This category needs an editor. We encourage you to help if you are qualified.
Volunteer, or read more about what this involves.
Related categories
Siblings:History/traditions: Poetry
317 found
Search inside:
(import / add options)   Sort by:
1 — 50 / 317
  1. Mathew Abbott (2010). The Poetic Experience of the World. International Journal of Philosophical Studies 18 (4):493-516.
    In this article I develop Heidegger's phenomenology of poetry, showing that it may provide grounds for rejecting claims that he lapses into linguistic idealism. Proceeding via an analysis of the three concepts of language operative in the philosopher's work, I demonstrate how poetic language challenges language's designative and world-disclosive functions. The experience with poetic language, which disrupts Dasein's absorption by emerging out of equipmentality in the mode of the broken tool, brings Dasein to wonder at the world's existence in such (...)
    Remove from this list | Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  2. Richard L. Admussen (1968). Nord-Sud and Cubist Poetry. Journal of Aesthetics and Art Criticism 27 (1):21-25.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  3. Peter J. Ahrensdorf (2009). Greek Tragedy and Political Philosophy: Rationalism and Religion in Sophocles' Theban Plays. Cambridge University Press.
    Oedipus the tyrant and the limits of political rationalism -- Blind faith and enlightened statesmanship in Oedipus at colonus -- The pious heroism of Antigone -- Conclusion: Nietzsche, Plato, and Aristotle on philosophy and tragedy.
    Remove from this list | Direct download  
     
    My bibliography  
     
    Export citation  
  4. Keimpe Algra, M. H. Koenen & P. H. Schrijvers (eds.) (1997). Lucretius and His Intellectual Background: [Proceedings of the Colloquium, Amsterdam, 26-28 June 1996]. Koninklijke Nederlandse Adademie Van Wetenschappen.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  5. Travis T. Anderson (1996). Through Phenomenology to Sublime Poetry: Martin Heidegger on the Decisive Relation Between Truth and Art. Research in Phenomenology 26 (1):198-229.
    Remove from this list | Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  6. Alan Apperley (2006). Dylan and Cohen: Poets of Rock and Roll. Contemporary Political Theory 5 (3):342.
    Remove from this list | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  7. Aristotle, Aristotle on the Art of Poetry.
    Remove from this list | Direct download  
     
    My bibliography  
     
    Export citation  
  8. Aristotle, Aristotle's Theory of Poetry and Fine Art with a Critical Text and Translation of the Poetics.
  9. Aristotle (1957). Aristotle's Politics and Poetics. Viking Press.
  10. David Armstrong (ed.) (2004). Vergil, Philodemus, and the Augustans. University of Texas Press.
    The Epicurean teacher and poet Philodemus of Gadara (c. 110-c. 40/35 BC) exercised significant literary and philosophical influence on Roman writers of the Augustan Age, most notably the poets Vergil and Horace. Yet a modern appreciation for Philodemus' place in Roman intellectual history has had to wait on the decipherment of the charred remains of Philodemus' library, which was buried in Herculaneum by the eruption of Vesuvius in 79 AD. As improved texts and translations of Philodemus' writings have become available (...)
    Remove from this list | Direct download  
     
    My bibliography  
     
    Export citation  
  11. Willard E. Arnett (1956). Poetry and Science. Journal of Aesthetics and Art Criticism 14 (4):445-452.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  12. Robin Attfield (2009). Philosophy on Poetry, Philosophy in Poetry. In Jinfen Yan & David E. Schrader (eds.), Creating a Global Dialogue on Value Inquiry: Papers From the Xxii Congress of Philosophy (Rethinking Philosophy Today). Edwin Mellen Press. 13-19.
    The relations of philosophy and poetry include but are not exhausted by Plato’s hostility to mimetic poetry in the Republic and Aristotle’s defence of it in the Poetics. For poetry has often carried a philosophical message itself, from the work of Chaucer and Milton to that of T.S. Eliot. In yet earlier generations, poetry was chosen as the medium for conveying a philosophical message by (among Greek philosophers) Xenophanes, Parmenides and Empedocles, and (at Rome) by Lucretius, who struggled both with (...)
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  13. Babette Babich (2006). Words in Blood, Like Flowers: Philosophy and Poetry, Music and Eros in Hölderlin, Nietzsche, and Heidegger. State University of New York Press..
    A section on PHILOSOPHY, PHILOLOGY, POETRY, includes, among others, Ch. 1: Philosophy and the Poetic Eros of Thought; Ch. 2: Philology and Aphoristic Style: Rhetoric, Sources, and Writing in Blood; Ch 3. The Birth of Tragedy: Lyric Poetry and the Music of Words
    as well as a section on MUSIC, PAIN, EROS includes: Ch. 6: Philosophy as Music; Ch. 7. Songs of the Sun: Hölderlin in Venice; Ch. 8: On Pain and Tragic Joy: Nietzsche and Hölderlin
    And the final section (...)
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  14. Delia Salter Bacon (1857/1970). The Philosophy of the Plays of Shakespeare Unfolded. Ams Press.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  15. Alain Badiou (2005). Handbook of Inaesthetics. Stanford University Press.
    Didacticism, romanticism, and classicism are the possible schemata for the knotting of art and philosophy, the third term in this knot being the education of subjects, youth in particular. What characterizes the century that has just come to a close is that, while it underwent the saturation of these three schemata, it failed to introduce a new one. Today, this predicament tends to produce a kind of unknotting of terms, a desperate dis-relation between art and philosophy, together with the pure (...)
    Remove from this list | Direct download  
     
