Distinguishing the Senses
Vision
- Paul M. Churchland (1995). Machine Stereopsis: A Feedforward Network for Fast Stereo Vision with Movable Fusion Plane. In Android Epistemology. Cambridge: MIT Press.
- Austen Clark (1996). Three Varieties of Visual Field. Philosophical Psychology 9:477-95.
- John B. Dilworth (2002). Varieties of Visual Representation. Canadian Journal of Philosophy 32 (2):183-206.
- B. A. Farrell (1977). On the Psychological Explanation of Visual Perception. Synthese 35 (3).
- Christopher S. Hill, Visual Awareness and Visual Qualia.
- James H. Hyslop (1888). On Wundt's Theory of Psychic Synthesis in Vision. Mind 13 (52):499-526.
- Robert Jütte (2005). A History of the Senses: From Antiquity to Cyberspace. Polity.
- Tomis Kapitan (1998). Vision, Vector, Veracity. In Christian Strub (ed.), Blick Und Bild. Wilhelm Fink Verlag.
- Simo Knuuttila & Pekka Kärkkäinen (eds.) (2008). Theories of Perception in Medieval and Early Modern Philosophy. Springer.
- Mohan Matthen (2007). Defining Vision: What Homology Thinking Contributes. Biology and Philosophy 22 (5).
- Boyd Millar (2006). The Conflicted Character of Picture Perception. Journal of Aesthetics and Art Criticism 64 (4):471–477.
- Richard Montgomery (1989). Discrimination, Reidentification and the Indeterminacy of Early Vision. Noûs 23 (September):413-435.
- Christopher New (1976). Look, No Eyes. Analysis 36 (March):137-141.
- Michael Pace (2007). Blurred Vision and the Transparency of Experience. Pacific Philosophical Quarterly 88 (3):328–354.
- F. R. Pickering (1975). Is Light the Proper Object of Vision? Mind 84 (January):119-121.
- Dan Ryder, Explaining the "Inhereness" of Qualia Representationally: Why We Seem to Have a Visual Field.
- Eric Schwitzgebel, When Our Eyes Are Closed, What, If Anything, Do We Visually Experience?
- Barry Smith (1999). Truth and the Visual Field. In Jean Petitot (ed.), Naturalizing Phenomenology. Stanford: Stanford University Press.
Other Sensory Modalities
- David M. Armstrong (1963). Vesey on Sensations of Heat. Australasian Journal of Philosophy 41 (December):359-362.
- Mark DeBellis (1991). The Representational Content of Musical Experience. Philosophy and Phenomenological Research 51 (June):303-24.
- Nicholas Humphrey (2001). Doing It My Way: Sensation, Perception – and Feeling Red. Behavioral and Brain Sciences 24 (5):987-987.
- Simo Knuuttila & Pekka Kärkkäinen (eds.) (2008). Theories of Perception in Medieval and Early Modern Philosophy. Springer.
- Fiona Macpherson (1999). Perfect Pitch and the Content of Experience. Philosophy and Anthropology 3 (2).
- Filip Mattens (2009). Perception, Body, and the Sense of Touch: Phenomenology and Philosophy of Mind. Husserl Studies 25 (2).
- Mohan Matthen, Auditory Objects.
- Edmund Montgomery (1885). Space and Touch, I. Mind 10 (38):227-244.
- Edmund Montgomery (1885). Space and Touch, II. Mind 10 (39):377-398.
- Casey O'Callaghan, Pitch.
- Casey O'Callaghan (2009). Audition. In John Symons & Paco Calvo (eds.), The Routledge Companion to Philosophy of Psychology.
- Casey O'Callaghan (2009). Introduction: The Philosophy of Sounds and Auditory Perception. In Matthew Nudds & Casey O'Callaghan (eds.), Sounds and Perception: New Philosophical Essays. Oxford University Press.
- Casey O'Callaghan (2009). Sounds. In Timothy J. Bayne, Axel Cleeremans & P. Wilken (eds.), Oxford Companion to Consciousness. Oup.
- Casey O'Callaghan (2009). The World of Sound. The Philosophers' Magazine.
- Casey O'Callaghan (2007). Sounds: A Philosophical Theory. Oxford University Press.
- Howard L. Rolston (1965). Kinaesthetic Sensations Revisited. Journal of Philosophy 62 (February):96-100.
- M. Scott (2001). Tactual Perception. Australasian Journal of Philosophy 79 (2):149-160.
- Roger A. Shiner (1979). Sense-Experience, Colours and Tastes. Mind 88 (April):161-178.
- Roy A. Sorensen (2008). Seeing Dark Things: The Philosophy of Shadows. Oxford University Press.
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