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Material to categorize
- Lars Aagaard-Mogensen (1982). Arts and Ends. Journal of Aesthetics and Art Criticism 41 (2):215-217.
- A. Berleant (1978). Aesthetic Paradigms for an Urban Ecology. Diogenes 26 (103):1-28.
- Brian Bruya (2004). Aesthetic Spontaneity: A Theory of Action Based on Affective Responsiveness. Dissertation, University of Hawai'i
- Brian Bruya (2002). Chaos as the Inchoate: The Early Chinese Aesthetic of Spontaneity. In Grazia Marchianò (ed.), Aesthetics & Chaos: Investigating a Creative Complicity.
- Thomas Richard Fahy (2010). The Philosophy of Horror. University Press of Kentucky.
- Peter Gena (forthcoming). Apropos Sonification: A Broad View of Data as Music and Sound. AI and Society:-.
- K. E. Gover (2011). Artistic Freedom and Moral Rights in Contemporary Art: The Mass MoCA Controversy. Journal of Aesthetics and Art Criticism 69 (4):355-365.
- Lisa Heldken (2002). Book Review: Carolyn Korsmeyer. Making Sense of Taste. Ithaca: Cornell University Press, 1999. Hypatia 17 (3):283-286.
- Horace Meyer Kallen (1913). Art, Philosophy, and Life. International Journal of Ethics 24 (1):37-54.
- Andrew Mcgonigal (2011). Philosophical Perspectives on Art by Davies, Stephen. Journal of Aesthetics and Art Criticism 69 (2):231-233.
- Danièle Moyal-Sharrock (2009). The Fiction of Paradox: Really Feeling for Anna Karenina. In Ylva Gustafsson, Camilla Kronqvist & Michael McEachrane (eds.), Emotions and Understanding: Wittgensteinian Perspectives. Palgrave Macmillan.
- Amy Mullin (1996). Art, Politics and Knowledge: Feminism, Modernity, and the Separation of Spheres. Metaphilosophy 27 (1-2):118-145.
- Hilary Radner (2003). Book Review: Cynthia A. Freeland. The Naked and the Undead: Evil and the Appeal of Horror. Boulder: Westview Press. 2000. Hypatia 18 (2):215-222.
- Aaron Smuts (2010). The Ghost is the Thing: Can Fiction Reveal Audience Belief? Midwest Studies in Philosophy 34 (1):219-239.
- R. Stecker (2011). Should We Still Care About the Paradox of Fiction? British Journal of Aesthetics 51 (3):295-308.
- Rudolf Arnheim (1996). Beauty as Suitability. Journal of Aesthetics and Art Criticism 54 (3):251-253.
- Malcolm Budd (2006). The Characterization of Aesthetic Qualities by Essential Metaphors and Quasi-Metaphors. British Journal of Aesthetics 46 (2):133-143.
- Rafael De Clercq (2005). The Aesthetic Peculiarity of Multifunctional Artefacts. British Journal of Aesthetics 45 (4):412-425.
- Alan H. Goldman (1990). Aesthetic Qualities and Aesthetic Value. Journal of Philosophy 87 (1):23-37.
- Göran Hermerén (1973). Aesthetic Qualities, Value and Emotive Meaning. Theoria 39 (1-3):71-100.
- Peter Kivy (1968). Aesthetic Aspects and Aesthetic Qualities. Journal of Philosophy 65 (4):85-93.
- Thomas Leddy (1995). Everyday Surface Aesthetic Qualities: "Neat," "Messy," "Clean," "Dirty". Journal of Aesthetics and Art Criticism 53 (3):259-268.
- Jerrold Levinson (1984). Aesthetic Supervenience. Southern Journal of Philosophy 22 (S1):93-110.
- Richard Lind (1985). A Microphenomenology of Aesthetic Qualities. Journal of Aesthetics and Art Criticism 43 (4):393-403.
- Jeffrey Olen (1977). Theories, Interpretations, and Aesthetic Qualities. Journal of Aesthetics and Art Criticism 35 (4):425-431.
