):95-98.
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  26. Jesús Aguilar (2010). Philosophy and Literature. In Susana Nuccetelli, Ofelia Schutte & Otávio Bueno (eds.), A Companion to Latin American Philosophy. Wiley-Blackwell.
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  27. Jeremy Ahearne & John Speller (eds.) (2012). Bourdieu and the Literary Field. Edinburgh University Press.
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  28. Ali Abdullatif Ahmida (1994). In Theory: Classes, Nations, Literatures (Review). Philosophy and Literature 18 (1):195-196.
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  29. Timo Airaksinen (1991). Of Glamor, Sex, and de Sade. Monograph Collection (Matt - Pseudo).
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  30. A. Aiyappan (1974). Sri Aurobindo's Aesthetics and Malayalam Literature. In Aurobindo Ghose, Srinivasa Iyengar & R. K. (eds.), Sri Aurobindo: A Centenary Tribute. Sri Aurobindo Ashram Press. 134.
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  31. Edna Aizenberg (1989). Borges and the Kabbalah and Other Essays on His Fiction and Poetry (Review). Philosophy and Literature 13 (2):400-402.
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  32. Oona Ajzenstat (1994). The Text as Thou: Martin Buber's Dialogical Hermeneutics and Narrative Theology (Review). Philosophy and Literature 18 (2):401-403.
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  33. Samuel Ajzenstat (1997). The Ubiquity of Contract in the Merchant of Venice. Philosophy and Literature 21 (2):262-278.
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  34. Richard J. Alapack (1988). Pöggeler, Otto. Martin Heidegger's Path of Thinking. D. Magurshak & S. Barber (Trans). Atlantic Highlands, NJ: Humanities Press International, Inc., 1987. Pp. Vii-293. $45.00. [REVIEW] Journal of Phenomenological Psychology 19 (2):197-203.
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  35. Ralph Albanese (1984). The Literary Imagination: Essays on Literature and Society (Review). Philosophy and Literature 8 (1):135-136.
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  36. Ernest Albee (1918). Philosophy and Literature. Philosophical Review 27 (4):343-355.
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  37. Ernest Albee (1910). The Meaning of Philosophy-for Literature. Philosophical Review 19:232.
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  38. Harold Alderman (1981). Oedipus the King: A Hermeneutic Tragedy. Philosophy and Literature 5 (2):176-185.
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  39. Alfred Owen Aldridge, François Jost & Melvin J. Friedman (1990). Aesthetics and the Literature of Ideas Essays in Honor of A. Owen Aldridge.
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  40. Jason Aleksander (2011). The Problem of Theophany in Paradiso 33. Essays in Medieval Studies 27:61-78.
  41. Henry Alexander (2009). Reflections on Benjamin Button. Philosophy and Literature 33 (1):pp. 1-17.
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  42. Laurence L. Alexander (1977). Modern Critical Theory: A Phenomenological Introduction (Review). Philosophy and Literature 1 (2):251-252.
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  43. Samuel Alexander (1939/1970). Philosophical and Literary Pieces. Westport, Conn.,Greenwood Press.
  44. Luc-Olivier D' Algange (2011). Lectures Pour Frédéric Ii: Essai. Alexipharmaque.
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  45. James Allan (2000). A Tale of Two Scepticisms or Relying on What Comes Naturally or the Problem with Deriving an Epistemology From Literary Theory. Journal of Applied Philosophy 17 (2):181–194.
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  46. A. H. B. Allen (1942). The Nature of Tragedy: A Psychological Essay: PHILOSOPHY. Philosophy 17 (66):144-158.
    The nature of tragedy has always been felt to be a problem, not only by the philosopher, but also, and perhaps even more, by the ordinary man. The question so often asked is: why, if there is so much suffering already in the world, do we want to go to a theatre or read a story describing more suffering? Why indeed should the spectacle of suffering ever be pleasing to us? Yet it is obvious that olarge numbers of ordinary people (...)
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  47. J. Allman (1990). Deman, Paul, Deconstruction, and Discipleship. Philosophy and Literature 14 (2):324-329.
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  48. John Allman (1990). Paul de Man, Deconstruction, and Discipleship. Philosophy and Literature 14 (2):324-339.
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  49. Ian Almond (2004). Experimenting with Islam: Nietzschean Reflections on Bowles's Araplaina. Philosophy and Literature 28 (2):309-323.
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  50. Charles Altieri (2013). Wallace Stevens and the Demands of Modernity: Toward a Phenomenology of Value. Cornell University Press.
    Stevens and the phenomenology of value : philosophical poetry and the demands of modernity -- Harmonium as a modernist text -- Ghostlier demarcations, keener sounds : the parts negation plays in developing a new poetic -- How Stevens uses the grammar of as -- Aspectual thinking -- Stevens' tragic mode : why the angel must disappear in Angel surrounded by paysans -- Aspect-seeing and its implications in The rock.
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1 — 50 / 5566