It is a well-known fact that Ernst Cassirer was inspired by his colleague, the biologist Jakob von Uexkiill at the university of Hamburg. This paper claims this inspiration was double—affecting both Cassirer's philosophical anthropology and Cassirer's epistemology of biology, but in two rather different ways. Thus, the paper intends to shed light on a corner of the history of the development of German thought of the interwar period. It may also have an actual interest because both Cassirer and Uexkiill enjoy, (...) for the time being and each in their way, a renaissance, e.g. in the recent field of biosemiotics. (shrink)

This article aims to contribute to the academic debate on the general crisis faced by law schools and the legal professions by discussing why juristic practice is a matter of experience rather than knowledge. Through a critical contextualisation of Vilhelm Lundstedt’s thought under processes of globalisation and transnationalism, it is argued that the demise of the jurist’s function is related to law’s scientification as brought about by the metaphysical construction of reality. The suggested roadmap will in turn reveal that the (...) current voiding of juristic practice and its teaching is part of the crisis regarding what makes us human. (shrink)

The reflection on the preconditions and evolution of science has played a decisive role in the development of Ernst Cassirer's philosophy, contributing to its functional and thus inherently pluralistic and holistic view of knowledge. To present Cassirer's conception of physics as an open symbolic formation enables us to reveal and study the radical features of his epistemological model: (1) the fundamental process of generating sense-units and meaning in its constitutive character for each attempt of objectification, (2) its driving and structuring (...) dynamics that touches and transforms all elements of knowledge, the a priori included, (3) the strategies of justification that allow maintaining the claim of truthfulness in spite the fact that Cassirer's open model integrates contingency and transitoriness as an inherent part of knowledge. It thus becomes clear that Cassirer's term 'symbol' cannot be reduced to its habitual representational acceptation, for its key theoretical function is to overcome the inconsistencies of dualistic epistemological models. It is this re-orientation, a kind of 'second Copernican revolution', that allows Cassirer to go beyond traditional dichotomies and to propose a larger frame in which to appreciate the diversity of human understanding. (shrink)

Ernst Cassirer viewed mythical thinking as a first step in our mental representation of the real world, but only a first step. What myth leaves out are the differentiations that lead eventually to science. To the primitive, mythically inclined mind, the world is an undifferentiated whole, the elements of which—including the mind itself—are thought to be concrete and interconnected. This means that there is no distinction between observer and observed, and that the observer sees the representations with which she constructs (...) her picture of reality as direct apprehensions of reality, untnediated by any sensory or cognitive categories. Far as that way of thinking may seem from the modern mindset, we have only to examine commonplace political ideas to find evidence of the implicit assumption of an unmediated connection between the wishes of poltical agents and the results they intend to achieve. (shrink)

This article discusses the question whether or not Cassirer’s philosophical critique of technological use of myth in The Myth of the State implies a revision of his earlier conception and theory of myth as provided by The Philosophy of Symbolic Forms. In the first part, Cassirer’s early theory of myth is compared with other approaches of his time. It is claimed that Cassirer’s early approach to myth has to be understood in terms of a transcendental philosophical approach. In consequence, myth (...) is conceived as a form of cultural consciousness which is constituted by specific symbolic processes. In the second part, the theoretical assumptions underlying Cassirer’s criticism of myth are discussed and compared with his earlier theory. It is argued that there is a strong conceptual and theoretical continuity between Cassirer’s early views on myth as a symbolic form and his later critique of technological use of myth. (shrink)

Based on architectural projects which interpret literature as program we discuss design reasoning when no routine models of problem solving apply. We address three aspects of formulation: defining the design charge so that it can be retrospectively stated independent of the actual proposal; defining a language of formal operations; and defining the intrinsic aims of design that are only intimated through the proposal itself. The coherence of the project is a function of the way in which formal properties interact, and (...) the way in which they sustain analogical or metaphorical relationships to text: how the patterns of subdivision, connection, differentiation, positioning, movement or perception associated with built space relate to textual figures, concepts, structure, or narrative. The possibility of constructing architectural meaning in this way implies an underlying model of space as a morphic language which works primarily through the constitution of generic and significant relationships rather than the combination of previously objectified elements. The gradual articulation of the design charge is mediated by a process of diagramming. Diagrams express as spatial constructions the conditions and concepts abstracted from text; also, they act as notations of constructive operations which are themselves spatial. Diagrams can be abstractive or pictorial, dense or discrete. They document two aspects of an integral process of reasoning: First, an exploration of how concepts, whether directly, analogically or metaphorically transferred from text to shape, may relate to produce a more complex idea; second, how formal properties co-vary and how an emergent design proposal engages and activates a field of formal possibility. (shrink)

This paper problematizes current thinking about education by arguing that the question of educational purpose is not simply a socio-political question concerned with what the ends should be and why...

