The German philosopher and intellectual historian Karl Löwith is known and discussed mainly in the English language via his major work on secularization – Meaning in History, first written and published in English – and the more recently translated essays that criticize Martin Heidegger. However, Löwith’s body of work is rarely considered for the original contribution that it offers to the discourse on the questions of modernity and modern life. This oversight is due much to the way in which Hans (...) Blumenberg and Jürgen Habermas have each ‘dealt’ with Löwith’s position; Löwith in each case becomes a flagstone in the path to their own theories. This article reappraises Löwith’s thought through an exploration of his major works, and discovers that the concepts and motivations behind the critical force of his intellectual histories suggest a more sensitive reading of the modern condition than his critics allow. His notions of nature, cosmos and eternity, and his steadfast skepticism, reveal Löwith to be a theorist of the limits of human finitude, and set him apart from his contemporaries and his former teacher Heidegger. It is these aspects of his work that will continue to be provocative for both defenders of freedom and defenders of nature. (shrink)

SUMMARYThe aim of this paper is to make a case for the claim that Karl Löwith's thought is predominately preoccupied with one major philosophic–historical problem that may be broadly labelled existentialism. This notion is usually employed by Löwith in order to grasp the various phenomena and developments within the European history in the modern age. I claim that the meaning assigned by Löwith to the notion of existentialism is inseparable from its political consequences. In other words, I attempt to reconstruct (...) the notion of existentialism in Löwith's thought primarily as a political problem. By advancing this argument, I am inclined towards the view that Löwith’s œuvre deserves more careful reception from political theorists than it has yet received. (shrink)