This article analyzes ‘commemorative’ images of Diana Spencer for how they invoke tropes of charity and sympathy to produce racialized mediations of history, memory, motherhood and US national identity. Drawing from cultural theory that establishes technologies of memory and forgetting as material forces, this discussion illumines how images of Diana appearing in such popular US magazines as People and Life incorporate visual scripts of race and sentiment that have historically demarcated the relative social value(s) of maternity and reproduction. Understanding visual (...) culture as a force that is both structured by and structuring of hierarchies of power enables us to see how the posthumous circulation of images of ‘Our Princess’ are indeed not ideologically innocent memorializations. Rather, these images are the physical, embodied material of a national monument that provides faithful ‘visitors’ an affective connection to historically idealized notions of whiteness, motherhood, and the family. (shrink)

Since the late 1990s, the Russian Orthodox Church and several mainline Western Protestant churches have been at odds over homosexuality to such an extent that it has turned into a church-dividing issue. This article aims to find new openings for the ecumenical dialogue by examining how the ROC’s negative attitude toward same-sex relations has been influenced by cultural and historic factors. The analysis focuses on the affective dimension of the ROC’s discourse on homosexuality in important social documents and public speeches. (...) The methodology applied is taken from affect studies. The rhetoric of the ecclesial texts recalls ‘shadows from the gulag’ and frightening memories of the chaos of the 1990s, and functions to create an imagined national, moral and religious community – the ‘Russian Christian civilization’ – which is characterized by masculine heterosexuality. Religious concepts tend to become subordinate to the affective politics of the discourse. In conclusion, the author proposes that ecumenical partners continue with a profound theological discussion on human sexuality in all its diversity and complexity, and clarify to each other how understandings of basic theological notions such as human dignity and freedom have also been shaped by formative historic experiences. Furthermore, ecclesiological debates should address, at a fundamental level, the relationship between Christian community and the freedom ‘to be different.’. (shrink)

Recent debates in the field of contemporary art have underlined the political importance of creative reworkings of the past, especially for those subjects that have been traditionally marginalised. A feminist perspective has been nevertheless quite absent from such debates. This article addresses feminist uses of archival documents in the visual arts through the analysis of three works produced in the past two decades: The Fae Richard's Photo Archive (1997) by Zoe Leonard and Cheryl Dunye, Some Chance Operations (1998) by Renée (...) Green and Queen of the Artists’ Studios (2004–2007) by Andrea Geyer. These works share an interest for women's histories and representations by composing a series of documents (both factual and fictive) into complex narratives where history and subjectivity intersect. (shrink)

This article considers how Spatial Big Data is situated and produced through embodied spatial experiences as data processes appear and act in small moments on mobile phone applications and other digital spatial technologies. Locating Spatial Big Data in the historical and geographical contexts of Sydney and Hong Kong, it traces how situated knowledges mediate and moderate the rising potency of discourses of cartographic reason and data logics as colonial cartographic imaginations expressed in land divisions and urban planning continue on, in (...) a world that increasingly values models of calculability, interoperability and authority. It draws on ethnographic material gathered through walking interviews in both cities, and in doing so, it argues that by using ethnographic ‘moments’, it is possible to decentre the focus on data processes to consider the critical potential of a politics of everyday experiences that produce and reflect the structures of data logics. Through these ethnographic moments, this article examines how mobile technologies are complicit in the production of Spatial Big Data, and the impact this has on the increasing regimentation and surveillance of modes of being and expression via mobile media. At the same time, it will argue that while spatial calculability has expanded from cartographic reason into data logics, the epistemological universality of Spatial Big Data is constantly being resisted – in moments of experimentation, failure, intuition, memory and desire, the ghosts of the incalculable epistemes, experiences and people, forgotten by the emphasis on calculation, continue to speak. (shrink)

