The first book-length philosophical study on the Presocratic influences in Plotinus’ Enneads.

_The first book-length philosophical study on the Presocratic influences in Plotinus’ Enneads._.

> καὶ πῶς τις ἀνάξει αὐτοὺς εἰς φῶς, ὥσπερ > > ἐξ Ἅιδου λέγονται δή τινες εἰς θεοὺς ἀνελθεῖν; > > Plato Republic 521c This study reconstructs Empedocles’ eschatology and cosmology, arguing that they presuppose one another. Part one surveys body and soul in Empedocles and argues that the transmigrating daimon is a long-lived compound made of the elements air and fire. Part two shows that Empedocles situates our current life in Hades, then considers the testimonies concerning different cosmic levels (...) in Empedocles and compares them with the afterlife schemes in Pindar’s Second Olympian Ode and Plato’s Phaedo myth. Part three offers a new edition of section d lines 5–10 of the Strasbourg papyrus of Empedocles that reinforces the connection between transmigration and different cosmic locations for souls. Part four reconstructs Empedocles’ cosmology, identifies three different levels or habitats of soul, and, more tentatively, suggests that Empedoclean “long-lived gods” are best understood as stars. (shrink)

This paper explores the role the Panhellenic centers played in facilitating the circulation of wisdom in ancient Greece. It argues that there are substantial thematic overlaps among practitioners of wisdom , who are typically understood as belonging to different categories . By focusing on the presence of σοφοί at the Panhellenic centers in general, and Delphi in particular, we can acquire a more accurate picture of the particular expertise they possessed, and of the range of meanings the Greeks attributed to (...) the word σοφία. This approach seeks to challenge the conventional categories of modern scholarship and to offer a broader and more inclusive interpretive framework in its stead. One such thematic overlap is the way in which many σοφοί are described as exerting an almost uncanny, yet highly conventional ability to attract listeners and enchant them with their verbal performances. There is plenty of material to support the view that σοφοό, through tapping into the repository of σοφία that Delphi constituted and by aligning themselves with its authority, were seen as themselves being a conduit for a similar type of charismatic speech. (shrink)

We critically reconsider an old hypothesis of the role of the dekad in Pythagorean philosophy. Unlike Zhmud, we claim that: 1) the dekad did play a role in Philolaus’ astronomical system, and 2) Aristotle did not project Plato’s theory of the ten eidetic numbers onto the Pythagoreans. We claim that the dekad, as the τέλειος ἀριθμός, should be understood in Philolaus’ philosophy as completeness and the basis of counting in Greek – as in most other languages – in a decimal (...) system. Additionally, we argue that the number ten is not even a candidate for the τέλειος ἀριθμός in Plato’s philosophy. As a final result of our discussion, we compare and contrast Philolaus’, Plato’s, and Speusippus’ accounts of completeness in relation to numbers. (shrink)

In Philolaus’ cosmology, the earth revolves around a central fire along with the other heavenly bodies, including a planet called the counter-earth which orbits below the earth. His theory can account for most astronomical phenomena. A common criticism of his theory since ancient times is that his counter-earth does no work in the system. Yet ancient sources say the planet was supposed to account for some lunar eclipses. A reconstruction of Philolaus’ cosmology shows how lunar eclipses occurring at certain times (...) of day cannot be explained by earth blocking the sun’s light. The counter-earth could explain these eclipses. (shrink)

Euhemerus, the famous theorist on the nature of the gods who lived around 300 BC, has usually been discussed as a disembodied intellectual figure, with scholars focusing on his literary and philosophical sources and influence. Although he is called “Euhemerus of Messene,” there is uncertainty as to where he was born, lived, and worked, in particular whether he came from Sicilian or Peloponnesian Messene. Until now, the conquests of Alexander the Great and the establishment of the Successor Kingdoms have been (...) considered the only context for Euhemerus. This paper will draw upon literary, historical, and archaeological evidence to argue that Euhemerus belongs in a Sicilian context. The long history of the worship of rulers in Sicily from the oikistai to the tyrants of Syracuse, the wealth of Sicily, the proximity of the Lipari Islands, the multiethnic milieu of Sicily with its vigorous interaction and syncretism, all contributed to Euhemerus' experiences and thought. We suggest that centuries of Sicilian cultural and political experience, not merely the “phenomenon” of Alexander the Great and the dawn of the Hellenistic Age, provided the impetus to the ideas of Euhemerus, and that Euhemerus brought this Sicilian contribution to bear on the new problems of the wider world. (shrink)

