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<P>While there are many books on the romantics, and many books on Heidegger, there has been no book exploring the connection between the two. Pol Vandevelde’s new study forges this important link. </P> <P>Vandevelde begins by analyzing two models that have addressed the interaction between literature and philosophy: early German romanticism (especially Schlegel and Novalis), and Heidegger’s work with poetry in the 1930s. Both models offer an alternative to the paradigm of mimesis, as exemplified by Aristotle’s and Plato’s discussion of (...) |
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Aestheticians generally agree that the aesthetic features of an object depend upon the non-aesthetic features of an object, and that this dependence can be captured by some formulation of the supervenience relation. I argue that the aesthetic depends upon the non-aesthetic in various and importantly different ways; that these dependence relations cannot be explained by supervenience; that appeals to supervenience create puzzles that aestheticians have neither fully appreciated nor resolved; and that appealing to various realization relations avoids these puzzles and (...) |
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It is commonplace amongst philosophers of art to make claims which postulate important links between aesthetics and perception. In this paper, I focus on one such claim: that perception is the canonical route to aesthetic judgement. I consider a range of prima facie plausible interpretations of this claim and argue that they each fail to identify any important link between aesthetic judgement and perception. Given this, I conclude that we have good reason to be sceptical of the claim that perception (...) |
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ABSTRACTIt is commonplace amongst philosophers of art to make claims that postulate important links between aesthetics and perception. In this paper, I focus on one such claim—that perception is the canonical route to aesthetic judgment. I consider a range of prima facie plausible interpretations of this claim, and argue that each fails to identify any important link between aesthetic judgment and perception. Given this, I conclude that we have good reason to be sceptical of the claim that perception is in (...) No categories |
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In the last half century,there were several attempts to adopt the notion of supervenience in order to shed light on the claim of generality that is involved in aesthetic judgments. In this paper I will show the difficulties brought up by the transposition of the notion of supervenience from other areas of philosophy to the philosophy of art and I will also show the intrinsic difficulties of this project. First, I will revise the origins of the notion of supervenience in (...) No categories |
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Though much of what we learn about the world comes from trusting testimony, the status of aesthetic testimony – testimony about aesthetic value – is equivocal. We do listen to art critics but our trust in them is typically only provisional, until we are in a position to make up our own mind. I argue that provisional trust (but not full trust) in testimony typically allows us to develop and use aesthetic understanding (understanding why a work of art is valuable, (...) No categories |
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Quels sont l’origine et le sens du « sens esthétique »? Est-il codé génétiquement ou culturellement hérité? Le but de l’essai est de répondre à telles questions en définissant l’émergence et le caractère méta fonctionnel de l’attitude esthétique. Tout d’abord, je propose d’inclure la faculté de désir dans le libre jeu des facultés cognitives au centre de la Critique de la faculté de Juger de Kant. Ensuite, j’examine le caractère de survenance de l’esthétique et sa valeur d’anticipation. En discutant quelques (...) No categories |
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Aesthetic properties are often thought to have either no evaluative component or an evaluative component that can be isolated from their descriptive component. The present article argues that this popular view is without adequate support. First, doubt is cast on the idea that some paradigmatic aesthetic properties are purely descriptive. Second, the idea that the evaluative component of an aesthetic property can always be neatly separated from its descriptive component is called into question. Meanwhile, a speculative hypothesis is launched regarding (...) |
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I identify a commonly held position in environmental philosophy, “the received view,” and argue that its proponents beg the question when challenged to demonstrate the relevance of environmental aesthetics for environmental justice. I call this “the inference problem,” and I go on to argue that an alternative to the received view, Arnold Berleant’s participatory engagement model, is better equipped to meet the challenge it poses. By adopting an alternative metaphysics, the engagement model supplies a solution to the inference problem and (...) |
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In this paper, I develop an account of appreciation. I argue that appreciation is an epistemic emotion in which the subject grasps the object in an affective way. The “grasping” and “feeling” components implies that in appreciation, we make sense of the object by having cognitive control over it, are motivated to maintain the valuable epistemic state of understanding, and experience the “aha” or “eureka” moment. This account offers a unified account of the many types of appreciation, including the aesthetic, (...) |
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This thesis contextualises academic writing in EAP (English for Academic Purposes) and subjects it to an interdisciplinary (educational and philosophical) analysis in order to argue that what makes writing academic are its socio-academic practices and values, not its conventional forms. In rejecting dominant discourses that frame academic writing as a transferable skill which can be reduced to conventional forms, I show that academic writings are varied and evolve alongside changing writer agencies and textual environments. This accounts for the emergence of (...) |
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