- Glenn Parsons (2008). Functional Beauty. Oxford University Press.
- Iuliana Corina Vaida (1998). The Quest for Objectivity: Secondary Qualities and Aesthetic Qualities. Journal of Aesthetics and Art Criticism 56 (3):283-297.
Style
- Joseph Anthony Amato (1990). Victims and Values: A History and a Theory of Suffering. Greenwood Press.
- Antony Aumann, Aesthetic Value, Cognitive Value, and the Border Between.
- Antony Aumann, The Trouble with Paraphrasing Kierkegaard.
- Antony Aumann (forthcoming). On the Cognitive Value of Literature: The Case of Nietzsche’s Genealogy. Journal of Nietzsche Studies.
- Antony Aumann (2010). Kierkegaard on Indirect Communication, the Crowd, and a Monstrous Illusion. In Robert L. Perkins (ed.), International Kierkegaard Commentary: Point of View. Mercer University Press.
- Antony Aumann (2008). Kierkegaard on the Need for Indirect Communication. Dissertation, Indiana University
- Luc Boltanski (1999). Distant Suffering: Morality, Media, and Politics. Cambridge University Press.
- Fernando Escalante Gonzalbo (2006). In the Eyes of God: A Study on the Culture of Suffering. University of Texas Press, Teresa Lozano Long Institute of Latin American Studies.
- Berel Lang (1987). The Concept of Style. Cornell University Press.
- Richard Shusterman (2011). Somatic Style. Journal of Aesthetics and Art Criticism 69 (2):147-159.
- Caroline van Eck, James McAllister & Renée van de Vall (1995). The Question of Style in Philosophy and the Arts. Cambridge University Press.
The Sublime
- Uygar Abaci (2010). Artistic Sublime Revisited: Reply to Robert Clewis. Journal of Aesthetics and Art Criticism 68 (2):170-173.
- Andrew Ashfield & Peter De Bolla (1996). The Sublime: A Reader in British Eighteenth-Century Aesthetic Theory. Cambridge University Press.
- Karl Axelsson (2007). The Sublime: Precursors and British Eighteenth Century Conceptions. Lang.
- Robert R. Clewis (2010). A Case for Kantian Artistic Sublimity: A Response to Abaci. Journal of Aesthetics and Art Criticism 68 (2):167-170.
- Clayton Crockett (2001). A Theology of the Sublime. Routledge.
- C. E. Emmer (2008). Crowther and the Kantian Sublime in Art. In Valerio Rohden, Ricardo R. Terra & Guido A. de Almeida (eds.), Recht und Frieden in der Philosophie Kants: Akten des X. Internationalen Kant-Kongresses [Right and Peace in Kant's Philosophy: Proceedings of the 10th International Kant Congress] 5 vols. Walter de Gruyter.
- C. E. Emmer (2001). The Senses of the Sublime: Possibilities for a Non-Ocular Sublime in Kant's Critique of Judgment. In Volker Gerhardt, Rolf Horstmann & Ralph Schumacher (eds.), Kant und die Berliner Aufklärung: Akten des IX. Internationalen Kant-Kongresses, Vol. 3. Walter de Gruyter.
- Bonnie Mann (2006). Women's Liberation and the Sublime: Feminism, Postmodernism, Environment. Oxford University Press.
- John Marmysz (2003). Laughing at Nothing: Humor as a Response to Nihilism. SUNY Press.
- John Marmysz (2001). Humor, Sublimity and Incongruity. Consciousness, Literature and the Arts 2 (3).
- Philip Shaw (2006). The Sublime. Routledge.
- Lap-Chuen Tsang (1998). The Sublime: Groundwork Towards a Theory. University of Rochester Press.
- Luke White & Claire Pajaczkowska (2009). The Sublime Now. Cambridge Scholars.
- Joanna Zylinska (2001). On Spiders, Cyborgs, and Being Scared: The Feminine and the Sublime. Manchester University Press.
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