How can we account for trials in which the judgment speaks not only to and about the defendants and their deeds, but also about injustices from a more distant past? Building on approaches to ghosts and haunting by Jacques Derrida and Avery Gordon, I propose to examine a set of the German post-1990 trials for human rights violations committed in the former East Germany as instances of haunted justice. Here, the courts not only adjudicated the present cases, but also tried (...) to ‘go back and make whole what has been smashed’ by their own lack of judgment in the failed trials of the Nazi perpetrators. In this instance, the ‘time is out of joint’, and we see the ghosts of the failed trials of Nazi perpetrators standing next to the inheritance of impunity fostered in West German courts, and next to the now present East German perpetrators. What can justice mean in such a complex constellation of injustices? I argue that the ghostly dimension of these cases point to a need for a kind of justice and engagement that can ultimately not be found in courts—yet the courts’ engagement with this ghostly matter is nevertheless important. (shrink)

This article employs the concepts of spectres and haunting to analyse Graham Swift’s Mothering Sunday: A Romance as a commentary on history and its economy of spectres. Referring to Jacques Derrida’s notions of haunting, inheritance, and time, I focus on the spectres of literary modernism and the First World War to explore the ways in which Swift’s novella questions the canonical representation of modernism and revises the conventional means of writing about the past, memory, and history. The analysis of Mothering (...) Sunday approaches the spectre as a figure of repressed otherness and a reminder of what has been excluded or silenced, so as to trace some of the ghosts that appear in the book and to underline its melancholic, spectral character. Situating Swift’s novella within the context of contemporary cultural criticism, I propose to see it as a sign of a larger cultural and critical turn, where spectres have been assimilated into the structure of the everyday and where the experience of haunting has become a major expression of the present condition. (shrink)

This article explores how US legal expansions narrow justice possibilities. Drawing from Joan Scott's work on experience, echo and reverberation, the article puts forth a method for reading the convergence of historical absences within legal subjectivity. In particular, it traces the denial of one Nigerian woman's US political asylum claim within the context of US handlings of Nigerian human rights cases focused on petroleum violence alongside the expansion of political asylum to include gender and sexual violence. The article accounts for (...) the production of gender within a larger context of colonial state violence and questions how gender becomes a viable legal category through a variety of violent histories that implicate the US. By reframing questions of feminist justice within the site of law, the article argues for a deeper engagement with discontinuous narratives, which read against our common sense understandings, as a first step in divesting in US legal privilege. (shrink)

Looking from a critical race perspective at Wittig’s lesbian, in this article, I draw two conclusions. First, I suggest that it is actually trans exclusionary lesbians' own transphobia that makes them cis-gendered. And second, it becomes clear that the politicisation of choosing and refusing gender needs to acknowledge racism’s shaping role in the construction of gender. My approach not only intervenes in transphobic feminisms that are obsessed with simplistic understandings of sexual violence, but also questions rigid cis/trans binaries and rejects (...) accounts of trans/gender that ignore the role of racialisation for the emergence of gender. The main question that I address is: how to conceptualise the complex im/possibilities of refusing and choosing in relation to gender? It is my aim to connect seemingly disparate knowledge productions on genderqueer, trans and other ‘impossible’ genders and sexualities. I am particularly interested in a phenomenon that can be described as ‘lesbian haunting’: the ambivalences one will find in tracing lesbian theory in relation to transing gender. With this, it is my attempt to rethink lesbian, queer and trans feminist approaches on violence, and to investigate the role of sexual violence within broader concepts of violence. More specifically, in order to understand both ‘gender’ and ‘transing gender’ as always already racialised, my approach builds on theories that identify ‘ungendering’ as an effect of normative racial violence (e.g. Spillers, 1987; Lewis, 2017; Snorton, 2017). (shrink)

How do students learn about racism in the absence of ‘race’ as an explanatory concept for current social divisions? This article traces conceptual and affective negotiations of ‘race’ and racism in a Norwegian middle school classroom. Conceptual confusion about ‘race’, racism and lines of inclusion and exclusion in the nation is rife in this educational setting, where the curricular focus is on questions of immigration and integration. Treating ‘race’ as a ‘chameleon-like’ concept that adapts to the cultural context and political (...) situation, the analysis highlights the emotional investments and injuries that discussing race brings forward in the situation through a Kleinian psychoanalytic lens. Working through the affective as well as the conceptual aspects of the classroom’s struggles with ‘race’ and racism, the article argues that racism is enacted in the classroom partly as an effect of the denial of ‘race’ as a current effect of racism. Furthermore, it suggests that the denial of ‘race’ as an explanatory concept veils racial binaries that are enacted through Norwegian ethnonationalism, and facilitates enactment of racist dynamics in education that is intended to prevent racism. (shrink)

