This paper challenges the colonial reading of Thomas Hobbes’s use of America. Firstly, by analysing all the references and allusions to America in Hobbes’s writings, I claim that Hobbes simply uses America to support his central theory of the state of nature, showing the fundamental significance of a large and lasting society to our being and well-being. Secondly, I argue that Hobbes’s use of America does not serve a second purpose that is similar to Locke’s justification of English land appropriation. (...) Even extending such a Lockean colonial theme from Hobbes’s theory would fail due to Hobbes’s unique property theory. Lastly, with a more nuanced contextual analysis of Hobbes’s involvement in the Virginia Company and relevant textual analysis, I propose that Hobbes is not only not a supporter of English colonialism, but rather an opponent of the Virginia Company, imperial expansion, and colonial conquest. I am not denying the fact that later thinkers like Locke develop Hobbes’s notion of the American state of nature to justify European colonization in America. However, the received history should not be confused with Hobbes’s own writing purpose. Nor should we ignore Hobbes’s opposition to imperial expansion. (shrink)

This article addresses the modern concept of sovereignty as a multivocal and conflictual semantic field, arguing for the necessity to trace its genealogy based on the structural tensions that haunt its logical framework – as well as its representations – rather than on a linear historiographic reconstruction. In particular, the scrutiny I propose aims to examine a series of exchanges that have been characterizing this concept since the beginning: the global and the European, the maritime and the territorial, the colony (...) and the state, the imperial and the proprietary. The problematic balance between ‘imperium’ and ‘dominium’ is indeed assumed here as the turning point of the rise of a sovereign power that appears to be originally rooted in the very production and governance of the global space, thus giving up all possible Eurocentric narratives of modernity. To illustrate my argument, I focus on the frontispieces to three of Thomas Hobbes’s most important books, that is, his translation of Thucydides’ Peloponnesian Wars, De Cive and Leviathan. A thorough analysis of these images enables us to understand how these lines of force traverse the very heart of modern European political concepts, along with the mirroring effects that constantly bounce their normative construction of subjectivity back and forth from the periphery to the centre and, ultimately, from the market to the state. (shrink)

The frontispiece of Hobbes's Leviathan is justly renowned as a powerful visual advertisement for his political philosophy. Consequently, its rich imagery has been the subject of extensive scholarly commentary. Surprisingly, then, its gendered dimensions have received relatively limited attention. This essay explores this neglected facet of the frontispiece. I argue that the image initially appears to present a hypermasculine sovereign. However, upon closer inspection, and considered alongside Hobbes's economic theory, it yields to a reading of the sovereign as an ambiguously (...) gendered figure. Reading the frontispiece through the prism of gender and the economy reveals not a static image of unwavering male power but rather one of an equivocally-sexed creature teeming with life, contradictions, and complexities worthy of continued examination. (shrink)