This paper explores how gender can operate as a disguise for class in an examination of the self-sacrifice of the Maiden in Euripides' Children of Herakles. In Part I, I discuss the role of human sacrifice in terms of its radical potential to transform society and the role of class struggle in Athens. In Part II, I argue that the representation of women was intimately connected with the social and political life of the polis. In a discussion of iconography, the (...) theater industry and audience I argue that female characters became one of the means by which different groups promoted partisan interests based on class and social status. In Part III, I show how the Maiden solicits the competing interests of the theater audience. After discussing the centrality and marginality of the Maiden's character, I draw upon the funeral oration as a comparative model with which to understand the quite different role of self-sacrifice in tragedy. In addition to representing and mystifying the interests of elite, lower class and marginal groups, the play glorifies a subordinate character whose contradictory social status embodies the social position of other “marginal” members of Athenian society. The play stages a model for taking political action to transform the social system and for commemorating the tragic costs of such undertakings. (shrink)

This article proposes a new interpretation of slave religious experience in mid-republican Rome. Select passages from Plautine comedy and Cato the Elder's De agri cultura are paired with material culture as well as comparative evidence—mostly from studies of Black Atlantic slave religions—to reconstruct select aspects of a specific and distinctive slave “religiosity” in the era of large-scale enslavements. I work towards this reconstruction first by considering the subordination of slaves as religious agents before turning to slaves’ practice of certain forms (...) of religious expertise in the teeth of subordination and policing. After transitioning to an assessment of slave religiosity's role in the pursuit of freedom, I conclude with a set of methodological justifications for this paper's line of inquiry. (shrink)

This article argues we can better interpret key aspects of Plato's Phaedo, including Socrates' cryptic final words, if we read the dialogue against the background of Greek manumission. I first discuss modes of manumission in ancient Greece, showing that the frequent participation of healing gods (Apollo, Asklepios, and Sarapis) reveals a conception of manumission as “healing.” I next examine Plato's use of manumission and slavery as metaphors, arguing that Plato uses the language of slavery in two main ways: like real (...) slavery, metaphorical slavery could be good, if it reflected a natural hierarchy, or bad, if it entailed an inversion thereof. Accordingly, metaphorical manumission from good and bad “slavery” are shown to be bad and good, respectively. Finally, I reread Plato's Phaedo, showing that Socrates, a willing “slave” of the gods, seeks the “manumission”/healing of his soul. It is in exchange for his complete “manumission,” attainable only through the death of his body, that Socrates offers a cock to the healing/manumission god Asklepios. (shrink)