A proof is offered that aims to show that there can be no knowledge of God, excluding knowledge based on natural theology, without divine self-testimony. Both special and general revelation, if they occur, would be forms of divine self-testimony. It is argued that this indicates that the best way to model such knowledge of God is on the basis of an analogy with knowledge gained through testimony, rather than perceptual models of knowledge, such as the prominent model defended by Plantinga. (...) Appropriate causal chains and reliable cognitive processes only seem at best to ensure that a belief proposed for acceptance is the belief the testifier wants accepted; they do not ensure that it is rational to accept the belief. This particularly applies where there is much at stake, where it seems rational to seek some form of evidence, if available. Some brief comments are made on Trinitarian self-testimony. Another model of the ‘inner witness’ is briefly sketched out, based on the analogy with conscience. This model may capture some of the features of Plantinga’s approach, but leaves room for a free rejection of divine self-testimony, in a way that the perceptual analogy does not. A point connected to Plantinga’s aims is then made about the link between evidence, value and divine self-testimony, in relation to religious experience. Finally, it is suggested that the earlier proof may apply in a particular sense to all knowledge of God, including that based on natural theology. (shrink)

In this article, I summarize recent work on the philosophy of liturgy. In part 2 of this article, I consider how liturgy can provide a way of knowing God personally. I outline accounts of acquiring phenomenal knowledge, practical knowledge, and propositional knowledge by participating in liturgy.

We present a new understanding of Christ’s real presence in the Eucharist on the model of Stump’s account of God’s omnipresence and Green and Quan’s account of experiencing God in Scripture. On this understanding, Christ is derivatively, rather than fundamentally, located in the consecrated bread and wine, such that Christ is present to the believer through the consecrated bread and wine, thereby making available to the believer a second-person experience of Christ, where the consecrated bread and wine are the way (...) in which she shares attention with him. The consecrated bread and wine are then, in a sense, icons of Christ. (shrink)

Søren Kierkegaard’s claim that having faith requires being contemporary with Christ is one of the most important, yet difficult to interpret claims across his entire authorship. How can one be contemporary with a figure who existed more than two millennia ago? A prominent answer to this question is that contemporaneity with Christ is achieved through a kind of imaginative co-presence made possible by reading Scripture. However, I argue, this ignores what Kierkegaard thinks about Christ as a living agent, and not (...) a merely historical agent. By drawing on Kierkegaard’s discussion of Christ’s true presence in the sacrament of Communion, I argue that contemporaneity with Christ should be understood in the same way as any other intersubjective relation. That is, I argue, that just as relating to any living person as contemporary requires a kind of two-way attention-sharing, relating to Christ as contemporary, on Kierkegaard’s account, requires a kind of two-way attention-sharing with Christ. (shrink)

The popularity of theodicy over the past several decades has given rise to a countermovement, “anti-theodicy”, which admonishes attempts at theodicy for various reasons. This paper examines one prominent anti-theodical objection: that it is hubristic, and attempts to form an approach to theodicy which evades this objection. To do so I draw from the work of Eleonore Stump, who provides a framework by which we can glean second-personal knowledge of God. From this knowledge, I argue that we can derive a (...) theodicy which does not utilise the kind of analytic theorising anti-theodicists accuse of intellectual hubris. (shrink)