"Who knows how much longer it will be, but others have crossed over to the US, and have found a job, and have even sent for their families. I am not the only one crossing, I am number 57 out of 72, but we do not walk together, all 72—that would call too much attention to us. We walk at a good pace, each one with their thoughts, we walk from sun to sun without stopping almost; others have done it." (...) These are the words of renowned writer Elena Poniatowska on 72migrantes.com, a virtual altar honoring the 72 migrants massacred in a ranch in San Fernando, a municipality in the border state of Tamaulipas, Mexico, in August 2010. Attempting to recreate the thoughts of unidentified victim number 57 on his trek towards the... (shrink)

This article addresses the challenges of developing methodologies which build on the insights of early feminist research and methods, but which also incorporate some of the new innovations in sociological, qualitative research. Feminist research has emphasized the need to capture the everyday lives of women (and others) but this is not so easy once it is realized how ‘messy’ everyday life may be and that we may also not have tools adequate to the art of listening and the task of (...) ‘story telling’. In particular there is a need to incorporate a wide range of sensibilities into the creation of feminist/sociological accounts of everyday lives. These include accounting for emotions, memories, intersubjective meanings, and other intangibles. Finally, the article argues that debates over methodologies should not stop with questions of collecting and analysing data, but must also address the problems of how to write the lives of people differently. (shrink)

This article identifies and explores the realm of ‘social nothingness’: objects, people, events and places that do not empirically exist, yet are experienced as subjectively meaningful. Taking a phenomenological approach, I investigate how people perceive, imagine and reflect upon the meanings of unlived experience: whatever is significantly not present, never appeared or cannot happen to them. These ‘negative symbolic social objects’ include no-things, no-bodies, non-events and no-where places: for example, rejected roles, unpursued careers or absent people. Reversing some key concepts (...) from phenomenology, I examine the process of ‘negative noesis’ in three aspects. ‘Negative intentionality’ describes people’s motivational stance towards absent things, such as feelings of missing, wishing, haunting, avoidance or surrender. ‘Negative embodiment’ is the corporeal grounding of negational acts, through experiences of impairment, incapacity, severance, disturbance and decline. ‘Negative temporality’ describes the recognition of past or future impossible selves and their place within biographical identity stories. (shrink)

This article discusses the possibility for vulnerable writing within feminist methodological approaches to research. Drawing upon a project that involved difficulties and tensions in conducting transnational research, including the documenting and telling of a partial narrative of an individual who set herself on fire, the article discusses what it might mean to focus more explicitly on explicating and recognising vulnerability in writing. In providing examples from working with a situated, localised analysis that engages feminist, postcolonial and queer theoretical approaches to (...) attend to the particular and everyday, I address some of the hesitations and uncertainties in undertaking research and producing knowledge, and concerns with forms of reflexive practice. At the heart of the discussion is the question of a vulnerable ethics, of how it is possible for feminist methods to represent the lives of others, especially when stories fail in the telling, both in providing adequate explanations and in the ways that trauma and suffering can remain incommunicable. Included in this are concerns as to how we as researchers are affected within the production of research. As a form of receptivity and wounding, the article argues for vulnerable writing that challenges feminist methods to remain open and receptive to what will always resist sense-making, while continuing to respond to the demand that we do justice to the lives of others. (shrink)

This paper traces the unspoken, implicit white racial logic of the brain disease model of addiction, which is based on seemingly universal, disembodied brains devoid of social or environmental influences. In the United States, this implicit white logic led to “context-free” neuroscience that made the social hierarchies of addiction and its consequences invisible to, and thus exacerbated by, national policies on opioids. The brain disease model of addiction was selectively deployed among the white middle-class population that had long accessed narcotics (...) and pharmaceutical treatments for narcotics disorders from biomedical clinics, as opposed to from illegal sources subject to law enforcement. In turn, new treatments for opioid addiction were racially marketed to the same white clientele to which newly patented opioid analgesics were marketed, tapping into a circumscribed but highly lucrative consumer base that has long benefited from a legally protected, racially segregated safe space for white narcotics consumption. The connecting thread for the contemporary white opioid “crisis,” therefore, is white race as a ghost variable in addiction neuroscience and in its pharmaceutical and biotechnological translation. (shrink)

