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  1. Unmasking the truth beneath the beauty: Why the supposed aesthetic judgements made in science may not be aesthetic at all.Cain S. Todd - 2008 - International Studies in the Philosophy of Science 22 (1):61 – 79.
    In this article I examine the status of putative aesthetic judgements in science and mathematics. I argue that if the judgements at issue are taken to be genuinely aesthetic they can be divided into two types, positing either a disjunction or connection between aesthetic and epistemic criteria in theory/proof assessment. I show that both types of claim face serious difficulties in explaining the purported role of aesthetic judgements in these areas. I claim that the best current explanation of this role, (...)
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  • Beauty in science: a new model of the role of aesthetic evaluations in science. [REVIEW]Ulianov Montano - 2013 - European Journal for Philosophy of Science 3 (2):133-156.
    In Beauty and Revolution in Science, James McAllister advances a rationalistic picture of science in which scientific progress is explained in terms of aesthetic evaluations of scientific theories. Here I present a new model of aesthetic evaluations by revising McAllister’s core idea of the aesthetic induction. I point out that the aesthetic induction suffers from anomalies and theoretical inconsistencies and propose a model free from such problems. The new model is based, on the one hand, on McAllister’s original model and (...)
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  • Recent work on aesthetics of science.James W. McAllister - 2002 - International Studies in the Philosophy of Science 16 (1):7 – 11.
    This introduction to the special issue on "Aesthetics of Science" reviews recent philosophical research on aesthetic aspects of science. Topics represented in this research include the aesthetic properties of scientific images, theories, and experiments; the relation of science and art; the role of aesthetic criteria in scientific practice and their effect on the development of science; aesthetic aspects of mathematics; the contrast between a classic and a Romantic aesthetic; and the relation between emotion, cognition, and rationality.
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