This is the long-awaited publication of a set of writings by the British philosopher, historian, and archaeologist R.G. Collingwood (1889-1943) on critical, anthropological, and cultural themes only hinted at in his previously available work. At the core are six essays on folktale and magic in which Collingwood applies the principles of his philosophy of history to problems in the long-term evolution of human society and culture. The volume opens with three substantial introductory essays by the editors, authorities in their various (...) fields, who provide their explanatory and contextual notes to guide the reader through the texts. The Philosophy of Enchantment highlights the broad range of Collingwood's intellectual engagements, their integration, and their relevance to current areas of debate in the fields of philosophy, cultural studies, social and literary history, and anthropology. (shrink)

Published here for the first time is much of a final and long-anticipated work on philosophy of history by the great Oxford philosopher and historian R. G. Collingwood. The original text of this uncompleted work has only recently been discovered. It is accompanied by further, shorter writings on historical knowledge and inquiry. A lengthy editorial introduction sets these writings in their context, and discusses philosophical questions to which they give rise.

Collingwood published this article the same year that he published his first book on Aesthetics: "Outlines of a Philosophy of Art". The article can be divided in two main sections. In the first one Collingwood defends the existence of a Philosophy of Art in Plato's Republic, in close relation to the theory of reality expounded by Plato in the Book. From Collingwood's point of view, Plato understood art as "an appearance of an appearance", closely related to imagination, and as a (...) symbol of truth. The second section is a critique of Plato's conception previously presented from Collingwood's own perspective. (shrink)

Davidson's seminal essay "Actions, Reasons and Causes" brought about a paradigm shift in the theory of action. Before Davidson the consensus was that the fundamental task of a theory of action was to elucidate the concept of action and event explanation. The debate concerning the nature of action explanation thus took place primarily in the philosophy of history and social science and was focussed on purely methodological issues. After Davidson it has been assumed that the fundamental challenge for the theory (...) of action is to answer not the conceptual question "what does it mean to explain something as an action?", but a metaphysical question, namely, "how is causal over-determination by the mental and the physical possible?". I argue that the two main considerations Davidson provides for construing the question posed by the action/event distinction in metaphysical rather than conceptual terms are inconclusive and that much is to be learned from the conceptual approach championed by Collingwood and Dray in the context of their philosophy of history. (shrink)

This paper defends an idealist form of non-reductivism in the philosophy of mind. I refer to it as a kind of conceptual dualism without substance dualism. I contrast this idealist alternative with the two most widespread forms of non-reductivism: multiple realisability functionalism and anomalous monism. I argue first, that functionalism fails to challenge seriously the claim for methodological unity since it is quite comfortable with the idea that it is possible to articulate a descriptive theory of the mind. Second, that (...) as an attempt to graft conceptual mind-body dualism onto a monistic metaphysics, the idealist alternative bears some similarities to anomalous monism, but that it is superior to it because it is not vulnerable to the charge of epiphenomenalism. I conclude that this idealist alternative should be given serious consideration by those who remain unconvinced that a successful defence of the non-reducibility of the mental is compatible with the pursuit of a naturalistic agenda. (shrink)

This paper argues that Collingwood's philosophy of mind offers an interesting and compelling account of the nature of the mind and of the irreducibility of the mental, an account whose viability and relevance to contemporary debates ought to be given serious consideration. I suggest that the reason why Collingwood's contribution to the philosophy of mind has been neglected is due to the fact that his philosophy of mind is widely, even if mistakenly, regarded as the target of Ryle's attacks on (...) the dogma of the ghost in the machine and proceed to undermine the assumption that Collingwood is a twentieth century adherent of the dogma. (shrink)

Even if we reject the Wollheimian reading of Collingwood as an Idealist in the ontology of art, it remains puzzling how his non-Idealist ontology fits with his idea of art as expression. In trying to clarifying these matters, I argue that (i) the work of art, for Collingwood, is an activity, not the product of an activity; (ii) puzzling features of the Principles arise from attempts to reconcile this claim with the idea of art as expression while preserving the art/craft (...) distinction; and (iii) Collingwood's principal concern in the Principles is with the role of imagination in experience. CiteULike Connotea Del.icio.us What's this? (shrink)

is the expression of emotion—a much-criticized view. I attempt to provide some groundwork for a defensible modern version of such a theory via some novel further criticisms of Collingwood, including the exposure of multiple ambiguities in his main concept of expression of emotion, and a demonstration that, surprisingly enough, his view is unable to account for genuinely creative artistic activities. A key factor in the reconstruction is a replacement of the concept of expression with that of interpretation: what artists do (...) is to interpret, rather than express, their initial emotions, in creative ways that may go far beyond their initial impulses. Thus more broadly the paper attempts to show that the concept of interpretation is just as central to understanding artistic creativity as it is in the analysis of the critical appreciation of artworks. (shrink)