Antonio Ruiz is an officer who took part in the Argentine 1976–1983 military rule and disappeared the body of a tortured woman. My aim is to offer an ethnographic account of the embodiment of the knowledge of bodies—the local moral worlds in which the officer Antonio and his wife lived and legitimated state violence by imagining themselves as victims, and Antonio subsequently followed his commander’s order and buried the body of a tortured woman. The armed forces provided soldiers of the (...) armed formal manuals in which political violence was described as an ever-present threat. At home Antonio and his wife exchanged accounts detailing the risk of armed struggle to their fledgling family, with Antonio carrying out commissions of repression as father and husband and not only soldier. The narratives officers constructed and acted upon about themselves as imagined victims linger to this day in contemporary Argentina in the form of the disappeared—the missing thousands who remain unaccounted for, buried in unknown, clandestine graves or drowned alive at sea, with thousands of family members suspended in doubt, unsure where the disappeared might truly be, and whether they live or died. (shrink)

This essay examines a New York Times special transnational/racial adoption blog series, ‘Relative Choices’, to interrogate how statements of love in adoption discourse engender symbolic violence in order to narrowly define ‘real’ family. The blogs are an important site of inquiry because of the ways in which new technology enables individuals with access to the Internet the ability to contribute to knowledge production. These transnational/racial adoption blog entries generated more than 1000 comments by adoptees, adoptive parents, and interested readers. The (...) statements that emerged from the blogs and comments included denying adoptees' history, claiming the title of ‘real’ parent, and articulating statements of love. This essay complicates new media adoption discourse to show how symbolic discursive violence is hidden and embedded in adoptive family-making. (shrink)

Based on ethnographic research within refugee-serving institutions in Philadelphia, Pennsylvania, this paper examines the relationship between physicians and the knowledge they produce and consume about caring for refugees from around the world. I explore the “seething presence” of race in refugee medicine, a domain of medical practice whose entanglement with racial ideology and practice has been underexamined. I consider how knowledge about refugees from different groups—whether racially laden designations like “Asian” or “African” or national markers like Congolese or Burmese—circulates in (...) clinical spaces as health-care teams diagnose and treat refugees using standards of “evidence-based” medicine. Assessing the primary literatures that refugee health-care providers use to justify varying care plans, I argue that race, while often unmentioned, structures the practice of refugee medicine. Additionally, the implicit use of race as an analytic, not racism or economic injustice, often disguises the impact of structural racism and inequality in refugee health disparities. I end with some reflections on how we might conduct a more just practice of refugee health care—and by extension, health care more generally—by shifting our gaze from the particularities of seemingly obvious cultural difference to social structure. (shrink)

This article analyses the representational stakes of queer of colour performance, by taking the case study of the Cocoa Butter Club: queer of colour cabaret night in London. Within a British landscape that has silenced queer subjectivities of colour at the intersection of race, gender and sexuality, I explore the potential of QPOC performance to redress historical erasure. To enact their presence, I argue that the Cocoa Butter Club’s performers showcase their collective disidentification from the scripts pre-assigned to their bodies (...) within the European imagination. By doing so, they disrupt hegemonic representations of queerness and racialised otherness, making room for a multitude of queer of colour becomings kept otherwise invisible from public view. Such disidentifications unleash ‘ghosts’ into the public space, spectres of elided subjectivities and unresolved coloniality within a city that likes to think of itself as a post-racial LGBT haven. Drawing on ethnographic material and interviews with performers, I analyse what happens when such queer of colour hauntings reach the audience’s gaze. I consider their unsettling effects in relation to the white gaze, as well as their empowering function in relation to desiring QPOC subjects, seeking reflections of themselves in spectatorship. (shrink)

