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The work of saintly love : the religious impulse in Gaita's writing

In Christopher Cordner & Raimond Gaita (eds.), Philosophy, Ethics, and a Common Humanity: Essays in Honour of Raimond Gaita. Routledge (2011)

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  1. Kierkegaard, Repetition and Ethical Constancy.Daniel Watts - 2017 - Philosophical Investigations 40 (4):414-439.
    How can a person forge a stable ethical identity over time? On one view, ethical constancy means reapplying the same moral rules. On a rival view, it means continually adapting to one's ethical context in a way that allows one to be recognized as the same practical agent. Focusing on his thinking about repetition, I show how Kierkegaard offers a critical perspective on both these views. From this perspective, neither view can do justice to our vulnerability to certain kinds of (...)
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  • Absolute Goodness, Wonder and the Evildoer.Alex Segal - 2014 - Philosophical Investigations 37 (4):312-327.
    Raimond Gaita affirms absolute goodness as the only thing with the power to keep fully among us the worst kind of evildoer. At issue in this goodness is a wonder that he ties to joy. Yet Gaita does not, perhaps cannot, imagine this power with respect to the evildoer concretely enough for it to move us in the way his account requires. An aspect of his writings that resists the emphasis on a joyous wonder may assist our thinking about the (...)
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  • The new enhancement technologies and the place of vulnerability in our lives.John G. Quilter - 2016 - Theoretical Medicine and Bioethics 37 (1):9-27.
    What is the place of vulnerability in our lives? The current debate about the ethics of enhancement technologies provides a context in which to think about this question. In my view, the current debate is likely to be fruitless, largely because we bring the wrong ethical resources to bear on its questions. In this article, I recall an important, but currently neglected, role that moral concepts play in our thinking, a role they should especially play in relation to the introduction (...)
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  • ‘That’s What Art Does’: Disclosing Religious and Ethical Possibilities Through Film.Mikel Burley - 2021 - Sophia 60 (4):1047-1064.
    The significance of narrative artworks as resources for, and possibly as instances of, philosophical thinking has increasingly been recognized over recent decades. Utilization of such resources in philosophy of religion has, however, been limited. Focusing on film in particular, this article develops an account of film’s importance for a ‘contemplative’ approach to philosophizing about religious ethics, an approach that prioritizes the elucidation of possibilities of sense over the evaluation of ‘truth claims’. Taking Dead Man Walking as a case in point, (...)
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