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  1. Christine James (2010). The Common Vernacular of Power Relations in Heavy Metal and Christian Fundamentalist Performances. In Rosemary Hill Karl Spracklen (ed.), Heavy Fundametalisms: Music, Metal and Politics. Inter-Disciplinary Press.
    Wittgenstein’s comment that what can be shown cannot be said has a special resonance with visual representations of power in both Heavy Metal and Fundamentalist Christian communities. Performances at metal shows, and performances of ‘religious theatre’, share an emphasis on violence and destruction. For example, groups like GWAR and Cannibal Corpse feature violent scenes in stage shows and album covers, scenes that depict gory results of unrestrained sexuality that are strikingly like Halloween ‘Hell House’ show presented by neo-Conservative, Fundamentalist Christian (...)
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  2. Kate Nash (1998). Universal Difference: Feminism and the Liberal Undecidability of "Women". St. Martin's Press.
  3. Ruth Sample (2000). Locke on Political Authority and Conjugal Authority. Locke Newsletter 31:115-146.