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  1. True Beauty.Ryan P. Doran - forthcoming - British Journal of Aesthetics.
    What is the nature of the concept BEAUTY? Does it differ fundamentally from nearby concepts such as PRETTINESS? It is argued that BEAUTY, but not PRETTINESS, is a dual-character concept. Across a number of contexts, it is proposed that BEAUTY has a descriptive sense that is characterised by, inter alia, having intrinsically pleasing appearances; and a normative sense associated with deeply-held values. This account is supported across two, pre-registered, studies (N=500), and by drawing on analysis of corpus data. It is (...)
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  • Loneliness, Love, and the Limits of Language.Ruth Rebecca Tietjen & Rick Anthony Furtak - 2021 - Southern Journal of Philosophy 59 (3):435-459.
    In this article, we illuminate the affective phenomenon of loneliness by exploring the question of how it relates to love and other forms of friendship. We reflect in particular on the question of how different forms of loneliness are relevant to human existence. Distinguishing three forms of loneliness, we first introduce two border cases of loneliness: unfelt loneliness in which one’s individuality is denied and one therefore cannot feel lonely; and existential loneliness in which the possibility of intimacy and existential (...)
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  • Erotics or Hermeneutics?: Nehamas and Gadamer on Beauty and Art.Daniel L. Tate - 2015 - Journal of Aesthetics and Phenomenology 2 (1):7-29.
    ABSTRACTAlthough grounded in different philosophical traditions, Alexander Nehamas and Hans-Georg Gadamer each return to Plato's idea of the beautiful, to kalon, in order to reclaim the relevance of beauty for our understanding of art today. Their appeal to Plato challenges the reign of aesthetics that both see inaugurated by Kant's aesthetic theory. Nehamas criticizes the Kantian notion of “disinterest” as a “pleasure bereft of desire” in order to reassert the passionate longing that draws us toward art. Gadamer criticizes Kant's analysis (...)
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  • The Symposium and Platonic Ethics: Plato, Vlastos, and a Misguided Debate.Frisbee Sheffield - 2012 - Phronesis 57 (2):117-141.
    Abstract Scholarship on the Symposium is dominated by a debate on interpersonal love started by Gregory Vlastos in his article, `The Individual as an Object of Love in Plato.' This paper argues that this debate is a misguided one, because it is not reflective of the central concerns of this text. Attention needs to be turned to the broader ethical questions posed about the ends of life, the nature of human happiness, and contemplation. Failure to do so will mean that (...)
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  • Eliminating ‘ life worth living’.Fumagalli Roberto - 2018 - Philosophical Studies 175 (3):769-792.
    This article argues for the elimination of the concept of life worth living from philosophical vocabulary on three complementary grounds. First, the basic components of this concept suffer from multiple ambiguities, which hamper attempts to ground informative evaluative and classificatory judgments about the worth of life. Second, the criteria proposed to track the extension of the concept of life worth living rest on unsupported axiological assumptions and fail to identify precise and plausible referents for this concept. And third, the concept (...)
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  • Philosophy’s Workmate: Erōs and the Erōtica in Plato’s Symposium.Edith Gwendolyn Nally - 2022 - Apeiron 55 (3):329-357.
    Diotima’s speech claims that philosophy ranks among the erōtica. The standard reading of this holds that erōs manifests in philosophical activity. This is puzzling. Eros has a reputation for overpowering the psyche, making reasoning impossible. The major interpretive discussion of this puzzle suggests that Diotima must therefore accept either non-rationalist philosophizing or rationalist erōs. This paper argues for an alternative. The “ancillary activities view” posits that the erōtica do not manifest erōs but are activities undertaken to achieve its telos. On (...)
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  • Thoreau, Parrhesia, and the Socratic Tradition of Philosophy.Reza Hosseini - forthcoming - Dialogue:1-18.
    Résumé En général, la plupart des objections aux écrits d'Henry Thoreau se penchent sur ses provocations « inamicales ». Dans cet article, je propose que nous examinions son style par rapport à la pratique de la parrhésie, c'est-à-dire l'expression de la vérité d'après la tradition socratique de la philosophie. La parrhésie est la pratique consistant à dire la vérité dans le but de prendre conscience de l'importance de changer sa propre vie. La transformation envisagée par Thoreau dépend de l'acquisition d'un (...)
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