Euhemerus, the famous theorist on the nature of the gods who lived around 300 BC, has usually been discussed as a disembodied intellectual figure, with scholars focusing on his literary and philosophical sources and influence. Although he is called “Euhemerus of Messene,” there is uncertainty as to where he was born, lived, and worked, in particular whether he came from Sicilian or Peloponnesian Messene. Until now, the conquests of Alexander the Great and the establishment of the Successor Kingdoms have been (...) considered the only context for Euhemerus. This paper will draw upon literary, historical, and archaeological evidence to argue that Euhemerus belongs in a Sicilian context. The long history of the worship of rulers in Sicily from the oikistai to the tyrants of Syracuse, the wealth of Sicily, the proximity of the Lipari Islands, the multiethnic milieu of Sicily with its vigorous interaction and syncretism, all contributed to Euhemerus' experiences and thought. We suggest that centuries of Sicilian cultural and political experience, not merely the “phenomenon” of Alexander the Great and the dawn of the Hellenistic Age, provided the impetus to the ideas of Euhemerus, and that Euhemerus brought this Sicilian contribution to bear on the new problems of the wider world. (shrink)

This interdisciplinary article argues that ancient Greek and Roman representations of Okeanos, Tartaros, and the underworld demonstrate an observational awareness of the hollow underground spaces that characterize the geomorphology of karst terrains in the Mediterranean world. We review the scientific facts that underlie Greek and Roman accounts of karstic terrain in observation-based discourse and in myths, and we demonstrate that the Greek words barathron, limnē, koilos, and dinē are used with precision in observational accounts of karst terrain. Ancient accounts of (...) the dynamic limnē and barathrum systems characteristic of much karst terrain offer a complex matrix of observation-based and belief-based discourse: at the edge of the barathrum, the imaginative or spiritual realm of the underworld has a material plausibility and the closely observed material world has a plausible potential to connect to a world we cannot see. (shrink)

There has been no shortage of readers who take Nietzsche as educator (cf., for a by no means exhaustive list: Allen, 2017; Aviram, 1991; Bell, 2007; Cooper 1983; Fairfield, 2017; Fitzsimons, 2007;...

8000 Word annotated bibliography on the Phaedo, with roughly 70 entries. Note that the subscription version is a bit easier to navigate. The hyperlinks work in this pdf, but you can not as easily jump to the different sections.

This text has already been published, in La Deleuziana – online journal of philosophy – n. 10 / 2019 – rhythm, chaos and nonpulsed man.: This paper explores the question of the relationship between art, rhythm, and life through a mobilisation of Giorgio Agamben's discussion, first, of Nietzsche and the active nihilist's relation-ship to art, and second, on his diagnosis of rhythm as pertaining to the “original structure” of the work of art in The Man Without Content. Agamben's notion - (...) Philosophie – Nouvel article. (shrink)

This paper explores the question of the relationship between art, rhythm, and life through a mobilisation of Giorgio Agamben’s discussion, first, of Nietzsche and the active nihilist’s relationship to art, and second, on his diagnosis of rhythm as pertaining to the “original structure” of the work of art in The Man Without Content. Agamben’s notion of the “rhythmic” and “poietic” encounter is one which situates the experience of rhythm as the experience of the originary dimension of temporality and of the (...) human’s relationship to the world. Turning to Nietzsche, this paper seeks to complicate Agamben’s picture by discussing Nietzsche’s under-discussed explorations of rhythm and its connection to art. Three distinct rhythms will be identified: Apollonian, Dionysian, and the tragic or joyful rhythms of the Apollo-Dionysus relation. Reading Agamben through Nietzsche, it will be discussed how Agamben’s notion of rhythm blends Apollonian and Dionysian elements; does not through this blending however offer a tragic or joyful notion of rhythm, which, for Nietzsche, follows from their double affirmative rhythmisation. Instead of a rhythmic-poietic encounter opening an originary and authentic experience of temporality and dwelling, Nietzsche offers an account of tragic and joyful rhythms which continually create new worlds. (shrink)

David Hernández Castro ABSTRACT: Scholars have generally analysed Empedocles’ criticism of sacrifices through a Pythagorean interpretation context. However, Empedocles’ doctrinal affiliation with this school is problematic and also not needed to explain his rejection of the ‘unspeakable slaughter of bulls.’ His position is consistent with the wisdom tradition that emanated from the Sanctuary of Apollo ….

This thesis regards the ancient Pythagorean-Platonic idea of heavenly harmony as a philosophical paradox: stars are silent, music is not. The idea of ‘star music’ contains several potential opposites, including imagination and sense perception, the temporal and the eternal, transcendence and theophany, and others. The idea of ‘star music’ as a paradox can become a gateway to a different understanding of the universe, and a vehicle for a shift to a new – and yet very ancient – form of consciousness. (...) The ancient Greeks had a holistic form of consciousness, which was continually intermingling with a transpersonal dimension. This ancient state of consciousness was related to a musical understanding of the world, the Pythagorean-Platonic experience of the universe as an ordered cosmos. My research is approached from two angles, namely from the history of ideas and from musicianship, exploring how music is reflected in the world of thought. By reflexive re-reading of the sources, new insights into the nature of musical consciousness are explored. The idea of ‘star music’ can be found throughout the history of music and thought in the West, including Plato’s works and that of other ancient philosophers, through the Middle Ages, the Renaissance, the Romantic era and the twentieth century up to contemporary New Age music. As a conclusion, the paradox of ‘star music’ is connected to an experience of a shared transcendent meaning of music, which can be present in the moment of a musical performance. ‘Star music’ is a living paradox. (shrink)