What happens when we consider transformative experiences from the perspective of gender transitions? In this paper I suggest that at least two insights emerge. First, trans* persons’ experiences of gender transitions show some limitations to L.A. Paul’s (forthcoming) decision theoretic account of transformative decisions. This will involve exploring some of the phenomenology of coming to know that one is trans, and in coming to decide to transition. Second, what epistemological effects are there to undergoing a transformative experience? By connecting some (...) experiences of gender transitions to feminist standpoint epistemology, I argue that radical changes in one’s identity and social location also radically affects one’s access to knowledge in ways not widely appreciated in contemporary epistemology. (shrink)

Precarity and uncertainty recur in numerous critical accounts of the present to stress the sense of social and personal insecurity resulting from global changes and increasing inequalities. This review discusses Precarity and Loss: On Certain and Uncertain Properties of Life and Work by Tadeusz Rachwał as an examination of the major philosophical and social uncertainties of the present and their indebtedness to the certainties of the past. The article situates Rachwał’s book in the context of Judith Butler’s reflections on precariousness, (...) Guy Standing’s study on the precariat, and Zygmunt Bauman’s concept of liquidity in order to unravel some of the answers it offers to the overpowering sense of vulnerability. (shrink)

This article examines the race-thinking and colonial reasoning circulating in two recent developments in Canadian law with respect to polygamous marriage: the Polygamy Reference that upheld the Criminal Code provision on polygamy and the Zero Tolerance for Barbaric Cultural Practices Act. This legislation introduced changes to Canada’s immigration regulations, which include the practice of polygamy as a basis for refusing foreign applicants and deporting foreign nationals. I address how insights from the field of evolutionary psychology were applied in the Polygamy (...) Reference and what discursive and material resonances they had in the Zero Tolerance Act. Drawing on the work of Sylvia Wynter, I situate these judicial and legal developments in relation to violence, within colonial formations of state power, and as forces supporting white supremacy through the continuing valorization of monogamy as a foundational aspect of social and sexual citizenship in Canada. (shrink)

Haunting in literary fiction is often interpreted psychologically as a sign of suppressed psychic content or as nostalgia or mourning for the loss. Yet, it may also be used allegorically as a manifestation of hidden social conflicts, and hence mark a political agenda of thus constructed works. In the novels by Sarah Waters spectres, poltergeists and haunting appear not as a sign of or a contact with an outer reality; to the contrary, they may be seen as perfectly human—though eccentric—expressions (...) of class and economic inferiority. In Affinity spectres and spiritual séances are presented as a means of earning money by lower classes and the latter’s cunning use of the upper classes’ credulity. In The Little Stranger the poltergeist may be interpreted as an accumulated anger and desire of the servants long ignored by the masters of the emblematic country house. In both, haunting and ghosts manifest vengeance of the underprivileged taken on the socially superior. The essay shows how fictional haunting and spectrality, far from marking a supernatural reality or introducing extrasensory concepts, may function as an allegorical method to discuss political and social problems such as class inequality or social justice. (shrink)

Dermot Bolger’s Walking the Road (2007) is a tribute to Francis Ledwidge (1887–1917), one of the greatest Irish poets of the First World War. Focusing on the life and afterlife of Ledwidge who, as depicted in Bolger’s play, emblematizes the condition of other Great War combatants doomed to oblivion, this essay, concerned with the various functions of the deployment of ghosts in Bolger’s drama, argues that spectrality can become an effective means of revealing the plight of the war dead: the (...) unremembered, whose names were effectively erased from public memory and who, thus turned into homeless revenants, were forced into a continual involvement in the war from which they cannot escape, even after death. As a spectral witness who moves between pre-war Ireland and the world of the trenches, Bolger’s hero makes one aware how similar these realities are. Furthermore, as a classic case of shell shock, he demonstrates the role of haunting in the narrative of trauma, identity and memory. Last but not least, whilst enhancing the gothic dimension of the war, Frank’s perceptions, as well as his spectral discourse, not only contribute significantly to illuminating the enigma which he personified, but, by providing an insight into his search for himself, they convey the plight of truth seekers who grasp, yet never fully encompass the Irish experience of the war. (shrink)

