The Hungarian theorist Georg Lukács is known for his reintroduction of Hegelian thought to Marxist philosophy—but I argue that his account of the subjectivity of the proletariat owes just as much to the Danish philosopher and theologian Søren Kierkegaard. Despite strong differences in their outlook, their accounts of subjectivity have strong structural similarities. For both, a division of the self against itself produces suffering that leads in turn to a growing consciousness of the roots of the problem; in the end, (...) the self is restored through a relation to itself grounded in the absolute, and thereby becomes capable of freedom. Lukács’s theory of subjectivity is, thus, predicated on changing the orientation of the proletariat towards itself—in ways that are deeply indebted to the peculiar theology of Kierkegaard. (shrink)

The traditional understanding of Kant and Kierkegaard is that their views on the good will and inwardness, respectively, commit them to denying moral luck in an attempt to isolate an omnipotent moral subject from involvement with the external world. This leaves them vulnerable to the criticism that their ethical thought unrealistically insulates morality from anything that happens in the world. On the interpretation offered here, inwardness and the good will are not contrasted with worldly happenings, but are instead a matter (...) of worldly happenings that exhibit a particular temporal structure. Kant and Kierkegaard should not be understood as denying moral luck. (shrink)

Kierkegaard’s attitude toward the family of issues usually associated with the rubric ‘nature and grace’ has long been disputed by his interpreters. Some of have seen him as a proponent of the ‘grace perfects nature’ position while others have viewed him as a radical bifurcator of nature and grace. Actually, Kierkegaard’s treatment of these issues is more nuanced. He does propose that human nature intrinsically possesses a yearning that can only be satisfied by God’s grace (and therefore nature is oriented (...) toward grace), but he suggests that the grace that God offers is utterly unanticipated, counter-intuitive, and potentially offensive (and therefore grace disrupts nature). The prospect of God’s self-emptying love is something that nature did not know would fulfill its deepest longings, and which excites both attraction and repulsion. (shrink)