This paper seeks to explain why mainstream analytic philosophy lost interest in the philosophy of history. It suggests that the reasons why the philosophy of history no longer commands the attention of mainstream analytical philosophy may be explained by the success of an ontological backlash against the linguistic turn and a view of philosophy as a form of conceptual analysis. In brief I argue that in the 1950s and 1960s the philosophy of history attracted the interest of mainstream analytical philosophers (...) because the defence of the autonomy of historical explanation championed by the likes of Collingwood, Dray, Melden, Winch, Von Wright and others was in tune with the predominant conception of philosophy as a conceptual enterprise concerned primarily with clarifying different explanatory practices. As this conception of philosophy as an essentially conceptual enterprise became recessive, the purely methodological non-reductivism advocated by defenders of the autonomy of history was accused of ontological escapism and the discussion concerning the autonomy of psychological explanations became the province of the philosophy of mind and action. (shrink)

One of the main functions that introductory chemistry courses havefulfilled during the past century has been to provide evidence for the generalvalidity of 'the atomic hypothesis.' A second function has been to demonstratethat an analytical approach has wide applicability in rationalizing many kindsof phenomena. Following R.G. Collingwood, these two functions can be recognizedas related to a philosophical 'cosmology' (worldview, weltanshauung) thatbecame dominant in the late Renaissance. Recent developments in many areasof science, and in chemistry, have emphasized the central importance of (...) understandingsynthetic, developmental, and evolutionary aspects of nature. This paperargues that these scientific developments, and changes in other aspects of culture,amount to a widespread shift to an alternative cosmology, a quite different generalworldview. To the extent that this is the case, introductory chemistry coursesought to be changed in fundamental ways. Rather than having a main focus onanalysis to microscopic components, introductory chemistry instruction shouldemphasize current scientific understanding of the (synthetic) evolutionary originsof the present world. This altered approach would provide good preparation forfuture professional work, while also making better contact with the perceivedconcerns of students. (shrink)

It is sometimes suggested that Collingwood's philosophy of history is decidedly anti-naturalist and argues for a complete separation between history and the natural sciences. The purpose of this paper is to examine this suggestion and to argue that Collingwood's conception of the relationship between history and natural sciences is much more subtle and nuanced than such a view would allow for. In fact, there is little in Collingwood to offend contemporary naturalistic sensibilities reasonably construed. The impression that Collingwood's views are (...) incompatible with naturalism stems, in part, from an overly Kantian interpretation of the idea of rationality, as applied to historical agents, in terms of transcendentally fixed norms. This difficulty, however, does not arise if we opt for a more Hegelian interpretation of rationality in terms of continuity in thought, which Collingwood himself seemed to favor. Examining Collingwood's pronouncements on these topics leads one to the conclusion that, while objecting to the excesses of early naturalism, Collingwood saw no insurmountable obstacles to the reconciliation of science and history and their potential collaboration in some areas. (shrink)

Why should modern philosophers read the works of R. G. Collingwood? His ideas are often thought difficult to locate in the main lines of development taken by twentieth-century philosophy. Some have read Collingwood as anticipating the later Wittgenstein, others have concentrated exclusively on the internal coherence of his thought. This work aims to introduce Collingwood to contemporary students of philosophy through direct engagement with his arguments. It is a conversation with Collingwood that takes as its subject matter the topics that (...) interested him 'philosophy and method, philosophy of mind, language and logic, the historical imagination, art and expression, action, metaphysics and life' and which still preoccupy us today. --the first introductory book on this major modern philosopher --includes critical investigation of his thought --there is no similar work available. (shrink)

This paper argues that the identity of history as a discipline derives from its distinctive combination of intellectual assumptions, or categories. Many of these categories are shared with other fields of thought, including science, literature, and common sense, but in history are understood in a unique way. This paper first examines the general notion of categories of historical understanding, then scrutinises some of the specific categories suggested by classic authors on the philosophy of history such as Dilthey and Collingwood. More (...) recent works by Goldstein, Oakeshott, Bevir, and Tucker are treated as contributions to the same discussion. It concludes that the various categories these writers have proposed are neither trivial nor incompatible and that when collated they do indeed compose a framework capable of characterising historical thought. (shrink)