- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Switch to: References
Citations of:
Add citations
You must login to add citations.
|
|
|
Que veut dire « vivre de sa plume»? L'expression a souvent été invoquée par des historiens avançant le récit d'un progrès dans les pratiques littéraires marqué par le passage des écrivains du patronage au marché, afin de définir la « modernité » auctoriale par rapport à un modèle ancien de l'homme de lettres protégé par la noblesse. Or un examen plus attentif montrera que ce progrès vers une autonomie gagnée par la vente des écrits n'est guère aussi évident qu'on a (...) No categories |
|
|
This article is concerned with Niklas Luhmann's theory of art which he formulated in the 1990s, based on his general theory of autopoietic systems. This theory regards modern society as a functionally differentiated formation whose sub-systems operate according to their inner principles of communication. According to this, the domain of art can also be seen as an operationally closed and self-referential communicative system. The basic problem in these notions lies in the way in which their description of the relationships existing (...) No categories |
|
|
No categories |
|
|
This e-special issue explores the reception of Bourdieu’s work in one journal, Theory, Culture & Society, which commenced at about the same time that Bourdieu was beginning to acquire an international reputation. It offers a case-study of the English representation of Bourdieu’s work through almost 40 years and focuses on the role of the journal in carrying Bourdieu’s work across cultural boundaries. It introduces the scope of that work but, primarily, it is designed to encourage reference to his texts in (...) No categories |
|
|
No categories |
|
|
Homo academicus propone una reflexión epistemológica de interés para investigaciones similares y para la práctica sociológica en general. En segundo lugar, propone un mapa del mundo universitario francés, de las diferentes formas de capital que lo configuran y de los diversos tipos de carrera académica. Más allá del origen nacional de su análisis, Bourdieu insiste en el valor del modelo. En tercer lugar, Bourdieu ofrece una explicación de un acontecimiento histórico que trasciende la universidad, pero en el que ésta jugó (...) |
|
|
No categories |
|
|
The article begins with a sociologically triumphalist critique of philosophical aesthetics, grounded in the work of Ernest Gellner and Emile Durkheim. It proceeds to note the practical failure of this kind of sociology to become institutionalized within the wider discipline. It explores a number of possible explanations for this failure, but finally suggests that a normalized sociology of art requires a normalized conception of art itself, such as that tentatively advanced by Pierre Bourdieu and Franco Moretti. The article also has (...) |
|
|
Artistic and scientific activities pertain to the world of ‘vocation’, which demonstrates a close relationship with recognition issues. Referring to recent trends in French, German and American sociology and political philosophy, this article addresses both the status of recognition in present-day sociology and the necessity of prizes in vocational activities. Grounded on two empirical surveys about literary and scientific prizes, it displays the various axiological problems raised by such a mode of recognition, as the ‘felicity conditions’ of this mode of (...) |
|
|
|
|
|
|
|
|
No categories |
|
|
Se quiere presentar la figura de Pedro Abelardo, desde el concepto de “intelectual total”, por ello atrevernos a proponer una lectura de “Historia Calamitatum” basada en los estudios de Sociología de la Literatura, de Pierre Bourdieu y Jacques Dubois es una tarea un tanto compleja. Para comprender la propuesta que presentamos: Abelardo: El intelectual del siglo XII, es necesario tener en cuenta que dicha hipótesis esconde tres cuestiones fundamentales. La primera es acerca del concepto de Intelectual Total; la segunda, se (...) No categories |
|
|
Dada continues to attract a small following among scholars, but has perhaps not yet been recognized as providing invaluable insight into the underlying functions and potentials of culture generally. This article explores the nature and theoretical import of Dada, and two radically different visions of culture as they might try to accommodate and explain Dada. Models of culture taken from Bourdieu and Nietzsche are brought to bear, first on Dada, and then on each other, with the aim of developing a (...) No categories |
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-6d9b7f7c4c-67rzb uwo