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  1. Alison Bailey & Jacquelyn N. Zita (2007). The Reproduction of Whiteness: Race and the Regulation of the Gendered Body. Hypatia 22 (2).
    Historically critical reflection on whiteness in the United States has been a long-standing practice in slave folklore and in Mexican resistance to colonialism, Asian American struggles against exploitation and containment, and Native American stories of contact with European colonizers. Drawing from this legacy and from the disturbing silence on "whiteness" in postsecondary institutions, critical whiteness scholarship has emerged in the past two decades in U.S. academies in a variety of disciplines. A small number of philosophers, critical race theorists, postcolonial theorists, (...)
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  2. Maria del Guadalupe Davidson, Kathryn T. Gines & Donna-Dale L. Marcano (eds.) (2010). Convergences: Black Feminism and Continental Philosophy. SUNY Press.
    A range of themes—race and gender, sexuality, otherness, sisterhood, and agency—run throughout this collection, and the chapters constitute a collective discourse at the intersection of Black feminist thought and continental philosophy, converging on a similar set of questions and concerns. These convergences are not random or forced, but are in many ways natural and necessary: the same issues of agency, identity, alienation, and power inevitably are addressed by both camps. Never before has a group of scholars worked together to examine (...)
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  3. Lauren Freeman (2011). The Center Must Not Hold: White Women Philosophers on the Whiteness of Philosophy. Edited by George Yancy. Hypatia 26 (2):438-445.
  4. Lewis Gordon (2011). Falguni A. Sheth: Toward a Political Philosophy of Race. [REVIEW] Continental Philosophy Review 44 (1):119-130.
  5. Janell Hobson (2003). The "Batty" Politic: Toward an Aesthetics of the Black Female Body. Hypatia 18 (4):87-105.
    : I assess representations of black women's derrières, which are often depicted as grotesque, despite attempts by some black women artists to create a black feminist aesthetic that recognizes the black female body as beautiful and desirable. Utilizing a black feminist disability theory, I revisit the history of the Hottentot Venus, which contributed to the shaping of this representational trope, and I identify a recurring struggle among these artists to recover the "unmirrored" black female body.
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  6. Erin C. Tarver (2011). Rethinking Intersectionality: Michelle Obama, Presumed Subjects and Constitutive Privilege. PhiloSOPHIA 1 (2):150-172.
  7. Thomas E. Wartenberg (1990). Comments on Appiah and Lugones. Journal of Philosophy 87 (10):508-509.