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  1. Heraclitus' Bow Composition.Celso Vieira - 2013 - Classical Quarterly 63 (2):473-490.
    This article aims to throw light on a recurrent structural feature of Heraclitus' style that, it will be argued, serves as a tool to enrich interpretation of his fragments. Named after the bow image used by the philosopher in B51, the ‘bow composition’ will be presented as a narrative technique developed by Heraclitus to reveal his conception of the world. In B51 we read: οὐ ξυνιᾶσιν ὅκως διαϕερόμενον ἑωυτῶι ὁμολογέει· παλίντροπος ἁρμονίη ὅκωσπερ τόξου καὶ λύρης (‘They don't understand how what (...)
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  • Heraclitus, Change and Objective Contradictions in Aristotle’s Metaphysics Γ.Celso Vieira - 2022 - Rhizomata 10 (2):183-214.
    In Metaphysics Γ, Aristotle argues against those who seem to accept contradictions. He distinguishes between the Sophists, who deny the principle of non-contradiction through arguments, and the Natural Philosophers, whose physical investigations lead to the acceptance of objective contradictions. Heraclitus’ name appears throughout the discussion. Usually, he is associated with the discussion against the Sophists. In this paper, I explore how the discussion with the Natural Philosophers may illuminate both the interpretation of Heraclitus by Aristotle and Heraclitus’ own worldview. To (...)
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