This paper provides a reading of Nishitani’s philosophy of culture. It argues that the advent of nihilism is the logical conclusion of what will be called the “fracturing of culture” in which philosophy and religion lose their creative force to revitalize a cultural tradition as the sense of being-in-time that forms the historical life of a historical world. Section two sets out the paradoxical nature of Nishitani’s philosophy of culture as both a transcendental and existential project. Section three draws attention (...) to the fact that a concept of culture always belongs to a concrete culture as part of its own understanding of itself. Section four interprets the advent of nihilism in terms of a crisis of culture that ensues from the loss of the existential understanding of history that grounds a cultural world, that forms the standpoint of a historical event of worlding, the historical life that we are. Section five examines Nishitani’s project in terms of the reappropriation of a lost tradition through an existential receptive reinterpretation of Buddhism. Section six argues that for Nishitani the advent of nihilism comes about as a result of the negation of myth by science and thus the overcoming of nihilism comes about through the recollection of myth. Section seven determines the nature of myth for Nishitani through a comparison with Cassirer’s and Heidegger’s understanding of myth. Three elements of myth are focused on: 1) myth as an existential confrontation with being-in-the-world; 2) this existential being-in-the-world forms an existential being-in-time; and 3) myth is the position of the imagination, a thinking by means of form-images [keizō 形像] (Bild, image). Section seven considers the difference between Cassirer’s and Nishitani’s respective accounts of myth. Section nine examines the nature and function of philosophy, science, and religion in terms of their relation to myth and in terms of how they understand interdependent origination. Section, ten ends the paper by considering what is called the “fracturing” of culture and the advent of nihilism. (shrink)

This essay reconstructs the steps by which Cassirer moved from the philosophy of language in the early 1920s to his more general theory of symbolism. The linguistic turn in philosophy overcame idealism without falling into naturalism or psychologism, but according to Cassirer proclaiming the primacy of language was one-sided. He claimed that language is but one symbolic form among many and, what is more, it is not the most fundamental kind of symbolism. The basic function of symbolism is neither “reference” (...) nor “pure signification,” but the unification of sensory phenomena in perception, a function he termed symbolic “Prägnanz.” The essay explains how Cassirer argued for a continuity of symbolic processes linking expressive perceptual qualities with scientific theory. (shrink)

This essay reconstructs the steps by which Cassirer moved from the philosophy of language in the early 1920s to his more general theory of symbolism. The linguistic turn in philosophy overcame idealism without falling into naturalism or psychologism, but according to Cassirer proclaiming the primacy of language was one-sided. He claimed that language is but one symbolic form among many and, what is more, it is not the most fundamental kind of symbolism. The basic function of symbolism is neither "reference" (...) nor "pure signification," but the unification of sensory phenomena in perception, a function he termed symbolic "Prägnanz." The essay explains how Cassirer argued for a continuity of symbolic processes linking expressive perceptual qualities with scientific theory. (shrink)

My purpose in this paper is to look at Cassirer's relation to critical philosophy from a new perspective. Most discussions concerning Cassirer's Kantianism have so far centered on his relation to neo-Kantianism and the Marburg school. My focus will not be on neo-Kantianism but on Cassirer's notion of a "critique of culture." In an often cited paragraph from the introduction to The Philosophy of Symbolic Forms, Cassirer says that his aim is to broaden Kant's critical approach to all various forms (...) of culture, to language as well as myth and art, and thus to transform the "critique of reason" into the "critique of culture." I will explore Cassirer's concept of the "critique of culture" and suggest that it can best be understood by placing it in the context of early twentieth century German philosophy. More precisely, I will aim to show that Cassirer's critique can be seen as an effort to find a middle path between Lebensphilosophie and the positivism of the Vienna Circle. (shrink)

Cassirer's approach to symbolic mediation differs in some important ways from currently prevailing approaches to meaning and signification such as semiology and its more recent poststructuralist varieties. Cassirer's philosophy of symbolic forms offers a theory of symbols that does not amount to a sign theory or semiology. It sketches out, rather, a dynamic and nonrepresentational framework in which an alternative notion of difference takes centre stage. In order to make the original features of Cassirer's approach stand out, I will compare (...) it with the approach of the perhaps most influential differential thinker of our day, Jacques Derrida. The philosophy of symbolic forms explicitly prefigures a great many of the insights and concerns of poststructuralism. Yet, there are some critical differences. Rather than rejecting the concepts of objectivity, identity, and truth on the premises established by traditional metaphysics, Cassirer chooses to redefine these concepts through a radical conceptual reframing. The result is a doctrine that—in Derridean parlance—neither jumps beyond the oppositions of metaphysics, nor tries to resolve them in a Hegelian synthesis—a doctrine, that is, that even though it appeals to origins, cannot so easily be dismissed as yet another instantiation of the metaphysics of presence. (shrink)