Contemporary queer interrogations of heteronormativity are fraught with the traces of feminist contestations of the intimate domains of women's `ordinary' lives during the era of the women's liberation movement. These traces remain enigmatic within contemporary theories of public affect and emotion rather than incorporated into their critiques of the present political moment. This essay argues that the work of the early women's liberationists — their attempts to bring the personal into view as the dense, affect laden, site of social reproduction (...) — can offer us a countermemory to the enduring and alluring force of the `private' domains of love and ordinary feeling in the contemporary US national public sphere. In order to hear the echoes of that moment — the time of women's liberation — in this one, the essay stages a comparative reading between two novels, Doris Lessing's A Ripple from the Storm (1958) and June Arnold's The Cook and the Carpenter: A Novel by the Carpenter (1973). Although the two novels were written over a decade apart, both have as their subject the dense and complex relations between political action, personal relationships and feelings within a (broadly conceived) feminist paradigm. By taking the risk of an odd conjunction, and reading the two novels side-by-side, the essay aims to open up the messiness and contingencies of an era in which both `the political' and `the personal' were contested terms, their meanings challenged, their domains struggled over, their practices altered and, in some cases, transformed. (shrink)

This article contends that feminism is haunted by its past, and that to be haunted means that feminists need to bear witness to the possibilities, often unrealized, of that past and to actively resist the policing and defensiveness that have marked feminism's relationship to its diverse history in recent years. It engages with the work of Terry Castle and Avery Gordon in order to make this argument, and to map out a methodology for looking for the ghosts of the recent (...) feminist past. In looking for one such ghost - the figure of the feminist-as-lesbian - the article asks, how does the trope of the apparitional in lesbian cultural visibility structure cultural memories of the second wave movement? To that end the article discusses the presence of the ghost in a recent feminist/queer study of feminist historicity and in the popular press respectively. The final section looks back to the 1980s in order to trace the connections between then and now, and, therefore, something of what the ghost wants us to remember. (shrink)

Taking sexuality and affect as its focus, this article leads us into the uncharted terrain of ‘outlawed affects’, those unspeakable sensations that do not fall easily into established categories and yet meddle with social relations. They are in this sense ‘open secrets’. The article explores some of the challenges for feminist methodology in representing the space where affective and other needs meet in the context of the cultures of labour organizing in the factory communities on Mexico’s northern border.

Through the many reinterpretations of Freud’s essay Das Unheimliche (1919) within French Postmodernism, in recent decades, the uncanny has become a vague synonym for the methodology of deconstruction. The article aims to disambiguate the uncanny by reestablishing its characterizing nucleus and relocating it within the aesthetics through the philosophy of Stanley Cavell. The American philosopher claims that this feeling can be generated by drawing attention to the ordinary, which is so close and familiar to fade out of focus. Cavell and (...) the German Philosopher Juliane Rebentisch following him show that artistic practices can reinforce this experience, as through displacements and dislocations, they deprive objects of daily use and ordinary matters of their familiarity and force us to look more closely at their material, sensorial, and phenomenological dimensions. In this way, Cavell and Rebentisch offer a path to reconstitute a stable conceptual framework for defining the uncanny, linking it to Freud’s definition of something familiar appearing in an unfamiliar light. At the same time, they also propose a novelty by interpreting the uncanny not as inherently frightening and disturbing but as a compelling affective state that encourages a willingness to reappropriate and rediscover the ordinary. (shrink)

This paper examines the phenomena of ‘postmemory’ as a mode of possession that responds to experiences of suffering. As such, the hyper-connectivity it is concerned with is not that of the digitalisation of contemporary life but is rather ‘vertical’ hyper-connectivity indicating the disturbance of past injustices that have neither been mourned nor remedied and so keep returning to haunt the present and the future.

This article examines the way aspects of recent history were excluded in key studies emerging from psychoanalytic social psychology of the mid-20th century. It draws on work by Erikson, Marcuse and...

