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  1. Who Am I and Who Are You?: Gadamer on Celan’s Dialogical Poetry.Arup Jyoti Sarma - 2023 - Journal of Aesthetics and Phenomenology 10 (1):33-48.
    ABSTRACT In this essay, I shall discuss Gadamer’s interpretation of Celan’s dialogical poetry in his essay “Wer bin Ich und wer bist Du?” (“Who am I and Who are You?”). One may argue that this is Gadamer’s articulation of the problem of the self-other relationship. To understand the question of self and other, it is first of all necessary to return to the poetic word from which the question arises. Speaking is, for Gadamer, the most profoundly self-forgetful action, because when (...)
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  • Poetry as anti-discourse: formalism, hermeneutics, and the poetics of Paul Celan. [REVIEW]Christian Lotz - 2011 - Continental Philosophy Review 44 (4):491-510.
    I argue from a hermeneutic point of view that formal elements of poetry can only be identified because poetry is based on both the phenomenon and the conception of poetry, both of which precede the attempt to identify formal elements as the defining moment of poetry. Furthermore, I argue with Gadamer that poetry is based on a rupture with and an epoche of our non-poetic use of language in such a way that it liberates “fixed” universal aspects of everyday language, (...)
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  • The Surrealism of the Habitual: From Poetic Language to the Prose of Life.Alison James - 2011 - Paragraph 34 (3):406-422.
    This article argues that the later philosophy of Wittgenstein has significant affinities with surrealist approaches to the ordinary. It links the question of ordinary language first to the dilemmas of poetic speech after Mallarmé, then to a current of thought on everyday life that emerges in France in the wake of surrealism. Finally, a reading of prose texts by Breton and Aragon brings together these two lines of argument, demonstrating that surrealism appeals to ordinary language and everyday life as a (...)
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  • Gadamer as Literary Critic.Everett Hamner - 2004 - Renascence 56 (4):257-273.