This paper examines Leibniz’s views on the theistic doctrine of continual creation and considers their implications for his theory of finite substance. Three main theses are defended: (1) that Leibniz takes the traditional account of continual creation to involve the literal re-creation of all things in a successive series of instantaneous states, (2) that a straightforward commitment to the traditional account would give rise to serious problems within Leibniz’s theory of finite substance and his metaphysics more generally, and (3) that (...) Leibniz does not straightforwardly affirm the continual creation doctrine, despite certain texts that initially seem to suggest otherwise. I also present a more speculative interpretive hypothesis about what Leibniz’s considered view of creation might have been, namely that in a single act, God creates and conserves substances that are non-spatial and atemporal at the deepest level of reality. (shrink)

This article is about Gilles Deleuze's book Le Pli. Leibniz et le Baroque from 1988. It shows how Deleuze's notion of folding captures some basic intuitions in Leibniz and how they relate to each other. To this purpose, I propose five figures, all referring to the same basic fold, all illustrating how the consideration of such figures allows developing central elements of Leibniz's monadology. These figures can help, I hope, alleviate some of the fundamental difficulties in understanding Deleuze's approach to (...) the Monadology from the non-Deleuzian perspective of contemporary Leibniz scholarship and give a sense of the synthetic, explanatory force that Deleuze's notion of folding has in relation to Leibniz's monadological metaphysics. (shrink)