Mou Zongsan (牟宗三) extols Heidegger’s interpretation of human Dasein as “being-capable” and admits that he was inspired by Heidegger’s interpretation of Kant in many ways; however, although he, like Heidegger, emphasizes that human finitude is the basic premise of Kantian philosophy, he refuses to apply this premise to Kant’s philosophy as a whole. He argues, for Kant, “human beings are finite but can be infinite.” Moreover, he, on the one hand, criticizes Heidegger for withdrawing the dimension of absolute spontaneity, infinitude, (...) supersensibility and supratemporality from morality and, on the other hand, criticizes Kant for rejecting the possibility of a positive use of intellectual intuition. By the general insight of Chinese philosophy, which positively recognize the intellectual intuition, Mou believes that one can change the downside of Kantian philosophy and organically combine Western and Asian philosophy. (shrink)

This essay critically revisits Jiwei Ci’s prudential argument for political democracy in China from the very Tocquevillian standpoint on which Ci’s core theoretical argument is predicated. I argue that Ci’s underlying assumption and argument regarding the enabling conditions of democracy actually depart significantly from Tocqueville’s own view due to Ci’s overly positive understanding of equality of conditions as directly constitutive of a democratic society and his assumed causal connection between capitalist society and political democracy. After clarifying what Tocqueville meant by (...) equality of conditions and discussing his prudential remedy for the perils of democracy, I conclude by suggesting an alternative pragmatic and prudential justification for democracy in China that is more consistent with the Tocquevillian conception of democracy. (shrink)

Doctrinal classification or the panjiao 判教 system of Chinese Buddhism has been rediscovered and renewed in modern East Asian philosophy since both the Kyoto School and New Confucianism clarified the philosophical meaning of this intellectual tradition. The theoretical relation between these two modern reconsiderations, however, has not yet been studied. I analyze the theory of panjiao in Kōyama Iwao 高山岩男 and Mou Zongsan 牟宗三 so as to identify and extract, despite their apparent irrelevance, the same type of philosophical argument concerning (...) the ontological character of yuanjiao 圓教. My analysis shows that Mou’s distinction between the “two-door mind” paradigm and Buddhistic ontology in his interpretation of Tiantai 天台 Buddhism corresponds to Kōyama’s distinction between an idealistic system and the existential turn in his generalized panjiao system. (shrink)

This thesis aims to establish a Kierkegaardian philosophy of culture to address the theoretical problems of modern East Asian philosophy of culture, particularly Chinese New Confucianism and the Kyoto School who try to formulate their cultural subjectivities for the sake of cultural modernisation. Both schools adopt Hegelian philosophy of culture and therefore inherit the problems of Hegelian dialectics which Kierkegaard criticises. While Kierkegaard himself does not develop a philosophy of culture, this thesis argues that his concepts of culture in terms (...) of the manifestations of passions, community and contemporaneity are useful resources for the formulation of East Asian cultural selves. Firstly, in chapter 1, I argue that there are two tasks of modern East Asian philosophers of culture: how to understand a culture and how to establish a cultural self. Secondly, in chapter 2, I argue that there are three theoretical problems in Mou’s and Watsuji’s Hegelian philosophies of culture, namely, the impossibility of change in cultural value, the lack of empirical method and the neglect of openness of interpretation. Thirdly, in chapter 3, I argue that Kierkegaard’s definition of culture in terms of the manifestations of passions explain East Asian cultural development more consistently than Hegelian dialectics. Fourthly, in chapter 4, I establish a Kierkegaardian philosophy of culture and argue that a cultural self is formulated by the concepts of community and contemporaneity where individuals express their passions according to their free wills. Finally, I argue that Kierkegaardian philosophy of culture fulfils both the ontological and epistemic tasks of East Asian philosophers and solves the theoretical problems they encounter when they adopt Hegelian dialectics. (shrink)