    My bibliography  
     
    Export citation  
  16. John Ross Baker (1981). Poetry and Language in Shelley's Defence of Poetry. Journal of Aesthetics and Art Criticism 39 (4):437-449.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  17. Kevin Barry (1987). Language, Music, and the Sign: A Study in Aesthetics, Poetics, and Poetic Practice From Collins to Coleridge. Cambridge University Press.
    Originally published in 1987, this book forms a conceptual account of the relationship between music and poetry in the late eighteenth and early nineteenth ...
    Remove from this list | Direct download  
     
    My bibliography  
     
    Export citation  
  18. M. Pabst Battin (1977). Plato on True and False Poetry. Journal of Aesthetics and Art Criticism 36 (2):163-174.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  19. Alexander Gottlieb Baumgarten (1735/1954). Reflections on Poetry. Berkeley, University of California Press.
    Remove from this list | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  20. Jim P. Behuniak (1998). Poem as Proposition in the Analects: A Whiteheadian Reading of a Confucian Sensibility. Asian Philosophy 8 (3):191 – 202.
    I suggest that ubiquitous references made by Confucius to poetic songs in the Analects reveal an important aspect of his philosophy. This aspect involves the assumption that things in the world “resonate” with one another. Using elements of Alfred North Whitehead's thought, as well as metaphysical insights from the Han Dynasty text, Huainanzi, I first present an aesthetic theory along with a supporting cosmological vision that enhances our appreciation of this trait in the Confucian world. With these preliminaries in mind, (...)
    Remove from this list | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  21. Frederick C. Beiser (2005). Schiller as Philosopher: A Re-Examination. Oxford University Press.
    Fred Beiser, renowned as one of the world's leading historians of German philosophy, presents a brilliant new study of Friedrich von Schiller (1759-1805), rehabilitating him as a philosopher worthy of serious attention. Beiser shows, in particular, that Schiller's engagement with Kant is far more subtle and rewarding than is often portrayed. Promising to be a landmark in the study of German thought, Schiller as Philosopher will be compulsory reading for any philosopher, historian, or literary scholar engaged with the key developments (...)
    Remove from this list | Direct download  
     
    My bibliography  
     
    Export citation  
  22. Seth Benardete (2000). The Argument of the Action: Essays on Greek Poetry and Philosophy. University of Chicago Press.
    This volume brings together Seth Benardete's studies of Hesiod's Theogony, Homer's Iliad, and Greek tragedy, of eleven Platonic dialogues, and Aristotle's Metaphysics. These essays, some never before published, others difficult to find, span four decades of his work and document its impressive range. Benardete's philosophic reading of the poets and his poetic reading of the philosophers share a common ground that makes this collection a whole. The key, suggested by his reflections on Leo Strauss in the last piece, lies in (...)
    Remove from this list | Direct download  
     
