Fictional truth is commonly analyzed in terms of the speech acts or propositional attitudes of a teller. In this paper, I investigate Lewis’s counterfactual analysis in terms of felicitous narrator assertion, Currie’s analysis in terms of fictional author belief, and Byrne’s analysis in terms of ideal author invitations to make-believe—and find them all lacking. I propose instead an analysis in terms of the revelations of an infelicitous narrator.

Numbers -- Hallucinations -- Fictions -- Scientific languages, ontology, and truth -- Truth conditions and semantics.

Whatever the attractions of Tolkein's world, irrealists about fictions do not believe literally that Bilbo Baggins is a hobbit. Instead, irrealists believe that, according to The Lord of the Rings {Bilbo is a hobbit}. But when irrealists want to say something like “I am taller than Bilbo”, there is nowhere good for them to insert the operator “according to The Lord of the Rings”. This is an instance of the operator problem. In this paper, I outline and criticise Sainsbury's (2006) (...) spotty scope approach to the operator problem. Sainsbury treats the problem as syntactic, but the problem is ultimately metaphysical. (shrink)

We defend the view that an indexical uttered by an actor works on the model of deferred reference. If it defers to a character which does not exist, it is an empty term, just as ‘Hamlet’ and ‘Ophelia’ are. The utterance in which it appears does not express a proposition and thus lacks a truth value. We advocate an ontologically parsimonious, anti-realist, position. We show how the notion of truth in our use and understanding of indexicals (and fictional names) as (...) they appear within a fiction is not a central issue. We claim that our use and understanding of indexicals (and names) rests on the fact that their cognitive contribution is not exhausted by their semantic contribution. (shrink)

Fiction is often characterized by way of a contrast with truth, as, for example, in the familiar couplet “Truth is always strange/ Stranger than fiction" (Byron 1824). And yet, those who would maintain that “we will always learn more about human life and human personality from novels than from scientific psychology” (Chomsky 1988: 159) hold that some truth is best encountered via fiction. The scrupulous novelist points out that her work depicts no actual person, either living or dead; nonetheless, we (...) use names from fiction in ways that suggest that we take these names to refer. Philosophers who investigate fiction aim to reconcile such apparently incompatible phenomena, and, in general, to account for the myriad ways that we talk, think, and feel about fiction. (shrink)

David Lewis's approach to analysing truth in fiction, significantly amended by 'Postscripts' in 1983, has been widely criticized on three main grounds, and it seems fair to say that nearly every writer on the subject thinks that one of these grounds is sufficient to show that Lewis is mistaken. I argue that with some minor revision, Lewis's approach survives all extant objections. Indeed, I judge the Lewis approach to be even more successful than Lewis himself seems to think.

David Lewis's approach to analysing truth in fiction, significantly amended by 'Postscripts' in 1983, has been widely criticized on three main grounds, and it seems fair to say that nearly every writer on the subject thinks that one of these grounds is sufficient to show that Lewis is mistaken. I argue that with some minor revision, Lewis's approach survives all extant objections. Indeed, I judge the Lewis approach to be even more successful than Lewis himself seems to think.

I discuss Gregory Currie’s taxonomy of explanations of the fictional. On the one hand, there is an important kind of relation between internal and external explanations of some fictional truths that Currie leaves out, where both are salient and yet in a relation of harmony with each other. On the other hand, I do not see that he has established that there is a genuine relation of tension between some pairs of internal and external explanations, and thus I question the (...) usefulness of the category of collapse. I also consider a further kind of explanation: the exterior explanation. (shrink)

This is the second volume of philosophical essays by one of the most innovative and influential philosophers now writing in English. Containing thirteen papers in all, the book includes both new essays and previously published papers, some of them with extensive new postscripts reflecting Lewis's current thinking. The papers in Volume II focus on causation and several other closely related topics, including counterfactual and indicative conditionals, the direction of time, subjective and objective probability, causation, explanation, perception, free will, and rational (...) decision. Throughout, Lewis analyzes global features of the world in such a way as to show that they might turn out to supervene on the spatiotemporal arrangement of local qualities. (shrink)

