Galen’s elemental mixture of fire, air, water and earth (and of the corresponding primary qualities, hot, cold, dry and wet) is primarily a physical process, in which primary elements mix and give rise to all compounded physical bodies, inanimate and animate. As such, the concrete, physical process of mixture is an essential basis for a thorough understanding of Galen’s physical system. In this article I pursued a twofold aim. First, I showed Galen’s syncretic approach while expounding his theory of mixture (...) (insofar as he attributes that theory equally to ‘Hippocrates’, Aristotle and the Stoics) and illustrated the reasons behind this approach. Second, and more importantly, I addressed Galen’s epistemological position concerning mixture’s constituents and answered the question of whether, according to Galen, are the qualities alone, conceived more Aristotelico as conceptually distinct from the body itself, to mix or if Galen viewed mixture, as the Stoics did, as a coextension of bodies. As we argue, Galen assigns the epistemological status of πιθανόν to the Aristotelian and Peripatetic doctrines. This indicates that, to a certain extent, he joins this historical debate and is more closely aligned with Aristotle and the Peripatetics than with the Stoics. By resorting to what is πιθανόν Galen obtains two results: (1) does not expose himself to accusations of dogmatism but, at the same time and in his method, enters the ongoing controversy about qualities and bodies without taking a definitive position, and (2) he preserves his syncretic theoretical structure which finds its linchpin in the defence of a medical-cum-philosophical continuism. (shrink)

This article attempts to provide an overview and discussion of Plutarch’s views in his Moralia about emotions and their relation to moral virtue and reason. By tracking different clusters of imagery – artisanal, zoological and botanic – that Plutarch uses in his essays to articulate the relationship between emotions and reason, it explores three philosophical perspectives on emotions: emotions of a virtuous person are likened to a well-shaped piece of material; to animals that need to be guided or reined in (...) by their master; and to wholesome plants in a garden. Each of these imageries is used to support a different account of moral virtue: virtue as the emotional disposition to feel moderately; virtue as the obedience of emotions to the commands of reason; and virtue as the absence of bad emotions and flourishing of the good ones. This analysis enables us to weigh the influences of major philosophers on Plutarch’s account, and to elucidate his commitment on both metriopatheia and apatheia. (shrink)

In discussing the atomists' theory of vision modern accounts have quite neglected to take into account two sections of Alexander of Aphrodisias on this topic. Nearly identical in length and content, they contain objections to the atomist theory of vision by means of the . In form they consist of a series of questions purporting to contain atomist doctrine. Each question is followed by objections to its subject-matter. Most of the questions contain doctrine known to us already from other sources.

In discussing the atomists' theory of vision modern accounts have quite neglected to take into account two sections of Alexander of Aphrodisias on this topic. Nearly identical in length and content, they contain objections to the atomist theory of vision by means of the(henceforth ‘idols’). In form they consist of a series of questions purporting to contain atomist doctrine. Each question is followed by objections to its subject-matter. Most of the questions contain doctrine known to us already from other sources.