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  1. Recursive Combination Has Adaptability in Diversifiability of Production and Material Culture.Genta Toya & Takashi Hashimoto - 2018 - Frontiers in Psychology 9.
    It has been suggested that hierarchically structured symbols, a remarkable feature of human language, are produced via the operation of recursive combination. Recursive combination is frequently observed in human behavior, not only in language but also in action sequences, mind-reading, technology, et cetera.; in contrast, it is rarely observed in animals. Why is it that only humans use this operation? What is the adaptability of recursive combination? We aim (1) to identify the environmental feature(s) in which recursive combination is effective (...)
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  • Dynamic Reconfiguration of the Supplementary Motor Area Network during Imagined Music Performance.Shoji Tanaka & Eiji Kirino - 2017 - Frontiers in Human Neuroscience 11.
  • Decision Making Strategy and the Simultaneous Processing of Syntactic Dependencies in Language and Music.M. P. Roncaglia-Denissen, Fleur L. Bouwer & Henkjan Honing - 2018 - Frontiers in Psychology 9.
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  • The “Globularization Hypothesis” of the Language-ready Brain as a Developmental Frame for Prosodic Bootstrapping Theories of Language Acquisition.Aritz Irurtzun - 2015 - Frontiers in Psychology 6.
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  • Why musical hierarchies?Courtney B. Hilton, Rie Asano & Cedric Boeckx - 2021 - Behavioral and Brain Sciences 44.
    Credible signaling may have provided a selection pressure for producing and discriminating increasingly elaborate proto-musical signals. But, why evolve them to have hierarchical structure? We argue that the hierarchality of tonality and meter is a byproduct of domain-general mechanisms evolved for reasons other than credible signaling.
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  • Interpreting Rhythm as Parsing: Syntactic‐Processing Operations Predict the Migration of Visual Flashes as Perceived During Listening to Musical Rhythms.Gabriele Cecchetti, Cédric A. Tomasini, Steffen A. Herff & Martin A. Rohrmeier - 2023 - Cognitive Science 47 (12):e13389.
    Music can be interpreted by attributing syntactic relationships to sequential musical events, and, computationally, such musical interpretation represents an analogous combinatorial task to syntactic processing in language. While this perspective has been primarily addressed in the domain of harmony, we focus here on rhythm in the Western tonal idiom, and we propose for the first time a framework for modeling the moment‐by‐moment execution of processing operations involved in the interpretation of music. Our approach is based on (1) a music‐theoretically motivated (...)
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  • Hierarchical control as a shared neurocognitive mechanism for language and music.Rie Asano, Cedric Boeckx & Uwe Seifert - 2021 - Cognition 216 (C):104847.
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