This book presents an events-based view of human action somewhat different from that of what is known as "standard story". A thesis about trying-to-do-something is distinguished from various volitionist theses. It is argued then that given a correct conception of action's antecedents, actions will be identified not with bodily movements but with causes of such movements.

An object being non-art appears only trivially informative. Some non-art objects, however, could be saliently 'almost' art, and therefore objects for which being non-art is non-trivially informative. I call these kinds of non-art objects 'failed-art' objects—non-art objects aetiologically similar to art-objects, diverging only in virtue of some relevant failure. I take failed-art to be the right sort of thing, to result from the right sort of action, and to have the right sort of history required to be art, but to (...) be non-art by having failure where being art requires success. I assume that for something to be art that thing must be the product of intention-directed action. I then offer an account of attempts that captures the success conditions governing the relationship between intention-directed actions and their products. From this, I claim that to be failed-art is to be the product of a failed art-attempt, i.e., to be non-art as the result of the particular way in which that art-attempt failed. An art-attempt I take to be an attempt with success conditions, that, if satisfied, entail the satisfaction of the conditions for being art—whatever those may be. To be art, then, is to be the product of a successful art-attempt. As such, any art theory incompatible with my account of failed-art is an art theory for which the notions of success and failure do not matter, and therefore an art theory for which being art needn't be substantively intention-dependent. So, any theory of art unable to accommodate my account of failed-art is _ipso facto_ false. (shrink)

I hold no view as to what actions are basic, but I shall attempt to show in what follows that actions like raising an arm never are. My contention is that these actions involve actions of physical exertion on the part of the agent, the involvement being of a sort generally taken to be excluded by an actions being basic.

The latest offering in the highly successful Oxford Readings in Philosophy series, The Philosophy of Action features contributions from twelve leading figures in the field, including: Robert Audi, Michael Bratman, Donald Davidson, Wayne Davis, Harry Frankfurt, Carl Ginet, Gilbert Harman, Jennifer Hornsby, Jaegwon Kim, Hugh McCann, Paul Moser, and Brian O'Shaughnessy. Alfred Mele provides an introductory essay on the topics chosen and the questions they deal with. Topics addressed include intention, reasons for action, and the nature and explanation of internal (...) action. A selective bibliography is included as a guide to further reading. Comprehensive and up-to-date, this collection provides an accessible and stimulating introduction for readers interested in the philosophy of action, the philosophy of mind, and moral philosophy. (shrink)

This volume investigates the neglected topic of mental action, and shows its importance for the metaphysics, epistemology, and phenomenology of mind.