Cassirer’s approach to symbolic mediation differs in some important ways from currently prevailing approaches to meaning and signification such as semiology and its more recent poststructuralist varieties. Cassirer’s philosophy of symbolic forms offers a theory of symbols that does not amount to a sign theory or semiology. It sketches out, rather, a dynamic and nonrepresentational framework in which an alternative notion of difference takes centre stage. In order to make the original features of Cassirer’s approach stand out, I will compare (...) it with the approach of the perhaps most influential differential thinker of our day, Jacques Derrida. The philosophy of symbolic forms explicitly prefigures a great many of the insights and concerns of poststructuralism. Yet, there are some critical differences. Rather than rejecting the concepts of objectivity, identity, and truth on the premises established by traditional metaphysics, Cassirer chooses to redefine these concepts through a radical conceptual reframing. The result is a doctrine that—in Derridean parlance—neither jumps beyond the oppositions of metaphysics, nor tries to resolve them in a Hegelian synthesis—a doctrine, that is, that even though it appeals to origins, cannot so easily be dismissed as yet another instantiation of the metaphysics of presence. (shrink)

Leibniz’s philosophical and philological interests overlapped at many points, and some of his fundamental philosophical notions shaped his views on language, particularly his thinking about language history, in decisive ways. Although he is better known for his work on universal language, his writings on natural language and language history are worth consideration both for their subtlety and for the insight they give into the complex history of thought on this topic. The principles of sufficient reason, praedicatum inest subjecto, and his (...) doctrine of marks and traces are echoed in his work on natural languages and in his account of their histories. He attempted to reconcile philosophical investigations of the natural languages with the Biblical accounts of the confusion of languages at Babel, and in his approach to etymology he participated in a long tradition of thinking about language and its essence as hidden or secret, the truth of which remains scattered in signs and which etymology alone may occasionally reveal. (shrink)

The condition of explicit theoretically discursive cognitive performance, as it culminates in scientific activity, is, I claim, the life world. I contrast life world and scientific world and argue that the latter arises from the first and that contrary to the prevailing views the scientific world (actually, worlds, since the classical world is substantially different from the quantum world) finds its completion in the life world and not the other way around. In other words: the closure we used to search (...) in a complete and comprehensive scientific description of all aspects of experience by referring it back to underlying atoms, genes and other scientific objects and the covering laws ruling them, should be sought in a reintegrating and occasionally dissolving of the abstract scientific model in the self-organizational fluidity and superposition-like indeterminateness and non-locality of the life world: “We have to acknowledge the indeterminate as a positive phenomenon” (Merleau-Ponty in his The Phenomenology of Perception). (shrink)

Digital media and its effects on society have been widely discussed and questioned by many authors, for instance one’s additional self such as Facebook or Instagram and its later ways to behave virtually or the effects of uninterrupted entertainment on memory, attention span and creativity. Besides being an occupation during idle time, an internet connection and its gadgets have become an essential tool to accomplish some of the most ordinary tasks, such as track addresses or pay bills, as well as (...) a powerful feature within the scientific-academic environment. The shift from analog to digital has probably been achieved. The philosopher Vilém Flusser argued that the inadvertent use of “technical” media could substantially change the way we process information, the way we think. Although Vilém Flusser had already highlighted the importance of idle time during which critical thought takes place, it is only during spare time that one is able to re-think about what was done, criticize it and adjust accordingly. Flusser’s major outcome is a possible reshaping of historical consciousness. The following text discusses the gains and losses of cognitive dimensions after the digital shift and its impacts on the architectural design process, based on Vilém Flusser’s “hypothesis that human civilisation has seen two fundamental turning points since its beginning. The first may be defined as ‘the invention of linear writing’. The second may be called the invention of technical images”.. The research looks at new media within the architectural design process: tri-dimensional modeling versus two-dimensional representation, use of smartphones and other interactive media by constructing analogies between writing and architectural representation, and how these new procedures are radically changing consciousness and the task of developing knowledge. (shrink)

I look at the distinction between between realist and antirealist views of the quantum state. I argue that this binary classification should be reconceived as a continuum of different views about which properties of the quantum state are representationally significant. What's more, the extreme cases -- all or none --- are simply absurd, and should be rejected by all parties. In other words, no sane person should advocate extreme realism or antirealism about the quantum state. And if we focus on (...) the reasonable views, it's no longer clear who counts as a realist, and who counts as an antirealist. Among those taking a more reasonable intermediate view, we find figures such as Bohr and Carnap -- in stark opposition to the stories we've been told. (shrink)