Loneliness is intimately related to the ongoing epidemics of systemic forms of oppression, including white supremacy, capitalism, heteropatriarchy and settler colonialism. The epidemic of loneliness has only intensified and grown during the isolation engendered by the COVID-19 pandemic. In this article, we aim to think about how children's picturebooks wrestle with explaining loneliness and its antidotes and how these picturebooks are themselves manifestations of ongoing conversations related to Emotional Justice. We conclude by reviewing a number of children's books in order (...) to think about how the picturebook might itself be an artifact that helps to fight feelings of loneliness as well as teaching children and adults alike about the importance of connection. (shrink)

Reporting on a study of activists living with HIV/AIDS who give testimonials of their experiences with the disease in various educational settings, this article employs the notion of 'haunting' as a means of analyzing the effect of social justice activism in the "aftermath" of the HIV/AIDS epidemic. Because of a shift in both the discursive construction of AIDS and the material symptoms of the disease (due to widespread availability of anti-retroviral medication), the signified of AIDS is "out of joint" with (...) the signification of the disease in the public sphere. AIDS, as a social phenomena and a personal, traumatic experience has been rendered spectral through processes of social othering, structural disenfranchisement, and cultural denialism. Most of the presenters included in this study utilize a strategy of "survivorhood" in order to promote prevention and combat stigma. In doing so, they inadvertently buttress dominant discourses that claim that the disease is now "manageable," normalized, and under control. By contrast, one presenter utilizes a completely different performative approach. In order to confront and subvert the "aftermath" discourse and thereby presence the living trauma of AIDS, this presenter embodies the specter of AIDS. As such, his presentation forces the audience to reckon with processes of social exclusion and cultural otherness. (shrink)

What if depression, in the Americas at least, could be traced to histories of colonialism, genocide, slavery, exclusion, and everyday segregation and isolation that haunt all of our lives, rather than to biochemical imbalances? This article seeks alternatives to the medical model found in most depression memoirs by considering how the epistemological and methodological struggles faced by a scholar of the African diaspora confronted by the absent archive of slavery are relevant to discussions of political depression. Combining scholarly investigation and (...) personal memoir, Saidiya Hartman’s Lose Your Mother exemplifies feminism’s affective turn not only by bringing personal narrative into scholarship, but by seeking reparation for the past in the affective dynamics of cultural memory rather than in legal reform or state recognition. Stubbornly refusing to find solace in an African past before slavery, though, Hartman provides a model of emotional reparation in which feelings of loss and alienation persist. Her work suggests the relevance of political depression to both the ordinary life of racism and to what gets called clinical depression. (shrink)

This article wrestles with how white domination is reproduced in research methods, questions and priorities in the neoliberal university. Reflecting on the stuck and lonely places in my doctoral project, I consider the challenges of doing research on racism in institutions largely hostile to such inquiries. I also trace the pivotal insights that helped me to get unstuck and less lonely. This involved refusing to allow white audiences and white investments to determine the direction and priorities of anti-racist scholarship. The (...) academy constantly returns us to the authority of these gatekeepers and this needs to be displaced and replaced with forms of accountability that do not consolidate white authority about matters pertaining to racism. The question of how to engage responsibly with the harm of racial violence became a central one as the concerns, priorities and desires of Black and racialised women rerouted questions of audience and accountability in this research project. Instead of being faithful to academic forms and conventions, I follow the insights of Black, Indigenous and women of colour feminisms to argue for a practice of careful and ethical engagement with one another. (shrink)

One of the most significant shifts in current thinking on war and gender is the recognition that rape in wartime is not a simple by-product of war, but often a planned and targeted policy. For many feminists ‘rape as a weapon of war’ provides a way to articulate the systematic, pervasive, and orchestrated nature of wartime sexual violence that marks it as integral rather than incidental to war. This recognition of rape as a weapon of war has taken on legal (...) significance at the Rwandan and Yugoslav Tribunals where rape has been prosecuted as a crime against humanity and genocide. In this paper, I examine how the Rwanda Tribunal’s record of judgments conceives of rape enacted as an instrument of the genocide. I consider in particular how the Tribunal’s conception of ‘rape as a weapon of war’ shapes what can be known about sexual violence and gender in the Rwandan genocide and what cannot, the categories of victims legally recognised and those that are not, and the questions pursued, and those foreclosed, about the patterns of violence before and during the genocide. (shrink)

