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Postfemininities in popular culture

New York: Palgrave-Macmillan (2009)

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  1. Colluding with Neo-Liberalism: Post-Feminist Subjectivities, Whiteness and Expressions of Entitlement.Karen Wilkes - 2015 - Feminist Review 110 (1):18-33.
    This discussion contributes to the ongoing debates regarding the (re)sexualisation of female bodies in popular and visual culture. Visual texts display the upper middle-class white female as the carrier of mainstream neo-liberal values in Western societies, and the success of this approach is the twinning of the culture of individualism, self-interest and market values with feminist vocabularies; namely, choice, freedom and independence. Drawing on a broad feminist scholarship that includes discussions on the influence of the HBO series Sex and the (...)
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  • Feminisation of success or successful femininities? Disentangling ‘new femininities’ under neoliberal conditions.Martha McNaught-Davis & Natalia Gerodetti - 2017 - European Journal of Women's Studies 24 (4):351-365.
    This article critically examines what might be titled the feminisation of success that is ascribed to optimistic characterisations of new constructions of femininity for young women in the UK, particularly in relation to classed positions. In order to do this it is necessary to understand the complex relationship between feminism, post-feminism, neoliberalism and femininities, especially since the millennium. Young women have been positioned as the beneficiaries of successful social and political change which, together with ideas of individualism and reflexive constructions (...)
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  • Crossing genre boundaries: H. J. Golakai's Afropolitan chick-lit mysteries.Rebecca Fasselt - 2019 - Feminist Theory 20 (2):185-200.
    Crime fiction by women writers across the globe has in recent years begun to explore the position of women detectives within post-feminist cultural contexts, moving away from the explicit refusal of the heterosexual romance plot in earlier feminist ‘hard-boiled’ fiction. In this article, I analyse Hawa Jande Golakai's The Lazarus Effect (2011) and The Score (2015) as part of the tradition of crime fiction by women writers in South Africa. Joining local crime writers such as Angela Makholwa, Golakai not only (...)
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  • Individualized femininity and feminist politics of choice.Shelley Budgeon - 2015 - European Journal of Women's Studies 22 (3):303-318.
    Women’s right to exercise choice has been one of feminism’s central political claims. Where second wave feminism focused on the constraints women faced in making free choices, choice feminism more recently reorients feminist politics with a call for recognition of the choices women are actually making. From this perspective the role of feminism is to validate women’s choices without passing judgement. This article analyses this shift in orientation by locating women’s choices within a late modern gender order in which the (...)
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