    My bibliography  
     
    Export citation  
  23. Charles Berger (1996). Reading as Poets Read: Following Mark Strand. Philosophy and Literature 20 (1):177-188.
    Remove from this list | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  24. Henri Bergson (1959). The Philosophy of Poetry: The Genius of Lucretius. New York, Philosophical Library.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  25. Richard Berkeley (2007). Coleridge and the Crisis of Reason. Palgrave.
    Coleridge and the Crisis of Reason examines Coleridge's understanding of the Pantheism Controversy - the crisis of reason in German philosophy - and reveals the context informing Coleridge's understanding of German thinkers. It challenges previous accounts of Coleridge's philosophical engagements, forcing a reconsideration of his reading of figures such as Schelling, Jacobi and Spinoza. This exciting new study establishes the central importance of the contested status of reason for Coleridge's poetry, accounts of the imagination and later religious thought.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  26. Arun Kumar Bhattacharya (1974). Dimensions: Philosophical Essays on the Nature of Music and Poetry. K. P. Bagchi on Behalf of Uttarsuri.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  27. Martin Bidney (1988). Blake and Goethe: Psychology, Ontology, Imagination. University of Missouri Press.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  28. William John Birch (1848/1972). An Inquiry Into the Philosophy and Religion of Shakespeare. Haskell House Publishers.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  29. David Blank (2009). Philosophia and Techne: Epicureans on the Arts. In James Warren (ed.), The Cambridge Companion to Epicureanism. Cambridge University Press. 216.
  30. Haskell M. Block (1959). Surrealism and Modern Poetry: Outline of an Approach. Journal of Aesthetics and Art Criticism 18 (2):174-182.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  31. Gene Blocker (1970). The Meaning of a Poem. British Journal of Aesthetics 10 (4):337-343.
    Remove from this list | Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  32. George Boas (1932). Philosophy and Poetry. Norton, Mass.,Wheaton College Press.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  33. Maud Bodkin (1951/1977). Studies of Type-Images in Poetry, Religion, and Philosophy. R. West.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  34. Joseph Bottum (1995). Poetry and Metaphysics. Philosophy and Literature 19 (2):214-226.
    Remove from this list | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  35. A. C. Bradley (1909/1977). English Poetry and German Philosophy in the Age of Wordsworth. R. West.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  36. Gregory Brazeal (2006). The Alleged Pragmatism of T. S. Eliot. Philosophy and Literature 30 (1):248-264.
    Remove from this list | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  37. Franz Brentano (1899). Dichtung und Weisheit. In August Ströbel (ed.), Goethe-Festschrift zum 150. Lese- und Redehalle.
    Remove from this list |
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  38. J. Bright-Fey (1998). Mystique Poetica: Living Philosophy Through Revealed Wisdom. Rubrica Press.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  39. David Bromwich (2002). Love Against Revenge in Shelley's. Philosophy and Literature 26 (2).
    Remove from this list | Direct download  
     
    My bibliography  
     
    Export citation  
  40. Yigal Bronner (1998). Double-Bodied Poet, Double-Bodied Poem. Journal of Indian Philosophy 26 (3):233-261.
    Remove from this list | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  41. Daniel Brown (1997). Hopkins' Idealism: Philosophy, Physics, Poetry. Oxford University Press.
    Hopkins' Idealism provides a thorough re-examination of the nineteenth-century poet Gerard Manley Hopkins (1844-1889), whose early writings on philosophy have to date received little critical attention. It is the first full-length study of Hopkins' largely unpublished Oxford undergraduate essays and notes on philosophy and mechanics. The volume also offers radical new readings of some of Hopkins' best-known poems.
    Remove from this list | Direct download  
     
    My bibliography  
     
    Export citation  
  42. John E. Brown (1951). Neo-Platonism in the Poetry of William Blake. Journal of Aesthetics and Art Criticism 10 (1):43-52.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  43. Merle Brown (1979). Intuition and Perception in the Poetry of Charles Tomlinson. Journal of Aesthetics and Art Criticism 37 (3):277-293.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  44. Gerald L. Bruns (2006). On the Anarchy of Poetry and Philosophy: A Guide for the Unruly. Fordham University Press.
    Marcel Duchamp once asked whether it is possible to make something that is not a work of art. This question returns over and over in modernist culture, where there are no longer any authoritative criteria for what can be identified (or excluded) as a work of art. As William Carlos Williams says, “A poem can be made of anything,” even newspaper clippings.At this point, art turns into philosophy, all art is now conceptual art, and the manifesto becomes the distinctive genre (...)
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  45. Gerald L. Bruns (2006). Review of Simon Critchley, Things Merely Are: Philosophy in the Poetry of Wallace Stevens. [REVIEW] Notre Dame Philosophical Reviews 2006 (2).
    Remove from this list | Direct download  
     
    My bibliography  
     
    Export citation  
  46. Gerald L. Bruns (1974/2001). Modern Poetry and the Idea of Language: A Critical and Historical Study. Dalkey Archive Press.
    Bruns lucidly depicts the distinctions and convergences between these two lines of thought by examining the works of Mallarme, Flaubert, Joyce, Beckett, and ...
    Remove from this list | Direct download  
     
    My bibliography  
     
    Export citation  
  47. Malcolm Budd (1996). Values of Art: Pictures, Poetry, and Music. Penguin Books.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  48. Ann Bugliani (1999). The Instruction of Philosophy and Psychoanalysis by Tragedy: Jacques Lacan and Gabriel Marcel Read Paul Claudel. International Scholars Publications.
    Remove from this list |
     
    My bibliography  
     
    Export citation  
  49. Rex Butler (2006). Dylan and Cohen: Poets of Rock and Roll. Contemporary Political Theory 5 (3):342-346.
    Remove from this list | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  50. Lluís Cabré (1996). Aristotle for the Layman: Sense Perception in the Poetry of Ausiàs March. Journal of the Warburg and Courtauld Institutes 59:48-60.
    Remove from this list | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
1 — 50 / 317