The essays collected in this volume are all concerned with the connection between fiction and truth. This question is of utmost importance to metaphysics, philosophy of language, philosophical logic and epistemology, raising in each of these areas and at their intersections a large number of issues related to creation, existence, reference, identity, modality, belief, assertion, imagination, pretense, etc. All these topics and many more are addressed in this collection, which brings together original essays written from various points of view by (...) philosophers of diverse trends. These essays constitute major contributions to the current debates that the connection between truth and fiction continually enlivens, and give a sense of the directions in which research on this question is heading. Contributors: Fred Adams, Frederick Kroon, Robert Howell, Brendan Murday, Terence Parsons, Graham Priest, Erich Rast, Manuel Rebuschi, Marion Renauld, R.M. Sainsbury, Grant Tavinor, Alberto Voltolini. (shrink)

Some works of literature are compromised because their authors get the facts wrong. In other works deviations from the facts don’t seem to matter, and authors quite legitimately make things up. This paper gives an account of the various ways in which matters of fact can make a difference to the aesthetic value of works of literature. It concludes by showing how this account can be applied in determining when a concern with matters of fact is an important part of (...) literary criticism and when it is merely pedantic. (shrink)

I present a novel explanation of the apparent truth of certain remarks about fiction, such as an utterance of ''Salieri commissioned the Requiem'' during a discussion of the movie Amadeus. I criticize the traditional view, which alleges that the uttered sentence abbreviates the longer sentence ''it is true in the movie Amadeus that Salieri commissioned the Requiem''. I propose a solution which appeals to some independently motivated results concerning the contexts relevant for the semantic evaluation of indexical expressions.

The canonical version of possible worlds semantics for story prefixes is due to David Lewis. This paper reassesses Lewis's theory and draws attention to some novel problems for his account.

This paper argues that there is no genuine puzzle of ‘imaginative resistance’. In part 1 of the paper I argue that the imaginability of fictional propositions is relative to a range of different factors including the ‘thickness’ of certain concepts, and certain pre-theoretical and theoretical commitments. I suggest that those holding realist moral commitments may be more susceptible to resistance and inability than those holding non-realist commitments, and that it is such realist commitments that ultimately motivate the problem. However, I (...) argue that the relativity of imaginability is not a particularly puzzling feature of imagination. In part 2, I claim that it is the so-called ‘alethic’ puzzle, concerning fictional truth, which generates a real puzzle about imaginative resistance. However, I argue that the alethic puzzle itself depends on certain realist assumptions about the nature of fictional truth which are implausible and should be rejected in favour of an interpretive view of fictional truth. Once this is done, I contend, it becomes evident that the supposed problem of imaginative resistance as it has hitherto been discussed in the literature is not puzzling at all. (shrink)

In what follows, I will first try to show that both anti-realist and realist intensionalist truthconditional accounts of internal metafictional sentences (i.e., sentences of the form "in the story S, p") are unsatisfactory. Moreover, I will claim that this does not mean that propositional truthconditional accounts of those sentences are to be dispensed with; simply, one has to provide a non-intensionalist propositional truthconditional account of those sentences. Finally, I will show that this account is fully compatible with a realist interpretation (...) of those sentences' truthconditions according to which at least some of those sentences commit one to fictional entities. (shrink)

Theories that seek to explain the status of psychological states experienced in fictional contexts either claim that those states are special propositional attitudes specific to fictional contexts (make-believe attitudes), or else define them as normal propositional attitudes by stretching the concept of a propositional attitude to include ‘objectless’ states that do not imply constraints such as truth or satisfaction. I argue that the first theory is either vacuous or false, and that the second, by defining the reality of the states (...) in question only nominally, risks having a result similar to the first. Then I put forward an explanation of how propositional attitudes function in fictional contexts which meets the following requirements: (i) does not postulate the existence of attitudes specific to or definitive of fictionality; (ii) does not imply that we transgress our knowledge of the ontological claims of fictions for some attitudes (for example, fear) but not others (belief); (iii) explains how we can adopt normal propositional attitudes towards fictions; (iv) allows explanation of how attitudes adopted during fictional response connect or are relevant to our broader systems of belief and volition. (shrink)