In this article, I explore what I call the persecutory trope – which underscores the alterity of the phantom and its relentless haunting and spectral oppression of the protagonists – in recent American ghost films, connecting it to the ethical thought of the continental philosophers, Emmanuel Levinas and Jacques Derrida. Films like The Ring, The Grudge, It Follows, and Sinister depict terrifying spectral antagonists whose relentless persecution of the protagonists often defies comprehension and narrative closure. I suggest that these films (...) comprise a specific supernatural subgenre due to the particular way in which their specters haunt the victims. The relentlessness of the spectral assailant, and the foreclosure of actions by which the specter is either expelled from or reintegrated into symbolic understanding of its victim, can be construed in terms of the ethical relationship between the other and the self in the work of Levinas and Derrida. Their focus on the moral agent's responsibility to an other, an obligation that the agent does not undertake voluntarily, entails the spectralization of ethical responsibility insofar as it does not rest on solid, evidential grounds. This article shows how the spectralization of the ethical resonates in recent American ghost films through the disruptive effects of the specter's haunting and responsive mourning enacted by protagonists. (shrink)

This article thinks with oceans and swimming, in dialogue with decolonial feminist materialist approaches and other current novel methodologies which foreground embodiment and relational ontologies, in order to consider the conceptual potential of such diffractions for the project of alternative scholarly practices. We focus on swimming in the sea as one form of wild methodology and Slow scholarship that draws on hauntology to think about the possibilities of such methodologies for troubling normative academic practices directed at different ways of being (...) and becoming. Located in the (post-)apartheid space of South African higher education, which continues to follow and reinstate colonial, patriarchal and neoliberal capitalist logics, we ask questions about the silences around material histories of subjugation and violence that are embedded in the institution and the lives of those who enter these spaces. Propositions are made about how a swimming methodology may inspire a consciousness and engagement with intersectional gender hauntings that permeate the material, curricula, relational and affective spaces of academia as part of disrupting and reimagining the university as a space of/for justice and flourishing. We explore the ways in which embodied, affective methodologies in or near the ocean/s may be deployed to subvert and reconfigure, to make and stay with trouble. We therefore propose sea swimming as a powerful way of thinking with the sea in productive and creative ways for scholarship towards a justice-to-come, to open up new imaginaries of scholarship that make a difference. (shrink)

This paper is an intervention within feminist and queer debates that have re-posed so-called negative states of being as offering productive possibilities for political practice and social transformation. What is sometimes called the politics of negative affect or analyses of political feeling has sought to de-pathologise shame, melancholy, failure, depression, anxieties and other forms of ‘feeling bad’, to open up new ways of thinking about agency, change and transformation. Ann Cvetkovich's recent memoir explores depression as a public feeling and argues (...) that ‘feeling bad might, in fact, be the ground for transformation’. As she suggests, the question, ‘how do I feel’ could usefully be reframed as ‘how does capitalism feel’? This performative staging of political forms of psychosocial reflexivity opens up new strategies for survival, new visions of the future, and importantly de-medicalises feeling beyond an individual expression of psychopathology. The grounds for affective politics might be found within new feminist futures that are attentive to the relations between emotion, affect, feelings and politics. This paper will be situated within these debates and the challenge of thinking about the productive possibilities of negative states of being. However, rather than focus on depression, I will turn my attention to experiences such as psychosis and temporal dissociation, based on my long-standing research with the Hearing Voices Network. In the context of discussions of disability and capability I will discuss the value of concepts such as debility, and ‘living in prognosis’, and respond to the call to think through what such states might offer for feminist and queer practice. (shrink)

This paper examines the competing ‘languages’ of line in Julie Mehretu’s series, Grey Area and elaborates on the implications these lines have for theories of space, bodies and, in particular, the relationship between the two. Grey Area explores what Mehretu describes as a grey and in-between space. The series is composed of seven large abstract canvases covered in an assortment of gestural tracings and neatly traced rational lines. The juxtaposition of these competing linely narratives not only creates a grey space (...) visually, but compels viewers to stretch their bodies across the canvases and between the lined layers thus, facilitating a brief inhabitance of grey space. Building from this analysis, the paper reflects on the relevance of the lines and the stretching they elicit for examining the complexities of contemporary modes of inhabitation that often extend across multiple geographical sites and temporal modes. Thus, engaging with Mehretu’s lined abstractions draws attention to the importance of space in the production of bodily boundaries, what I call geographical and temporal bodily outlines. In addition to contributing to body-space theories, the paper also demonstrates the valuable insights gained by attending to the unique social-aesthetic analyses of visual art and artists. (shrink)